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Miles Davis - Love Songs 1999

Miles Davis - Love Songs
1999 - Jazz - MP3 - 320kbps - 176 MB


1. I Fall In Love Too Easily (6:48)
2. I Thought About You (4:57)
3. Summer Night (6:01)
4. My Ship (4:34)
5. Someday My Prince Will Come (9:10)
6. Stella By Starlight (4:53)
7. My Funny Valentine (14:58)
8. I Loves You, Porgy (3:41)
9. Old Folks (5:19)
10. Time After Time (5:36)
11. Human Nature (4:31)

http://rapidshare.com/files/138498859/Miles_Davis_-_Love_Songs__1999__-_MP3_-_320kbps_-_Musica_do_Bem.part1.rar
http://rapidshare.com/files/138532281/Miles_Davis_-_Love_Songs__1999__-_MP3_-_320kbps_-_Musica_do_Bem.part2.rar

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Amazon.com:
In keeping with the title, Love Songs captures Miles Davis at his romantic best. These cuts were culled from classic studio dates (and one concert) recorded between 1957 and 1964, and the intimate sound of Davis's trumpet unifies the nine poignant ballads chosen for this loving compilation. Whether leading one of his many quintets or performing in front of a jazz orchestra, Miles was the master of confidential moods. The 15-minute version of "My Funny Valentine" is so hushed and pensive that one almost forgets that it was recorded live at Philharmonic Hall. On "My Ship" and George Gershwin's "I Loves You, Porgy," Miles's musings are surrounded by the luxurious arrangements of Gil Evans. With tasteful accompaniment and wonderful compositions, this Miles Davis collection is straight from the heart.

Bryan Ferry - As Time Goes By 1999

Bryan Ferry - As Time Goes By
1999 - Pop/Retro Swing - 320 Kbps - MP3 - 102 MB - Time - 44:30


1 As Time Goes By - Hupfield 2:34
2 The Way You Look Tonight - Fields, Kern 3:36
3 Easy Living - Rainger, Robin 2:16
4 I'm in the Mood for Love - Fields, McHugh 4:17 5 Where or When - Hart, Rodgers 3:19
6 When Somebody Thinks You're Wonderful - Woods 2:57
7 Sweet and Lovely - Arnheim, LeMare, Tobias 3:10
8 Miss Otis Regrets - Porter 2:39
9 Time on My Hands - Adamson, Gordon, Youmans 3:02
10 Lover, Come Back to Me - Hammerstein, Romberg 2:54
11 Falling in Love Again - Hollander, Lerner 2:26
12 Love Me or Leave Me - Donaldson, Kahn 2:44
13 You Do Something to Me - Porter 2:47
14 Just One of Those Things - Porter 2:46
15 September Song - Anderson, Weill 3:03

http://rapidshare.com/files/138767842/Bryan_Ferry_-_As_Time_Goes_By__1999__-320_Kbps_-_Mp3_-_Musica_do_Bem.rar

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Review by Stephen Thomas Erlewine
Bryan Ferry invests considerable time and energy in cover albums (he should, considering that they compose a good portion of his solo catalog), treating them with as much care as a record of original material. He's always found ways to radically reinvent the songs he sings, so it's easy to expect that his collection of pop standards, As Time Goes By, would re-imagine the familiar. Instead, As Time Goes By is his first classicist album, containing non-ironic, neo-traditionalist arrangements of songs associated with the '30s. That doesn't mean it's a lavish affair, dripping with lush orchestras -- it's considerably more intimate than that. Even when strings surface, they're understated, part of a small live combo that supports Ferry throughout the record. He's made the music as faithful to its era as possible, yet instead of rigidly replicating the sounds of the '30s, he's blended Billie Holiday, cabaret pop, and movie musicals into an evocative pastiche. Ferry is at his best when he's exploring the possibilities within a specific theory or concept; with As Time Goes By, he eases into these standards and old-fashioned settings like an actor adopting a new persona. Since Ferry has always been a crooner, the transition is smooth and suave. He makes no attempt to alter his tremulous style, yet it rarely sounds incongruous -- he may sound a little vampirish on "You Do Something to Me," but that's the rare case where he doesn't seamlessly mesh with his romantic, sepia-toned surroundings. On the surface, it may seem like a departure for Ferry, but in the end, it's entirely of a piece with his body of work. True, it may not be a major album in the scheme of things, but it's easy to be seduced by its casual elegance.

