《清明上河图》的作者是宋代画家张择端。张择端是山东人，早年在汴京(今河南开封)学习绘画，后为北宋画院画师。虽然有关他的记载很少，但这幅了不起的作品，使后人永远地记住了他。
《清明上河图》是一幅绢本设色长卷，高248厘米，长528厘米。图中描绘的是北宋都城汴京在清明时节的繁华热闹的景象。清明上河是当时的民间风俗，如像今天的节日集会，人们藉以参加商贸活动。全图规模宏大，结构严谨，大致分为三个段落：第一段是市郊景画，第二段是汴河，第三段是城内街市。
先是汴京郊外的景象。农民在田里耕作，有钱人扫墓归来。路上，驮队、挑夫、骑马坐轿的人物正匆匆进城。接下去是最精彩的部分——汴河。汴河上的拱桥如一道彩虹，桥上行人如潮，熙熙攘攘，磨肩擦踵，桥下舟楫相竞相争。许多细小情节刻划得极有情趣。如桥头一匹惊马造成险情，毛驴被惊吓，好奇的人在围观。接着又描绘汴京的街市。汴京作为当时政治、经济、文化的中心，城中官府衙门、民居宅院、作坊店铺、茶肆酒楼，屋宇错落，林林总总，街上车水马龙，九流三教，应有尽有，百业兴隆，热闹非凡。画面又展开一幅从容的景象，有张有驰，形成有趣的对比和节奏感。画家通过对汴京城内建筑、商贸、交通、运输几个方面的描绘，再现了北宋都城的繁华和发达。
《清明上河图》中画有五百五十余人，各种牲畜六十多匹，木船二十多只，房屋楼阁三十多栋，推车乘轿也有二十多件。如此丰富多彩的内容，为历代古画中所罕见。可贵的是，画中每个人物、景象、细节，都安排得合情合理，疏密、繁简、动静、聚散等画面关系，处理得恰到好处，达到繁而不杂，多而不乱。充分表现了画家对社会生活的深刻洞察力和高度的艺术修养和表现能力。
《清明上河图》既是一件伟大的现实主义绘画艺术珍品，同时，也为我们提供了北宋大都市的商业、手工业、民俗、建筑，交通工具等丰富的形象资料，因此，它还具有历史文献的价值。
欣赏此画++++++++++++++++++++++++++++++++++++++++++++++++++++++++
The author of the "painting" Song painters picturing. Brightness Shantung, in the city early (today Kaifeng, Henan) study painting of the Northern Song Dynasty after a national art artist. Although he rarely recorded, but this amazing work, so future generations will remember him. Dr Chu said the "painting" is a color scroll, 24 8 cm high, 528 cm long. Capital chart depicts the Northern Song Dynasty Tomb Sweeping Festival in the busy streets of the city scene.
Qingming Festival on the River is the folklore, as important as today's festive rallies, business people attended Jieyi. MAP large-scale, structured and divided into three sections : The first was the outskirts of King painting, and the second is near the river, the city market is the third paragraph. First outskirts of the city scene. Peasants in the fields, the rich sweepers return. Road work in teams, porters and on horseback Zuojiao figures are hastily cities. The latter is the most interesting part -- near the river. If the rainbow arch bridge near the river, the bridge pedestrian round, bustling, rub shoulders grinding heel, Boating Life underneath phase competing. Characterization of extremely small number of cases have hobbies. Bridge horse race caused panic as dangerous situation, donkeys were startled, in the curious onlookers. Then he painted the city markets. The city then the political, economic, and cultural center of the city government, the government office, residential houses, workshops shops, restaurants gave Buildings scattered, and many streets bustling, poor three religions, and they booming business, a hot topic. Embarked on a calm scene in the 1930s there was a relaxation, a sense of rhythm and form an interesting contrast. Artists to the city through the city construction, trade, transportation and shipping several aspects of the description, the capital of the Northern Song Dynasty depicts the prosperous and developed.
"Painting" more than 550 paintings, all animals over 60 horses, the vessel over 20 only, and closed more than 30 housing cycle carts Visiting have more than 20 pieces. So rich and varied content of all ages paintings are rare. Valuable is that each painting figures and scenes, details, arrangements are fair and reasonable, spacing, character, movement, images such as separation and handling of getting to achieve prosperity without complicated, and more without being chaotic. Fully demonstrates the profound insight into the social life of the artist and of high artistic attainment and performance capabilities.
"Painting" is a realistic painting of the great artistic treasures, and also provides us with a commercial metropolis in the Northern Song Dynasty, handicraft, folk, construction, transport and other rich image data, it also has the historical literature values.
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