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Boss Radio

The last of the funk powered trains...

Posts tagged with "performance"

It's Time to Get the Real Story On the Performance Tax

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In the USA the NAB have begun their campaign against the proposal that they, like radio stations over the rest of the world, should pay the artists who make the records a commision for playing them. On their website there's an article with the same title as this blog (No, I'm not paying them commision for it). It reads:-

Olympians aren’t the only ones who bring home the gold…

Local radio stations provide billions of dollars in promotional value to artists and record labels. In appreciation, the record labels bestow upon radio stations "gold" and "platinum" albums to show their gratitude.

So why do labels now want to "tax" radio for playing music – a practice that has put money in their pockets for more than 80 years?


I would venture to say that the reason is because the rich b@$#@£ds who run the record companies are thanking the rich b@$#@£ds for... let's not call it 'payola', let's call it 'services rendered', and it has nothing whatsoever to do with whether the artists get paid their dues.

Since it will never see the light of day, here's the letter I've sent to the NAB today:-

I can't help thinking you're being more than a little frugal with the facts about performance tax, known to me and my brother as 'royalties'. The fact is that when a US artist gets played on the radio almost anywhere in the world, even Cuba, they get paid performance royalties, but when a foreign artist gets played on US radio they get nothing. The US is one of just five countries in the entire world that don't pay performer's royalties, and the other four are 3rd world nations.

To say you offer free publicity is nothing short of dishonest. When scores of US radio stations were chasing the Beatles around the globe they weren't doing it because they wanted The Beatles to be big stars, they were doing it because The Beatles were making big money for them, and in the majority of markets that's still the situation, from everything I've heard of US radio over the internet over 90% of the material they broadcast is from already successful recordings.

As far as I'm concerned if radio stations in the richest nation in the world can't afford to pay me and my brother our miserable pittance then there is something majorly wrong with the way those radio stations are being run, and I would suggest that the guys at the top take a wage cut immediately for manifestly failing in their jobs.


Maybe I should put my mouth where my money is and get Boss Radio onto the air...

Just to show 'them' that it can be done of course. :D

I see myself as a guitar God...

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This is because as we all know, 'The Lord moves in mysterious ways', and so do I...

Apparently I have no control over my own body when I'm performing. I've long known that I have no control over my face which, unfortunately, lives in a world of its own. It's not happy being on my head either because people are always telling me to chear up when I'm perfectly happy, but at other times people I don't know will come up to me and ask "What YOU laughing at?" when I'm not laughing. This can lead to some very embarrassing situations, and since I'm not here to embarrass myself in front of the whole world-of-internet, I shall now return to the subject of my body.

It seems that friends, acquaintances, and people I don't know from Alfred E. Neuman have conspired to give the various quakes of my body descriptive nouns.

'The Elvis' is obvious, although in fact I apparently give naught but the merest twitch of the hips, it's the legs that go crazy, when I sing one beats out the time while the other beats out the rhythm.

'The Funk Walk' would seem to be a kind of stooped boogie that I do when I'm playing rhythm and really 'getting into the groove'. It was described to me as "Like half way to a Chuck Berry duck-walk".

'The Smirk' appears when I'm particularly happy about a solo. My legs anchor themselves firmly akimbo, a silly grin spreads across my face, and I begin to sway around from the hips up.

If a solo is going particularly well the smirk becomes 'The Sleepwalk'. Now this name makes no sense since what happens is I shut my eyes and stop moving completely.

Then there's 'The Sway', which is when I lean backwards so far that I almost fall over and have to step back to catch myself. It happens when I'm asked to play something I don't want to play. I am vaguely aware of that one...

Finally, there's 'The Hendrix'. This is when a solo is going badly, I start indulging in hystrionics and widdling and doing dive-bombs and playing really fast while throwing myself around the stage.

I did know about that last one, it seems to be happening a lot more frequently than it used to.

I was hoping that no one had noticed...
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December 2009
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