Natalie Cole - Still Unforgettable 2008

Natalie Cole - Still Unforgettable
2008 - Jazz - VRB 256 Kbps - 71,7 MB - Time:55:39


01. Walkin' My Baby Back Home (Duet With Nat King Cole) 02:59
02. Come Rain Or Come Shine 03:08
03. Coffee Time 02:28
04. Somewhere Along The Way 04:42
05. You Go To My Head 05:24
06. Nice 'N' Easy 03:32
07. Why Don't You Do Right 04:03
08. Here's That Rainy Day 06:04
09. But Beautiful 03:51
10. Lollipops & Roses 05:53
11. The Best Is Yet To Come 04:05
12. Something's Gotta Give 02:50
13. Until The Real Thing Comes Along 03:10
14. It's All Right With Me 03:30

http://rapidshare.com/files/144189960/Natalie_Cole_-_Still_Unforgettable__2008__-_320_Kbps_-_Mp3_-_Musica_do_Bem.rar

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Review by Andy Kellman Natalie Cole's liner notes for Still Unforgettable make it sound like the Great American Songbook had been collecting dust on her shelf since 1991, when she recorded Unforgettable, the album that shot her into the mainstream. (She had been releasing Top Ten R&B albums since 1975, but Unforgettable was something else, a cultural phenomenon that inspired a Saturday Night Live skit.) Still Unforgettable features another duet with father, "Walkin' My Baby Back Home," but its make-up isn't that much different from albums like Take a Look (1993), Stardust (1996), or Ask a Woman Who Knows. While she has been reinterpreting classics on and off for nearly two decades now, she can't be faulted for phoning it in; in fact, she seems to be having more fun with the songbook than before. If you're keeping score at home, Nat King Cole was 32 when he recorded "Walkin' My Baby Back Home"; Natalie was in her late 50s when she recorded the duet with her father's vocals -- which would, for the sake of the song here, make her old enough to be her father's mother. [A Borders Exclusive with two bonus tracks was also released.]

B.B. King - One Kind Favor 2008

B.B. King - One Kind Favor
2008 - Blues - Mp3 - 320 Kbps | Time:57:09 - 65,12MB


01. See That My Grave Is Kept Clean
02. I Get So Weary
03. Get These Blues Off Me
04. How Many More Years
05. Waiting For Your Call
06. My Love Is Down
07. The World Is Gone Wrong
08. Blues Before Sunrise
09. Midnight Blues
10. Backwater Blues
11. Sitting On Top Of The World
12. Tomorrow Night

http://rapidshare.com/files/144263135/B.B._King_-_One_Kind_Favor_-2008_320_Kbps_-_Mp3_-_Musica_do_Bem.rar

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Review
B.B. King returns to his blues roots with the help of producer T Bone Burnett on "One Kind Favor,". The legendary artist is backed on the effort by pianist Dr. John, drummer Jim Keltner and bassist Nathan East. The track list includes such blues chestnuts as Big Bill Broonzy's "Backwater Blues," Lonnie Johnson's "Tomorrow Night," Blind Lemon Jefferson's "See That My Grave Is Kept Clean" and T-Bone Walker's "I Get So Weary."

