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Posts tagged with "Star Wars"

Star Wars: Legacy - volume 1-3

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"I am prepared to die."
"Good. I'm prepared to kill you."

- Darth Kruhl and Emperor-in-Exile Roan Fel

If you're anything like me at all, you enjoy the idea of Star Wars more than the actual movies. By that I mean the archetypes, the grand mythos, the entire world that we were shown in the movies more than the mere plots inside them should indicate. Sure, Empire Strikes Back is a pretty great movie, but mostly, what these movies have going for them can be summed up in cool concepts: The lightsabers, the space-fights, the lasergun-slingers, the Jedi Order protecting a corrupt galaxy, the Sith Order trying to rule it, the Grand Moffs cooly ordering genocides, the Jedi Spirits, the Death Star, the roaring Wookie, the Force, and just about everything about Darth Vader. These things are all awesome, and they, in addition to the common appeal of legend/fairytalesque plots in general, are why I find these movies to be such an important part of my DVD-collection.

Because of enjoying these concepts, I've at many points in my life delved into the chasm of entertainment that is the Star Wars Expanded Universe. There are novels, short stories, comics, video games, computer games, and TV-series. And a whole bunch of other stuff. I've mainly kept with the novels and the comics, though I should say both the TV-serials based upon the Clone Wars, one of which is still on-going, are surprising me with their level of quality.

Now, I've by no means read all the novels and comics, I've not even read all the good ones - believe you me, there are many not so good ones out there too - but I've read enough to have a basic grasp of the history of the gigantic Star Wars universe. It goes back to millenia before the prequel-movies, and covers events during, between and even after the six films of Lucas' making. And for the most part, it all fits together in a gigantic continuity. The latter appeals to me a lot, because I'm an anal crazy-person.

Anyway, to get to the point, even though books and comics have previously ventured pretty far ahead into the time after Return of the Jedi, they never went beyond the years were the good old main characters could reasonbly be expected to be active. Until Star Wars Legacy. Legacy jumps a full century ahead in time from the last point we have previously been told stories from - a point which was already a good three decades after he final film - and introduces us to a very changed Star Wars-universe. New characters, new allegiances, new conflicts. So does it work?

Holy crap, yes! And the why is the concepts. There are lightsabers, there are Jedi, there are Sith, there are evil Moffs and Jedi Spirits, the whole shebang. These familiar, tantalizing concepts have in Legacy been put into a completely new environment, which harkens back to and descends from but is still very different when compared to the good old days of Palpatine's Empire. There are three branches of Force-users now - the Jedi, who are much like they were in their glory days of the Old Republic. The Imperial Knights, who do not adhere to the light- and dark-side philosophies but rather swear loyalty to the Emperor personally over any one value-system. The Emperor is a descendent from the Fel-family, a major group of characters in the novels and comics taking place after Return of the Jedi, who apparently at some point became the heads of what was left of Palpatine's Empire. Now, this Emperor is not a bad guy, if anything, he's rather benevolent. But he was usurped by a new and changed Sith Order who also extinguished most of the Jedi Knights, making Legacy start out in a world with a handful of Jedi, vast armies of Sith, and a third group of Force-users supporting the now Emperor-in-Exile.

And then there's a new Skywalker, who is a little bit like Han Solo would be if he had had basic Jedi training and was really, really grumpy. Together with all of these pieces come plots which, while maybe not brilliant, are far more intricate and interesting than most of the linear storylines of the original movies.

After three volumes, I'm well and truly hooked, and I will continue trying to set aside money to buy these TPBs. Legacy has breathed new life into the Star Wars-universe for me - and it has even retroactively made things that happen before it more interesting, as the century-long gap of information preceding it is now basically just begging to be filled. Where did Luke go? What about Leia? And all their children?

If you have any interest in Star Wars and think you could enjoy a comic with new characters and new plots but the same good old concepts that drew you to the original movies in the first place, I suggest you check out Legacy. If not, well, I'm thoroughly impressed you managed to stay interested throughout the entire post!

The Rule of Two

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Her head was still swimming from the elbow to her jaw, making it difficult to stand without swaying slightly.
"I knew you had the stength to deafeat them, Master," Zannah said. "That was why I didn't come to your aid during the battle."
"And what if you were wrong?" Bane asked in a quiet, menancing voice. "What if they had somehow killed me?"
"Then you would have been weak, unworthy of being the Dark Lord of the Sith," Zannah answered boldly. "And you would have deserved to die."
"Precisely," Bane said with his familiar grim smile, and Zannah knew her Master approved.


- Darth Bane - Rule of Two,
by Drew Karpyshyn.

