Fashion gifts

If The Munsters was a traditional family sitcom as reimagined by Famous Monsters of Filmland magazine, The Addams Family is a macabre twist on Father Knows Best. The Munster and Addams clans made their TV debuts in 1964 and lasted two seasons before the networks buried them. The Addamses are now gloriously resurrected in this three-disc set that digs up the series' first 22 episodes (oddly, 12 shy of the complete first season). Inspired by Charles Addams's New Yorker cartoons, The Addams Family is fiendishly funny, with a dead-on cast that indelibly embodies Addams's characters. John Astin brings a demented glee to eccentric, frighteningly wealthy Gomez Addams. Carolyn Jones is bewitching as his pre-goth wife, Morticia, whom the Beatles might have had in mind when they sang, "Baby's in Black." Jackie Coogan is the electrifying Uncle Fester, with Ted Cassidy (who famously took a kick in the groin from Paul Newman in Butch Cassidy and the Sundance Kid) is the monstrous butler Lurch, whose "You rang?" entered the pop culture lexicon.

The Munsters was family friendly. The Addams Family is more sophisticated and wickedly funny. As Gomez notes at one point, "There's a touch of madness" in the Addams household, where "every day is Halloween." Bear rugs growl, a disembodied hand, Thing, delivers the mail, and a torture rack is good for what ails you. The children, Wednesday (Lisa Loring) and older brother Pugsley (Ken Weatherwax), enjoy such hobbies as playing autopsy or exploding model trains. Gomez and Morticia were one of television's most passionate couples, with Gomez being driven to arm-kissing ecstasy whenever Morticia spoke French. The last episode included in this collection, "Amnesia in the Addams Family," is a classic in which Gomez is rendered "normal" following a conk on the head. The look of disgust on Morticia and Lurch's face when he asks for a glass of milk is priceless. The "altogether ooky" extras include three episode commentaries, a featurette on Charles Addams, reminiscences from cast members Astin, Loring, and Weatherwax, a segment on the creation of the classic snap-snap theme song ("They're creepy and they're kooky...."), and the inevitable theme song sing-along. The Addams Family at last on DVD? As Gomez might exclaim: "Capital!" --Donald Liebenson

The most successful invigoration of a cinematic franchise since Batman Begins, Casino Royale offers a new Bond identity. Based on the Ian Fleming novel that introduced Agent 007 into a Cold War world, Casino Royale is the most brutal and viscerally exciting James Bond film since Sean Connery left Her Majesty's Secret Service. Meet the new Bond; not the same as the old Bond. Daniel Craig gives a galvanizing performance as the freshly minted double-0 agent. Suave, yes, but also a "blunt instrument," reckless, and possessed with an ego that compromises his judgment during his first mission to root out the mastermind behind an operation that funds international terrorists. In classic Bond film tradition, his global itinerary takes him to far-flung locales, including Uganda, Madagascar, the Bahamas (that's more like it), and Montenegro, where he is pitted against his nemesis in a poker game, with hundreds of millions in the pot. The stakes get even higher when Bond lets down his "armor" and falls in love with Vesper (Eva Green), the ravishing banker's representative fronting him the money.

The Illusionist

First screened in Europe and scheduled for limited release in the U.S., The Illusionist offers welcome proof that "arthouse" quality needn't be limited to the arthouses. Set in turn-of-the-century Vienna, this stately, elegant period film benefited from a crossover release in mainstream cinemas, and showed considerable box-office staying power--granted, teenage mallrats and lusty males may have been drawn to the allure of Seventh Heaven alumna Jessica Biel, who rises to the occasion with a fine performance. But there's equal appeal in the casting of Edward Norton and Paul Giamatti, who bring their formidable talents to bear on the intriguing tale of a celebrated magician named Eisenheim (Norton) whose stage performance offends the Crown Prince Leopold (Rufus Sewell), a vindictive lout who aims to marry Duchess Sophie (Biel), Eisenheim's childhood friend and now, 15 years later, his would-be lover. This romantic rivalry and Eisenheim's increasingly enigmatic craft of illusion are investigated by Chief Inspector Uhl (Giamatti), who's under Leopold's command and is therefore not to be trusted as Eisenheim and Sophie draw closer to their inevitable reunion. Cleverly adapted by director Neil Burger from Steven Millhauser's short story "Eisenheim the Illusionist," and boasting exquisite production values and a fine score by Philip Glass, The Illusionist is the kind of class act that fully deserved its unusually wide and appreciative audience. -- Jeff Shannon

The King of Queens: The Complete Seventh Season


The bases are loaded with laughs in the seventh season of The King of Queens! Doug (EmmyВ® nominated Kevin James) and Carrie Heffernan (Leah Rimini) continue their winning streak of comedy. Doug fakes cardiac arrest at Carrie's work event to cover up his inability to remember her co-workers' names. Carrie scores box seats to a Mets game, only to have Doug strike out with her boss. When Doug's parents come to town, Arthur (Jerry Stiller) is more than happy to entertain Doug's bored Mom. Arthur settles a decades old vendetta against a game show, solves a crime of a missing wallet and learns the power of digital photo editing. Carrie faces turning 35, Doug faces the DMV, and they both face an intense timeshare sales weekend. All this, plus guest stars like Burt Reynolds, Lou Ferrigno, Anne Meara and Hal Linden. It's a grand slam of laughs.

Band of Brothers

An impressively rigorous, unsentimental, and harrowing look at combat during World War II, Band of Brothers follows a company of airborne infantry--Easy Company--from boot camp through the end of the war. The brutality of training takes the audience by increments to the even greater brutality of the war; Easy Company took part in some of the most difficult battles, including the D-Day invasion of Normandy, the failed invasion of Holland, and the Battle of the Bulge, as well as the liberation of a concentration camp and the capture of Hitler's Eagle's Nest. But what makes these episodes work is not their historical sweep but their emphasis on riveting details (such as the rattle of a plane as the paratroopers wait to leap, or a flower in the buttonhole of a German soldier) and procedures (from military tactics to the workings of bureaucratic hierarchies). The scope of this miniseries (10 episodes, plus an actual documentary filled with interviews with surviving veterans) allows not only a thoroughness impossible in a two-hour movie, but also captures the wide range of responses to the stress and trauma of war--fear, cynicism, cruelty, compassion, and all-encompassing confusion. The result is a realism that makes both simplistic judgments and jingoistic enthusiasm impossible; the things these soldiers had to do are both terrible and understandable, and the psychological price they paid is made clear. The writing, directing, and acting are superb throughout. The cast is largely unknown, emphasizing the team of actors as a whole unit, much like the regiment; Damian Lewis and Ron Livingston play the central roles of two officers with grit and intelligence. Band of Brothers turns a vast historical event into a series of potent personal experiences; it's a deeply engrossing and affecting accomplishment. --Bret Fetzer