"This isn't just B.B. King's best album in years, it's one of the strongest studio sets of his career, standing alongside classics such as Singin' the Blues and Lucille. Where those early titles highlighted his youthful, wailing vocals and stinging guitar, this one plays to King's current strengths: the tear-stained vibrato of his mature voice, punctuated by raunchy licks. For too long, King has drowned in slick production, propped up by stiff duets with the likes of Eric Clapton. Here, King is front and center, with a killer backing band — Jim Keltner (John Lennon, Mick Jagger) on drums, Nathan East (Clapton) on stand-up bass and Dr. John on piano — that remains in the background. King is heartbreakingly intimate on standards like Blind Lemon Jefferson's "See That My Grave Is Kept Clean" and John Lee Hooker's "Blues Before Sunrise." How did the 82-year-old find his old passion? With T Bone Burnett, naturally — the producer whose understated touch helped bring Robert Plant and John Mellencamp into their twilight years with dignity. Those projects were mere dress rehearsals for this one." By jazzbluesclub.com

Buddy Guy - Skin Deep - 2008 - 320 Kbnps

Buddy Guy - Skin Deep
2008 - Blues - 320 Kbnps - Mp3 - 161 MB


01. Best Damn Fool (feat. The Memphis Horns & Willie Mitchell)
02. Too Many Tears (feat. Derek Trucks & Susan Tedeschi)
03. Lyin' Like A Dog
04. Show Me The Money
05. Every Time I Sing The Blues (feat. Eric Clapton)
06. Out In The Woods (feat. Robert Randolph)
07. Hammer And A Nail
08. That's My Home (feat. Robert Randolph)
09. Skin Deep (feat. Derek Trucks)
10. Who's Gonna Fill Those Shoes (feat. Quinn Sullivan)
11. Smell The Funk
12. I Found Happiness
Bonus tracks:
13. Fattenin' Frogs
14. Help Wanted
15. Take Out Some Insurance

http://rapidshare.com/files/144461025/Buddy_Guy_-_Skin_Deep_-_2008_-_320_Kbps_-_Mp3_-_Musica_do_Bem.rar

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Review by Stephen Thomas Erlewine It's hard to say that Buddy Guy's career was revived by his appearance in the Rolling Stones' Shine a Light, but his mesmerizing duet on Muddy Waters' "Champagne and Reefer" in that Martin Scorsese concert film was a bracing, welcome reminder of just how good Guy is, especially for listeners who may have let their attention wander in the years since Damn Right, I've Got the Blues. What made Guy so riveting was his coiled aggression: in stark contrast to the deferential Jack White, he came to cut the Stones down and he did so mercilessly, which made it the musical highlight of a show with plenty of great moments. That wildness has kept Buddy Guy unpredictable well into his senior citizenship, and it surfaces on Skin Deep, only perhaps not quite as often as it should. Touted as his first album of original material, Skin Deep does work as an effective showcase for Buddy's most original voice: his wild, gnarly guitar. The production may be crisp and clean but Buddy refuses to play polite, messing up the pristine surfaces with big, nasty, ugly smears of guitar. Even when the record gleams too brightly -- as it does just a little bit too often -- Guy sounds like he's trying to tear things apart from the inside, which lends vigor and energy to numbers that are performed with just a shade too much preciseness. Thankfully, not all of Skin Deep is so clean, as the record opens up with a pair of dynamite collaborations with Robert Randolph -- the stripped-down, swampy Delta blues "Out in the Woods" and the muscular "That's My Home." Guy also gets in a couple of good numbers with Susan Tedeschi and Derek Trucks -- there's also a duet with Eric Clapton on "Every Time I Sing the Blues," which slides into a too-comfortable slow groove -- and these are the moments when Skin Deep really clicks, as the songs spark and the band truly cooks. Elsewhere, the music slips toward the conventional, but at least it sounds like Guy is trying to reel it back in with that monstrous guitar, which can still sound wondrous. It's kind of fun to hear the accidental tension between Guy's guitar and the slick surfaces, but when he's paired with a band or production that matches his grit, Skin Deep is so good that it's hard not to wish the whole record sounded just like that.
February 2012
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