He did it his way

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Outbound Flight

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It has been many years since I last read anything by Timothy Zahn. When I did, unsurprisingly it, too, was Star Wars books. Namely his Thrawn trilogy and its Hand of Thrawn duology sequel, both set a good while after Return of the Jedi, and both about as critically acclaimed as any Star Wars-books have ever gotten. I quite enjoyed those, some understandable minor continuity issues with the prequel trilogy aside. Especially the character of Thrawn stuck with me. There isn't anything remarkable about Thrawn as a villain, really. He's hyper-intelligent, civilised, well-mannered, and has motivations that give rather valid moral grounds for his evil actions - all these elements are the makings of a good and interesting villain, but they are hardly original. Three little things, though, lift Thrawn above the crowd. He's incredibly deductive and creative, showing not just the typical evil mastermind's ability to plan complex plots, but the ability to react and adapt to virtually any complication with stoic mastery and simple brilliance. Second, Zahn is very good at writing these things and coming up with things for Thrawn to do that actually are quite ingenious - meaning, we're not just told that Thrawn is incredibly brilliant, but we're shown. And third, while he might be the archetype of a hyper-intelligent, morally grey villain, he is a morally grey villain in the Star Wars-universe. Which is a pretty interesting change of pace from the movies.

Thus, while I remember little of the books from all those years back, I remember Thrawn very well. It was with cautious optimism, then, that I picked Outbound Flight from the shelf in the book shop, bought it, and went home to read it. The book is a relatively recent (original release was in 2005) book by Zahn set before the Clone Wars - i.e. between Episode I and II of the movie saga somewhere - and it sets up a lot of plot points and characters for his original trilogy, tying it neatly together with the continuity of the prequel era as established by the three newer movies. The book was a quick-paced and compelling read, which while it never really astounded me with any kind of immense greatness thoroughly entertained me, which is after all what I wanted from it. Moreover, it made me very, very interested in digging up my old books by Zahn and doing a re-read with this new information in the back of my head. And, by far most importantly, when Thrawn shows up in this book, he is just as brilliant as ever. Kudos to Mr. Zahn for coming up with all of the cleverness. The short-story, also by Zahn, that came with the paperback was set a few years later, by the end of the Clone Wars, and made for an awesome epilogue explaining how Thrawn was finally recruited by the Empire.

If you're at all interested in checking out any Star Wars-expanded universe novels, I'd recommend you read this, and then his original Thrawn-trilogy. I can only imagine they'll work very well together. Me, I'm going to get Zahn's Survivor's Quest - another recent book by him that succeeds the Hand of Thrawn-duology, reportedly making the entire sequence of books a seven-book series spanning almost fifty years in the Star Wars-universe, from four years after Episode I to eighteen years after Episode VI.

The Star Wars Saga

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I'm one strange animal, I am. Star Wars is an excellent example of why. I love Star Wars. Really do. I might not be as fanboy as they come, but with Star Wars, that extreme is a little crazier than usual. Suffice to say I know why it'd be better if Han still shot first, who Ysanne Isard was, how Chewbacca dies, what the Outbound Flight Project was, what changes the DVD-releases of the original trilogy did to the story, how Palpatine survived episode VI and why the coolest villain of the Star Wars-universe is neither a Sith nor depicted in the movies. I might not be among the most devoted fans, but out of any random group of a hundred people, I'd bet you I'm in the top three as far as interest in this world and these movies is concerned. This probably makes me strange enough for most people, but I believe my readership here, small as it is, to be somewhat more selective in handing out the "strange"-label. So let me try to demonstrate.

I don't particularly think these movies are all that great. No no, I don't just mean the three more recent ones. I mean all of them. Alright, Empire Strikes Back is pretty awesome. But IV and VI are overrated.

That's right. I'm a huge big Star Wars enthusiast, and I just said the original movie isn't all that. To make matters worse, I don't think the new ones are as bad as they're cracked down to be.


In the weekend preceding Christmas and in the extended Christmas weekend proper, I did a full re-watch of the sage, including the very good Clone Wars-animated series as an episode 2.5 (the old one, not the new and digitally animated stuff that is currently airing), and here is my attempt at an efficient review of the whole thing. And be warned in advance - this is a review of the current DVD-editions of the movies. If you're some kind of anal purist denying their existence, that's your business. This post is about the official saga as it exists right now. (With Clone Wars added in because, well, that's what it was made for and this is my weblog.)



The Phantom Menance


Viceroy Nute Gunray: "My lord. Is that... legal?"
Darth Sidious: "I will make it legal."



