Anna Karenina
Sunday, 12. August 2007, 14:35:53
Sunday, 12. August 2007, 14:35:53
Saturday, 14. July 2007, 22:38:45
Saturday, 13. January 2007, 17:22:28
That same night, Rostov was with a platoon on skirmishing duty in front of Bagration's detachment. His hussars were placed along the line in couples and he himself rode along the line trying to master the sleepiness that kept coming over him. An enormous space, with our army's campfires dimly glowing in the fog, could be seen behind him; in front of him was misty darkness. Rostov could see nothing, peer as he would into that foggy distance: now something gleamed gray, now there was something black, now little lights seemed to glimmer where the enemy ought to be, now he fancied it was only something in his own eyes. His eyes kept closing, and in his fancy appeared- now the Emperor, now Denisov, and now Moscow memories- and he again hurriedly opened his eyes and saw close before him the head and ears of the horse he was riding, and sometimes, when he came within six paces of them, the black figures of hussars, but in the distance was still the same misty darkness. "Why not?... It might easily happen," thought Rostov, "that the Emperor will meet me and give me an order as he would to any other officer; he'll say: 'Go and find out what's there.' There are many stories of his getting to know an officer in just such a chance way and attaching him to himself! What if he gave me a place near him? Oh, how I would guard him, how I would tell him the truth, how I would unmask his deceivers!" And in order to realize vividly his love devotion to the sovereign, Rostov pictured to himself an enemy or a deceitful German, whom he would not only kill with pleasure but whom he would slap in the face before the Emperor. Suddenly a distant shout aroused him. He started and opened his eyes.[Book Three, Chapter XIII]
"Where am I? Oh yes, in the skirmishing line... pass and watchword- shaft, Olmutz. What a nuisance that our squadron will be in reserve tomorrow," he thought. "I'll ask leave to go to the front, this may be my only chance of seeing the Emperor. It won't be long now before I am off duty. I'll take another turn and when I get back I'll go to the general and ask him." He readjusted himself in the saddle and touched up his horse to ride once more round his hussars. It seemed to him that it was getting lighter. To the left he saw a sloping descent lit up, and facing it a black knoll that seemed as steep as a wall. On this knoll there was a white patch that Rostov could not at all make out: was it a glade in the wood lit up by the moon, or some unmelted snow, or some white houses? He even thought something moved on that white spot. "I expect it's snow... that spot... a spot- une tache," he thought. "There now... it's not a tache... Natasha... sister, black eyes... Na... tasha... (Won't she be surprised when I tell her how I've seen the Emperor?) Natasha... take my sabretache..."- "Keep to the right, your honor, there are bushes here," came the voice of an hussar, past whom Rostov was riding in the act of falling asleep. Rostov lifted his head that had sunk almost to his horse's mane and pulled up beside the hussar. He was succumbing to irresistible, youthful, childish drowsiness. "But what was I thinking? I mustn't forget. How shall I speak to the Emperor? No, that's not it- that's tomorrow. Oh yes! Natasha... sabretache... saber them...Whom? The hussars... Ah, the hussars with mustaches. Along the Tverskaya Street rode the hussar with mustaches... I thought about him too, just opposite Guryev's house... Old Guryev.... Oh, but Denisov's a fine fellow. But that's all nonsense. The chief thing is that the Emperor is here. How he looked at me and wished to say something, but dared not.... No, it was I who dared not. But that's nonsense, the chief thing is not to forget the important thing I was thinking of. Yes, Na-tasha, sabretache, oh, yes, yes! That's right!" And his head once more sank to his horse's neck.
| S | M | T | W | T | F | S |
|---|---|---|---|---|---|---|
| 1 | 2 | 3 | 4 | 5 | ||
| 6 | 7 | 8 | 9 | 10 | 11 | 12 |
| 13 | 14 | 15 | 16 | 17 | 18 | 19 |
| 20 | 21 | 22 | 23 | 24 | 25 | 26 |
| 27 | 28 | 29 | 30 | 31 | ||
A distribution point for research in Optimality Theory
A Service Provider for the Library and Information Science field. We collect (harvest) metadata from institutions that offer full-text papers and documents about Library and Information Science
A free, publicly accessible repository of the research outputs of the School of Oriental and African Studies ..... contains both full text papers and metadata only (descriptive) records of research carried out by SOAS staff members
Lithographic plate album of splints, traction equipment, bandaging techniques, surgical tools, trephining drills and assorted hospital equipment. More sophisticated than I would have guessed. (by Franz Andreas Ott) [part of great Edoc monograph dbase]
(short post) Centred around a wonderful caricature map of the world at the beginning of WorldWar I. But it's from Japan, found in a China propaganda exhibition site so the interpretations are open to debate.
Illustrations of runestone monuments and runic text from the earliest antiquarian book (by Ole Worm, 1643) devoted to reviewing Danish historical stone monuments. This book helped define the scientific approach to archaeological site surveys.
Original design sketches and posters by 20th cent. Italian architect and designer, Ettore Sottsass. He covered the gamut of household and industrial design with modernist flair. Probably best known for the pop-art(-esque) Valentine Olivetti typewriter.
16th cent. anonymous handpainted manuscript containing more than 300 colourful national costumes from all parts of the (then) known world. Probably from Augsburg.