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Tolstoy fragment :: War and peace :: Une tache

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That same night, Rostov was with a platoon on skirmishing duty in front of Bagration's detachment. His hussars were placed along the line in couples and he himself rode along the line trying to master the sleepiness that kept coming over him. An enormous space, with our army's campfires dimly glowing in the fog, could be seen behind him; in front of him was misty darkness. Rostov could see nothing, peer as he would into that foggy distance: now something gleamed gray, now there was something black, now little lights seemed to glimmer where the enemy ought to be, now he fancied it was only something in his own eyes. His eyes kept closing, and in his fancy appeared- now the Emperor, now Denisov, and now Moscow memories- and he again hurriedly opened his eyes and saw close before him the head and ears of the horse he was riding, and sometimes, when he came within six paces of them, the black figures of hussars, but in the distance was still the same misty darkness. "Why not?... It might easily happen," thought Rostov, "that the Emperor will meet me and give me an order as he would to any other officer; he'll say: 'Go and find out what's there.' There are many stories of his getting to know an officer in just such a chance way and attaching him to himself! What if he gave me a place near him? Oh, how I would guard him, how I would tell him the truth, how I would unmask his deceivers!" And in order to realize vividly his love devotion to the sovereign, Rostov pictured to himself an enemy or a deceitful German, whom he would not only kill with pleasure but whom he would slap in the face before the Emperor. Suddenly a distant shout aroused him. He started and opened his eyes.

"Where am I? Oh yes, in the skirmishing line... pass and watchword- shaft, Olmutz. What a nuisance that our squadron will be in reserve tomorrow," he thought. "I'll ask leave to go to the front, this may be my only chance of seeing the Emperor. It won't be long now before I am off duty. I'll take another turn and when I get back I'll go to the general and ask him." He readjusted himself in the saddle and touched up his horse to ride once more round his hussars. It seemed to him that it was getting lighter. To the left he saw a sloping descent lit up, and facing it a black knoll that seemed as steep as a wall. On this knoll there was a white patch that Rostov could not at all make out: was it a glade in the wood lit up by the moon, or some unmelted snow, or some white houses? He even thought something moved on that white spot. "I expect it's snow... that spot... a spot- une tache," he thought. "There now... it's not a tache... Natasha... sister, black eyes... Na... tasha... (Won't she be surprised when I tell her how I've seen the Emperor?) Natasha... take my sabretache..."- "Keep to the right, your honor, there are bushes here," came the voice of an hussar, past whom Rostov was riding in the act of falling asleep. Rostov lifted his head that had sunk almost to his horse's mane and pulled up beside the hussar. He was succumbing to irresistible, youthful, childish drowsiness. "But what was I thinking? I mustn't forget. How shall I speak to the Emperor? No, that's not it- that's tomorrow. Oh yes! Natasha... sabretache... saber them...Whom? The hussars... Ah, the hussars with mustaches. Along the Tverskaya Street rode the hussar with mustaches... I thought about him too, just opposite Guryev's house... Old Guryev.... Oh, but Denisov's a fine fellow. But that's all nonsense. The chief thing is that the Emperor is here. How he looked at me and wished to say something, but dared not.... No, it was I who dared not. But that's nonsense, the chief thing is not to forget the important thing I was thinking of. Yes, Na-tasha, sabretache, oh, yes, yes! That's right!" And his head once more sank to his horse's neck.
[Book Three, Chapter XIII]

Rilke fragment :: Malte Laurids Brigge :: Ein kleiner Mond

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Was so ein kleiner Mond alles vermag. Da sind Tage, wo alles um einen licht ist, leicht, kaum angegeben in der hellen Luft und doch deutlich. Das Nächste schon hat Töne der Ferne, ist weggenommen und nur gezeigt, nicht hergereicht; und was Beziehung zur Weite hat: der Fluß, der Brücken, die langen Straßen und die Plätze, die sich verschwenden, das hat der Weite eingenommen hinter sich, ist auf ihr gemalt wie auf Seide. Es ist nicht zu sagen, was dann ein lichtgrüner Wagen sein kann auf dem Pont-neuf oder irgendein Rot, das nicht zu halten ist, oder auch nur ein Plakat an der Feuermauer einder perlgrauen Häusergruppe. Alles ist vereinfacht, auf einige richtige, helle plans gebracht wie das Gesicht ein einem Manetschen Bildniss. Und nichts ist gering und überflussig. Die Bouquinisten um Quai tun ihre Kästen auf, und das frische oder vernutzte Gelb der Bücher, das violette Braun der Bände, das größere Grün einer Mappe: alles stimmt, gilt, nimmt teil und bildet eine Vollzähligkeit, in der Nichts fehlt.