Movie Plot:
The Phantom Menance tells the story of a small planet in the Galactic Republic falling victim to an illegal trade blockade that escalates into a full-scale invasion by a powerful interplanetary guild named the Trade Federation. The Republic, struggling with corruption and power-struggles in the ruling body of the Senate, finds itself incapable of ending the situation easily. The Supreme Chancellor, acting on his own, sends two Jedi to sort the matter out. The members of this ancient order of wizard-priests and warriors sent is a Jedi Knight named Qui-Gon Jinn and his apprentice. Qui-Gon is a strong-willed and well respected member of his order, one having the skill set and experience deemed necessary to sit on its ruling Council yet not yet awarded the position due to his many theological differences with them. His apprentice, Obi-Wan, while far more tempered with the conservative ideas of the Council, remains his faithful and loyal if somewhat critical junior companion during his master's disagreement with the ruling body of their Order. The remaining main characters of the tale are two equally gifted but vastly different individuals - the immensely capable but very young ruler of the invaded planet, Padmé Amidala, an idealistic but cunning politician with great loyalty to her people, and Anakin Skywalker, the even younger and mysteriously fatherless slave boy from the Outer Rim of the galaxy with enormous understanding of all things mechanical and a natural affinity for the mystic Jedi arts with no historical parallel. Despite the objections of the Council, Qui-Gon Jinn, convinced this boy is one told of in prophecy, and introduces the boy to the Jedi teachings. The Trade Federation's actions are revealed to be the product of a secret plot by the hidden sect of the Sith, when the Sith Order's junior member, Lord Maul, is sent to kill the Jedi and Amidala but fails. The Order of the Sith, believed extinct for centuries, are users of the same mystical Force as the Jedi, but on directly opposing theological grounds, acting on self-preservation rather than altruism. The disunity in the Galactic Senate is disposed of by removing the friendly but politically weak Supreme Chancellor in favour of electing another, stronger politician friendly to the little planet's need. Amidala is not satisfied with the speed of the Republic's promised assistance, and goes back to her planet to ally herself with a less technologically advances species indigenous to the planet's swamps and oceans to overthrow the occupation. The Jedi Council, alarmed by the presence of a Sith Lord in the affair, send Jinn and Kenobi back with her for her protection. The planet is re-taken and the junior Sith Lord slain by Kenobi, after he himself slaying Jinn. Kenobi, following his master's dying request, takes up the boy Skywalker as his apprentice with a Jedi Council begrudgingly agreeing despite its senior member, Yoda, still disagreeing. The movie ends of a note of unity and success, despite not having unraveled the Sith's role in the affair nor found the location or identity of Lord Maul's teacher in the order.

Saga Plot:
The Chosen One, Anakin Skywalker, is found as a slave boy on the Outer Rim planet of Tatooine by maverick Jedi Knight Qui-Gon Jinn, and the evil Sith Order resurfaces after centuries of hiding. Jinn dies, but is able to include Skywalker in the Jedi Order, under the tutelage of Jinn's old apprentice Obi-Wan Kenobi, despite doubts in the Jedi Order's ruling body as to the boy's fitness. Skywalker harbours anger and fear for his mother, trapped as a slave back on Tatooine, and is additionally far older than what is customary for indoctrination into the Order. Skywalker's status as the One Chosen to bring balance to the Jedi's pantheistic Force is also doubted by several of the Order's prominent members. The Sith Order suffers a set-back in losing its junior member and having its plot to through an illegal invasion of a small planet create dissension and mistrust in the Galactic Senate foiled, but succeeds in the main goal of removing its moral leader from office and installing a new one named Palpatine as Supreme Chancellor of the Galactic Republic.

Favourite Moment:
When Darth Maul attacks the two Jedi in Theed towards the movie's end.

Worst Moment:
Jar Jar Binks' outrageous amounts of luck during the movie's final combat.

Missed Opportunity:
Intrigue, dammit. All this talk about corruption and beuracracy, and we never see any of it!

Best Surprise:
The character of Qui-Gon Jinn. His dissension with the Council proper and huge role in the Saga's more theological aspects is by far this movie's greatest contribution. However, it should also be mentioned that Darth Maul is the only successful of Lucas' many attempts at recreating a badguy of Darth Vader's visual impact.

My Overall Opinion:
This movie has a ton of weaknesses. Ridiculously stupid gags and jokes (many of them put in the mouth of Jar Jar Binks, seeing as C-3PO is unavailable for most of the film) abound, of course, but anyone who has ever seen a Star Wars-film expects that. Far more damaging is the podrace which, while entertaining enough the first time around, drags out into the insane upon rewatching. The rest of the movie holds up surprisingly well. R2-D2's mysteriously casual entry into the story is fitting with the enigmatic character he's always been, and the introduction of Anakin, while certainly far from perfect, works better than many of the movie's critics claim. Qui-Gon Jinn and Darth Maul, as mentioned, both work great to flesh out and draw me into this pre-Empire Star Wars-universe, and I quite like Nute Gunray, viceroy of the Trade Federation, as well. Amidala has her best movie in the saga by far, here, where she actually gets things to do. Palpatine is wonderfully jovial. The main complaints, character-wise, are the unnecessarily silly Jar Jar and the underused Obi-Wan who never really has much to say or do in the film at all.
The acting and the dialogue (which is very hard to separate in these movies) are actually pretty great in this one compared to what one sees in most of them. Perhaps due to the utter and complete lack of romance - it is worthy of note that the most cringe-worthy pieces of dialogue here all come out in Padmé and Anakin's single private conversation... The plot is surprisingly multifaceted and layered. There is some major problems with the pacing, however, and again the overlong podrace contributes to make that problem worse. As mentioned, I would have loved to see more of the politics on Coruscant, but intrigue and political maneuvering is rarely more than hinted at in these movies, so I am grateful for what little I get.

Rating:
A rather okay 6.5/10. It's really better than people want you to think.



Attack of the Clones


Obi-Wan Kenobi: "I have to admit that without the clones, it would have not been a victory."
Yoda: "Victory? Victory you say? Master Obi-Wan, not victory. The shroud of the dark side has fallen. Begun the Clone War has."



