"Tonight To Sea" is the twelfth song of the Vacant Sky Parlor album "Octopus Zoo". This is sort of the closing song of the album that washes everything away in ocean and synths. Kind of a quiet one.. drifting and sinking away.
This week's MP3 is "Anchor Light, the 11th track from the Vacant Sky Parlor album Octopus Zoo. This is probably the most complicated song I've ever done, and a little on the extravagant side. It has loud and quiet, it has a little minuet, it has orchestral instruments next to synthesizer freak-outs. It has distorted vocals and miles of phase, flange and delay. I will have a B-side for this one next week.
Here's track 10, "Octopus Zoo".. the title track of the album. This is a reworking of a song I recorded as StrawBerry Yoga back in 1993. I think I gave out maybe two copies of that album ("Garbage") on tape. It was some lo-fi noise freak-folk kind of something or other. It's a strange song, seeming to meander a bit at the beginning, until it takes off into a danceable pop bit and destroys itself in a climax of noise and confusion. The bonus song is a different mix of "Octopus Zoo" that is just even noisier and stranger.
"Circles" is a laid back song with vocoder vocals. It has a bit of a 70s era Kraftwerk/Jarre vibe to it.
It borrows some phrases from the classic "The Spinning Song" by Albert Ellmenreich. For that reason, the b-side is a Vacant Sky Parlor arraignment of that piano classic.
"Honey Lamb" is sort of bit of a hopping groovy song of sorts until the halfway mark it jets off into a rising barrage of descending chords and percussion.
The b-side is a lo-fi sounding alternate mix in an attempt to emulate the sound of an old cassette tape copy of a vinyl record.
"Eyelids Blossom Tulips" is sort of a trippy song mostly based on my love of a cup of tea, and other ideas sort of thrown in. I like the music in this one a lot.
The b-side is a song from the scrapped "hype!" ep project. It's an instrumental song that I feel is kin to Eyelids.
"Nor a Drop to Drink" is one of the longer songs on the album. It goes through several sections and, I think, it is a bit of journey from start to finish like a storm building.
The b-side is a stripped down mix revealing primarily the background instruments.
Song 5 is here. Thumping bass and some simple and somewhat silly lyrics, with toy keyboard leads, and some latin percussion because I can. The b-side is just some toyful playing around with the same setup.
(just discovered I can use bb code in these posts to my.opera.. that makes it easier, since i announce these on forums too)
Here's the music I did for the short film The River's Edge.
The movie we did as part of the 48 Hour Film Project, as part of the Digital Media Program at AB Tech. Basically, people form groups, and on Friday night are assigned a prop, a character,a genre and a line of dialogue. They then have 48 hours to write, shoot, edit and score a short film. I post the movie here, and all the music I wrote for it. If you want just the stuff that's in the movie, then get River Scene and Driving Ditty. I'm doing this music under the name of Clara Kirkbride.. maybe I should go with Robert, or Douglas or something.
Did work on more songs last night, and things are coming along nicely. I did a few things to "Lovely Day", and "Sunlight Shines" that I wanted to do. Unfortunately, in the process I ended up increasing the volume of the main snare drum a bit too much, so I need to return and bring that back to a more rational level. I believe the drums over all are a bit high, but it's the snare that's doing real damage. For "Sunlight Shines", it's pretty much done.. I just wanted to simplify the first chorus so that it wasn't at the same intensity as the next two choruses.
For "Vegetable Scream", there were a few small changes I wanted to make to the ending, and I did that. Mainly I wanted to take the last piano note out, and I did that.. as well as created some odd effects with other instruments in place of that note.
And also, in "Honey Lamb", I increased the overall volume and gave a bit more power to the track. It's still kind of weak in comparison to the others, but it's almost there. I don't want to do too much mastering work on it until the vocals are done though.
I'm glad I'm working on this again. It's going to be a busy summer semester, but I think I'll get this album done. Finally.