[SM Bd6,722-3]

Brilliant stop-motion: Tony vs. Paul

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Cat called Morph has arrived

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Walter Becker working on new solo album

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After yesterday's post about the new Fagen solo album, today I read a message in the alt.music.steely-dan newsgroups about Walter Becker's new solo album:

"Rolling Stone" #990/#991 December 29, 2005 / January 12, 2006, p. 39

The Smoking Section by Austin Skaggs (Yes, Danfans, that's NY Rock and Soul Revue's Boz Scaggs' son)

The Smoking Section worships STEELY DAN, so we were more than stoked to check out "Morph the Cat," the new disc from Steely Dan front man DONALD FAGEN, due in March. Whereas his solo debut, 1982's "The Nightfly," viewed the future from an adolescent's eyes, and 1993's "Kamakiriad" viewed it from the middle age, "Morph," says Fagen, "is looking towards the endings of things." He means death, but by no means is "Morph" glum--with songs like "H Gang," "Security Joan" (about a sexy airport agent) and "Brite Nitegown," as well as fabulous Steely-esque phrases like "Rabelaisian puff of smoke," Artic mindbath," and "ten milligrams of Cronax," Fagen's got another masterpiece on his hands. "It's the album that's closest to my vision of how it would sound," says Fagen. "I don't know if I could do much better," adding that partner WALTER BECKER is also working on a new album in New York. We're also jiggled to break the news that Fagen will support the record with his very own theater tour--his first solo tours since, uh, high school. "I've never done it before," he says, "I might do a few Steely Dan things that I particularly like, but it'll mainly be my stuff."



edit (17/3/08): it's called Circus Money

Donald Fagen's New Album "Morph The Cat"

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Steely Dan principal Donald Fagen finds love in an airport security line, mulls the ramifications of a ghostly feline, chats up the late Ray Charles and ruminates on aging and death on "Morph the Cat," his first solo album in 13 years. The nine-track set is due early next year via Reprise.

Source:yes: :sing:

Ok, this news is already almost one month old, but I just discovered it via this blog's newsfeed. :D

Fagen's website is offline since a few days, probably (?) to be updated.

Norwegian is essentially Swedish spoken by eunuchs with false teeth

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Just wanted to share this link with you:

Essentialist Explanations: 'This page comprises a list of 735 "essentialist explanations" of the form "Language X is essentially language Y under conditions Z".'

After jesting the nordic language (see title), let's poke some fun on my own:

Dutch is essentially what you know to be English, only heard through lots of loud background noise.

Far less funny. :furious: :D

And this one is only understandable for dutch native babblers:

Dutsj is essensjullie a Loo Sjurmennik lenkwitsj wis det vunkie letter (det riepleezes Y) plus a serieuslie koel ortografie.

Last but not least some giggles on behalf of our southernly neighbours:

Belgian is essentially French spoken as a tonal language.


I'm too tired to pick out the more cooler ones... you do it & comment! :hat: :cheers:

What kind of duck are you?

I'm a

Captain Quack Rubber Duck Quiz

check yourself.


Memory

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Lines

Written a Few Miles above Tintern Abbey,
on Revisiting the Banks of the Wye during a Tour,
July 13, 1798


by William Wordsworth


FIVE years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur. - Once again

Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone.

These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye:
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind,
With tranquil restoration: - feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened: - that serene and blessed mood,
In which the affections gently lead us on, -
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.

If this
Be but a vain belief, yet, oh! how oft -
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart -
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro' the woods,
How often has my spirit turned to thee!

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