Movie Plot:
Attack of the Clones is a movie about a complex conspiracy that starts with two thwarted attempts at assassinating Senator Amidala of the Galactic Senate and ends with the revelation of a group of powerful interstellar organisations declaring independence from the Galactic Republic. When Jedi Knight Obi-Wan Kenobi is sent to investigate the attempted murders he discovers to his astonishment a vast army of trained and equipped clones that the makers of insist were built on the order of a late Jedi on behalf of the Republic, despite nobody back in the capitol knowing about this. When shadowing the skilled bounty hunter who both was behind the assassination-attempts and provided the source DNA for the clone army, Kenobi discovers he has been hired by a renegade Jedi Master known as Count Dooku. Dooku, being the leading figure of the separatist movement against the Republic, captures Kenobi and, upon finding he cannot be swayed to the Separatist cause, sentences him to be executed. Kenobi's apprentice Anakin Skywalker, enraged after the recent loss of his mother, and Senator Amidala whom he has been assigned to protect together attempt to rescue Kenobi, and fails. A larger-scale rescue attempt organised by the Jedi Council is also in vain, but they are saved at the last minute by the arrival of the clone army, the situation having demanded that they be put into use despite their mysterious origin. The seperatist conspiracy's vast armies of combat droids engage the clones in combat, and Dooku flees the planet after having been revealed to have turned from the Jedi code and made use of what is known as the Dark Side of the Force the Jedi live attuned to. The movie ends with Skywalker secretly marrying the Senator Amidala despite the Jedi creed against attachment designed to avoid this exact type of turning, and the galaxy having been thrust into a full-scale war.

Saga Plot:
Starting ten years after the previous installment, Attack of the Clones furthers the Sith plot to gain control of the galaxy by pitting the Republic against itself in a civil war between its government and the great corporate powers. The unrest created by the situation allows the Supreme Chancellor Palpatine to remain in office long after his terms expire, and expose the Jedi Order, ancient enemy of the Sith, time and time again to participate in the war-effort and thus put its members in mortal danger. A powerful and disgruntled Jedi Master, Dooku, Qui-Gon Jinn's old teacher, has been recruited to replace Lord Maul as the junior member of the Sith Order, and uses his popular and charismatic public persona to take the position as leader of the Separatist alliance fighting the Republic's forces. The Republic is manipulated into making use of an army of fully trained clones with mysterious origins, giving them a fighting chance against the Separatist's vast droid forces so as to drag out the conflict and further the Sith agenda. The Chosen One, Anakin Skywalker, finds his mother after spending ten years apart only to lose her moments later. In his anger, he slaughters the entire tribe of primitives responsible. The senior Jedi Master, Yoda, is alerted by the voice of the late Qui-Gon Jinn, who is somehow reaching out from the beyond in a failed attempt to keep Skywalker from succumbing to his rage. As Skywalker is additionally scared of further loss when he opens a forbidden romance with Amidala, now a Galactic Senator, the Jedi code of no attachment has the opposite effect of the intended. Skywalker's forbidden attachment makes him scared of being found out, forming the exact cycle of bad emotions the ban is there to keep him from in the first place.

Favourite Moment:
Dooku interrogating Kenobi.

Worst Moment:
The attempts at romantic dialogue between Skywalker and Amidala on Naboo. Probably the worst one in the entire Saga, to be frank.

Missed Opportunity:
The Clone Wars. While this movie's plot is quite interesting indeed and most of its problems owing to the mediocre-to-bad writing and execution of this plot, it is a shame to both skip over all of Anakin and Obi-Wan's years and adventures together as friends between episode I and II and all of their experiences during the Clone Wars, as their friendship is a pivotal part of the saga.

Best Surprise:
The intricacy of the plot behind the Clone Wars. While the execution, again, is sometimes a little limping, the idea of one single individual recruiting and arranging both sides of an intergalactic civil war to further his personal agendas is quite brilliant.


My Overall Opinion:
I remember being pleasantly surprised by this movie. The title is horrible, being another one in the pulp vain of "Return of the Jedi" and "Empire Strikes Back" - or "Star Wars" itself, for that matter - which is understandable but not very fun. I didn't grow up reading that kind of stuff, I have no nostalgic feelings for it being recreated on the big screen with billions of dollars' worth of special effects. Add to that that The Phantom Menance, which I liked well enough, had left an enormous amount of story untold between itself and IV and set up a huge number of discrepancies as well, I felt this movie had an enormous pressure on itself to be efficient, make sense and fill gaps. Of course, it didn't. It barely filled any, leaving even the story of the Clone Wars untold, only showing us how it begins. I knew that from the title - I mean, it is called the ATTACK of the clones, not the clone war - and so the automatic disappointment came with the ticket. Thus, my expectations to the movie were rather low. And also thus, I really, really liked it. Originally I liked it far better than VI, actually, and would even have compared it to IV. The years since then of rewatching and comparing has convinced me that alright, IV is a solid bit better, and while II might compare to VI, it certainly isn't a clear-cut superior movie in any way. However, the mere fact that it could please me so speaks not exclusively of my low expectations, but also of the movie itself. It is rather fun. The plot is by far the most complex of any of the installments in the saga, which I wholeheartedly approve of. Some minor details in it make little sense and was never cleared up, like the Sifo-Dyas-person who ordered the clone army, but on the whole, it is rather well pulled off. A main problem is the romance - and not just the poor writing. Far more confusing is the attraction itself. Amidala is depicted as a sophisticated, devoted and highly intelligent woman of strong beliefs and convictions, but within the scope of a few shallow conversations, she somehow falls head over heels for a whining, self-absorbed man far younger than herself and whose politics differ vastly from hers. There is no scene to explain this. His affection for her - which is far more understandable - is given ample time, but there is literally no scene to explain her going from being mildly amused by his awkward crush to loving him so much she breaks laws and endangers careers left and right to marry him.
Dooku is a huge positive surprise in this movie. Of course Christopher Lee is most of the reason for that, but the character is indeed highly interesting even if someone else had played him. A Jedi Master, the only one in generations to leave the Order, who was Yoda's Padawan, Qui-Gon's teacher, and the most gifted Jedi the order seen before Anakin, who might or might not have turned to the dark side... very interesting character indeed. The interplay with him and Sidious is another great lost opportunity in this saga, it would be highly interesting indeed to see how Sidious would deal with taking on an apprentice very close to himself in wisdom, knowledge and experience. Unlike Maul, trained from infancy, and Vader, influenced during his entire upbringing and taken on before he was anywhere near Dooku's experience and knowledge, Darth Tyranus is the kind of character you would expect to be the senior Sith Lord, not the junior one. The concept of this interests me very much. (Anyone liking Tyranus' character, by the way, should consider reading the novel Yoda: Dark Rendezvous, which I remember I quite enjoyed.)
The relationship between Obi-Wan and Anakin is actually very well done here. It's just enough of a teacher-student relationship and just enough of an older brother-younger brother relationship to sell them in their dual roles as adoptive father/son and growing equals. It sets up the idea of these two fighting side by side in the Clone Wars very strongly without showing it very much, and this aids later movies a lot. While Hayden Christensen isn't great as Anakin, he's good enough, the main problem with the character is the choices done with him in the writing, making him seem whiny and self-centered in the ridiculous. Ewan McGregor's Obi-Wan, as I mentioned in the comments here, is this movie's saving grace on the dialogue- and character-side, often being amusing even during his fight scenes.

Rating: Weakish 7.5/10. While it has great issues to be sure, I've always liked this one. It might not be a very well made movie, but it manages to entertain me time and time again every time I rewatch it, and I'm rewarding that in the grade.



Clone Wars


"Jedi! Their Order is a fading light in the dark. Corrupt and arrogant, they must be punished. The Jedi shall fall."
- Asajj Ventress, Dark Acolyte



Series Plot: The first volume of Clone Wars chronicles the early days of the Clone Wars by showing a selection of battles on different planets spread throughout the universe, intercut with a bigger plot of the Jedi Obi-Wan Kenobi and Anakin Skywalker leading the attack on Muunilinst, one of the main bases of power for the Separatist-aligned Banking Clan. Related to this plot is another story-thread where Count Dooku discovers and trains the Force-sensitive Asajj Ventress in lightsaber combat. Ventress, who has personal reasons to hate the Jedi and desires more than anything to become a full-fledged Sith, leaps at the opportunity to prove herself to her new Sith Master, and becomes his personal assassin during the war. In truth, Dooku has no plans of taking her on as a real apprentice, and is only using her, with his own Master's blessing. As the battle on Muunilinst comes to a close, Ventress appears in her fighter and creates havoc for the Republic space forces. Skywalker chases after her alone, against the orders of his master Kenobi, being lured into a trap on a distant location. Ventress and Skywalker duel, matching each other closely in skill, and Skywalker finally triumphs by tapping into his anger, stepping closer to using the Dark Side of the Force. The volume closes with Dooku's reveal of his new right hand man in the Separatist side of the war, a cyborg general known as Grievous. Griveous, not only a tactical genious, is also highly skilled in close combat, being able to surprise and kill several Jedi at once as the volume ends. In the second volume, we see Skywalker receiving his full Jedi Knighthood, and then skip a couple of years ahead to the end of the war, where Grievous is sent to kidnap Supreme Chancellor Palpatine of the Republic. Meanwhile, Skywalker and Kenobi are investigating a secret hideout of his on a planet far away, discovering a plot by the Separatist-supporting Techno Union to create further cyborg soldiers to supplement the droids who have proved inferior to the Republic's clones. The volume comes to an end almost exactly at the point where the third movie will begin, with the Chancellor being kidnapped.

Saga Plot: The Chosen One, Anakin Skywalker, is as the Clone Wars progress becoming more and more experienced and powerful as a warrior and as a Jedi, receiving his Knighthood and on his new, more equal footing tying an even closer friendship to his former Master Obi-Wan Kenobi. Kenobi himself has been granted the title of Master and put on the Jedi Council for his efforts during the war. Skywalker is showing himself as very capable and talented, but when pressed, especially when on his own, he repeatedly turn to darker deeds and emotions than what the Jedi Code allows him. While investigating a Separatist plot to create cyborg soldiers, he experiences a vision through the Force to help him sort out a mystery during his current assignment, a vision that at the same time is foreboding to him personally that the very actions he takes to save his loved ones will end up destroying them. The Dark Lord of the Sith, Darth Sidious, sends his top General Grievous to attack the Republic capitol and kidnap their Supreme Chancellor Palpatine, likely to further his goals of keeping the war as close and scary as possible to the inhabitants of the Republic and lure Skywalker, a strong supporter and friend of Palpatine's, into another direct combat where he will let his emotions rule him.

Favourite Moment:
Grievous' entrance at the end of Volume I.

Worst Moment:
The very silly and cheesy-looking opening shot of Yoda riding in front of a massive army of clone troopers simply running against a droid army firing on them.

Missed Opportunity:
This one is difficult, as I feel this very short series was excellent at just this - taking opportunities. However, it would have been nice to see the alleged brilliant Grievious actually perform some form of brilliant tactic instead of exclusively doing hand-to-hand-combat in his every scene.

Best Surprise:
Mace Windu's single-handedly taking on a droid regiment without a lightsaber. Tons of fun.

My Overall Opinion:
While it has its faults here and there, this short series of animated episodes is in many ways an almost necessary element to the Saga in my opinion. It shows us how Anakin makes darker and darker decisions throughout the war without Obi-Wan fully catching on to the development in a believable way. Similarly we get to see him and Amidala struggle with their hidden marriage, which is also of great aid in making later events a tad more believable. It displays Obi-Wan and Anakin's close-knit friendship over time, making the few scenes early in Episode III not have to carry this important plot-point alone. We're also informed (by implication) of Obi-Wan's promotion to the Jedi Council and we're shown Anakin being given his Jedi Knighthood, both of which has simply happened before Episode III begins. We get to see the clone troopers bond a little with their Jedi generals, which makes the Order 66-scenes of Revenge of the Sith far more compelling. We get to see Dooku placing someone in the exact position he himself will be placed in the opening scenes of the next movie, which makes for delicious irony. General Grievous, whose entire presence in Episode III is redundant and pointless, is actually way cool in this series, making up a little for his character's existence. And, maybe most important of all, we get a glimpse into the wide-spread battles and devastation of the Clone Wars, making the war's existence seem more horrid and important than it otherwise would when mainly transpiring between two movies.

Rating: Solid 7.5/10. For an animated series of shorts that you can alternatively watch as one full-length movie, this is stellar. Of course, when compared to actual movies the pacing and plot-threads chosen comes off as a little odd.




Revenge of the Sith


"So this is how liberty dies... with thunderous applause."
- Senator Padmé Amidala to Senator Bail Organa



Movie Plot:
The galaxy is at the end of a three-year long civil war, and in a final stunt Separatist leader Count Dooku and his attack-dog General Grievous have kidnapped the Supreme Chancellor of the Galactic Republic, Palpatine, in a daring attack at the capitol planet. Republican heroes of the war, generals and Jedi Knights Anakin Skywalker and Obi-Wan Kenobi, is dispatched to rescue the Chancellor before the Separatists can escape Republic space with him. Their attempt is successful, but Skywalker breaks many of the Jedi Code teachings when he, on his good friend the Chancellor's encouragement, kills a defenseless Dooku while his companion Jedi and former master Kenobi is temporarily knocked out. This is not the first of Skywalker's many breaches on the Jedi rules, nor will it be the last, as he is increasingly consumed by self-righteous anger and ambition to save a galaxy he is increasingly tired of seeing ravaged by war, regardless of the cost. Simultaneously, his illegal marriage to Senator Padmé Amidala is taking its toll on him, adding fear to be discovered and fear to lose her and their unborn child to the mix. These feelings are continuously nurtured and fed by the Chancellor who, unbeknown to anyone, is the mastermind of the entire civil war, a ploy to keep him in power for long enough to do a coup d'état from the inside of the Republic. He sees in Skywalker his future apprentice, a powerful pawn to wrist away from the Jedi Order he secretly hates and put to use for his own purposes. Pitting Skywalker against his Order and playing off of Skywalker's increasingly dire premonitions of the fate of his wife, Chancellor Palpatine's scheme is only outed to the Jedi at the very last moment - and it becomes too late. Having convinced Skywalker that he and he alone has the means and knowledge to save his beloved wife, and further convincing him that the elite Jedi's corruption and arrogance is the root of the unrest and civil war, Palpatine turns Skywalker to his aid, averting his outing by the Jedi, naming Skywalker his apprentice and right-hand man. He then triggers a latent programming in the Republic's cloned armies, of which he is still the legal ruler, making them turn on their Jedi generals and eradicate them all. Skywalker, committed in full to the Chancellor's teachings, goes to the Jedi Temple and kills all the children in training for Jedi Knighthood, proving his loyalty to the Chancellor's creed of anything necessary to restore peace and unity. Travelling to the headquarters of the remaining Separatist leaders on Palpatine's bidding, Skywalker assassinates them all, singlehandedly ending the war. His old Master Kenobi survives the clone army's attempt at his life, and returns to the capitol, only to discover Skywalker's betrayal of their order. He and Skywalker's wife, political idealist and disillusioned Senator Amidala fresh from a Senate session where Palpatine declared himself Emperor for life, go to meet Skywalker and reason with him. It is to no avail, in his rage and confusion Skywalker is convinced they are now both plotting against him, attacking his wife and almost killing her. Kenobi engages him in a duel, which he finally wins. The movie ends as Palpatine resurrects Skywalker as a cyborg trapped in a black armour, and Amidala dying as she births two young children that Kenobi whisks away into hiding.

Saga Plot:
The Dark Lord of the Sith's schemes come to full frutation as the Galactic Republic is transformed into the Galactic Empire and its cloned armies turn their allegiance to him personally, and even his Sith apprentice Darth Tyranus find his ambitions and ideals betrayed by his master. The Chosen One, after a decade of careful prodding and a cataclysmic three years of brutal warfare, is finally turned to give into his darker emotions in a misguided attempt at protecting his loved ones. He becomes Darth Vader, new apprentice to The Dark Lord Sidious, and aids in the almost complete destruction of the Jedi Order as well as the ending of the Clone Wars by the brutal eradication of its remaining leaders. His wife, heartbroken at the fate of her husband, dies shortly after giving birth to his twin children, Vader never realising she lived long enough to birth them. Obi-Wan Kenobi, anguished at his former apprentice's turn to the Dark Side, duels with Vader and triumphs, leaving Vader a mutilated man dying slowly and alone with nothing but his hatred left. The Jedi Grand Master Yoda, with Kenobi the last of their Order left, confronts the Sith Lord Sidious, newly declared Emperor, but fails in killing him and is forced to flee. He reconvenes with Kenobi, revealing to him that his former master Qui-Gon Jinn has discovered how to retain his essence and personality in death, teaching Kenobi how to communicate with the late Jinn so that he, too, can learn this skill in the decades to come. A small part of the Galactic Senate quietly opposes the Emperor, and one of them, Senator Bail Organa, adopts Vader's daughter in secrecy. Vader's son is in equal secrecy taken to live on the distant planet of Tatooine, Kenobi going with him to guard him from dangers but judging his failure with Vader to be too great to take the responsibility for actually raising the boy. The child is thus left in the care of Vader's step-brother and his young wife, with Kenobi settling down quietly not too far from their dwelling. As the movie ends, Darth Sidious finds his mutilated apprentice and manages to save his life by putting him inside a cybernetic suit that will sustain him. Vader, having lost anything else, remains his Master's faithful servant, seeing his only remaining purpose in life to maintain order and peace throughout the newly established Empire.

Favourite Moment:
Order 66.

Worst Moment:
Realising General Grievous was going to be about as interesting as an old boot compared to in the animated show.

Missed Opportunity:
Oh, dear lord. How about the entire movie? This movie was the final installment in the Saga, bridging the new and the old together, and it could have served us twists and turns and surprising reveals nobody had seen coming. Instead, it took the safe route. It did what everyone expected it would do. Sure, it did it relatively well, but it did exactly what was expected, and with the possible exception of Yoda's showdown with Sidious, nothing else whatsoever. This movie could have served up innumerable twists that would have turned the entire Saga on its head, made the old movies be seen in a completely different and the new ones simply seem better. But it didn't, and that will always be a major disappointment to me.

But if you want specifics and not wishful thinking, not having Qui-Gon reveal the major turning point of the entire saga on-screen is probably as big as they get.

Best Surprise:
Mace Windu, the character without a mentionable purpose in the previous two movies, is here a guy whose mere existence was totally selling half the movie's plot-points. The Jedi elite's distrust of the Senate and the Chancellor, the Jedi elite's distrust of Anakin's loyalties, the one who agrees to bend the rules just enough that it sells Anakin on the Jedi actually being as corrupt as Palpatine's been suggesting... And so on and so forth. Thank the lord that Lucas thought to include this character in the previous two movies, this one would hardly have worked at all without him.

My Overall Opinion:
This was a good one, but it stopped a good bit short of greatness. Palpatine's outing as evil is too over the top at several times - his understated smug evil in VI works much better than his screaming and howling in III - but McDiarmid and his character's great and small moments are still what is keeping this movie going. Also still good is McGregor ("Mc", it seems, helps) and his Obi-Wan, who is really selling the affectionate comradery of Kenobi and Skywalker early on in the movie and thus also one of the key plot-points in the end of the movie when their friendship dissolves. The rest of the cast (Frank Oz' Yoda aside, of course) doesn't really impress, but honestly, they're not given anything to impress with. Christensen does a fair job as the conflicted and turning Anakin, but still comes off as a little too whiny to be any real fun. Still, I've seen bonus material where Lucas is instructing him how to say some lines - and believe you me, he wants them to sound that whiny. It's not Christensen's fault, at least not his alone. However, his character's ripple-effects on those around him makes it worth the journey, and the truly dark moments are sold very well by Christensen. And those are what really counts, right? Portman has a good bit more important a role here than in II, but this is of course joined by LESS screen-time. (At least it feels like it, I haven't timed) So her character never really has a chance at doing anything interesting. The deleted scenes-plotline of her helping founding what will grow into the Rebel Alliance would have helped, but even that would have been much too little, in my opinion. And having her "lose the will to live" rather than simply having her die from the damage done by Anakin and the premature childbirth is still pretty stupid. All complaints aside, though, this movie does work, and it works rather well. There's action, there's drama, there's tragedy, there's reveal, and it packs more intensity than any other movie in the Saga. Half the movie's scenes feel as intense as, say, the final duel-scene on the second Death Star in VI, which is a really good thing. R2 is finally amusing and cool again, and 3PO and Jar-Jar are both giving too little to do to be annoying. I still hold Grievous' being a redundant character for the movies, but his existence adds a lot to the Expanded Universe as a planned scapegoat for Dooku and a brilliant tactician and tragicly exploited hero for the Separatist side, so I'm not unhappy they made him. However, we should have been shown him do something cool. In the books, he's a military genious, in the animated series he routinely kicks Jedi ass, but in the actual movie he just comes off as a smug coward. Keeping the charismatic Dooku in the movie for more than five minutes and let him serve like the secondary villain would have been far berre for this movie when seen on its own or only in context of the other five movies. Finally, not putting Qui-Gon's ghost in the movie is ridiculous beyond belief. It reduces what should be a major plot-point to a throw-away remark of Yoda's, and makes the ghosts of the old trilogy seem haphazard and random. They've always seemed like overly convenient plot-mechanisms, dropping this opportunity to redeem them and make them a big part of the saga plot is outrageous. Not to mention how much of a stretch it is that Anakin somehow manages to learn this within an hour after dying in VI. Sigh. Also, it robbed me of an extra scene with Liam Neeson, dammit.

Rating: A grudging 8.5/10.



A New Hope


"This will be a day long remembered. It has seen the end of Kenobi, it will soon see the end of the Rebellion."
- Darth Vader



Movie Plot:
Luke Skywalker, nineteen, has grown up on a moisture-farm with his uncle and aunt, but longs to leave and explore the galaxy. He gets his wish granted, but not in quite the way he had imagined, when the purchase of two droids for the farm sends him spinning into a chain of events leaving him in the middle of a rebellion against the fascist Empire that rules the galaxy. One of the droids turn out to have significant intel on the Empire's biggest military secret, and Skywalker needs to get this information to the Rebels. He's taken into the tutelage of an old, mysterious hermit that once went by the name Obi-Wan Kenobi, and together they hire small-time smuggler Han Solo to fly them in secret to a Rebel leader named Bail Organa. Meanwhile, Organa's daughter has been captured and tortured for information by the Empire. The officer in charge of the secret military project, Governor Wilhuf Tarkin, decides to apply their new weapon against Organa's home planet to make the daughter, Leia, reveal the Rebel Alliance's secret base. The weapon, an immense space station called the Death Star, fires and obliterates the planet, with Bail Organa on it. Skywalker, Solo and Kenobi's arrival is thus met not with the friendly planet they expect, but rather the battle station responsible for destroying it. Through a series of events they manage to escape with Leia Organa aboard their ship, but without Kenobi, who is killed by his old disciple turned Imperial agent Darth Vader aboard the station. Skywalker and, eventually, Solo, join Organa and the Rebel Alliance after having followed her to their base. They apply the information in the droid in a desperate attempt at destroying the Death Star, which succeeds against all odds, killing Tarkin. The movie ends with the Alliance celebrating their first major victory against the Empire.

Saga Plot:
The Chosen One has for the past nineteen years been aiding Darth Sidious, now Emperor Palpatine, in bringing the galaxy to order and peace by any means necessary. However, a small but stubborn group of rebels keep avoiding capture, most recently by stealing the schematics to the Empire's secret superweapon the Death Star. The Chosen One, now known by the Sith name of Darth Vader, traces the thieves to Senator Leia Organa, the daughter of a known rebel sympathizer, and ignores her diplomatic immunity as a Senator by searching her ship for the plans. However, the plans, stored in the droid R2-D2, has been sent off the ship to the planet of Tatooine before Vader's entry to Organa's ship, the droid having been programmed to locate an Obi-Wan Kenobi once on the planet. Vader arrests Organa and tortures her for information on the location of the rebel base. When this fails to work, commander of the Death Star Governor Wilhuf Tarkin decides to destroy Organa's home planet to make her talk - this also failing. Meanwhile the droid R2-D2 has maneuvered himself into the company of Kenobi, a Jedi Master who has spent the last nineteen years in hiding, by way of young farmboy Luke Skywalker. Kenobi attempts to recruit Skywalker to the rebel cause, telling him that Skywalker's father was an old pupil and friend of his once killed by Darth Vader. Skywalker is tempted, but refuses, until he returns home to the farm to see his adoptive parents having been killed by the Empire who are on the droid's trail. His mind now changed, Skywalker and Kenobi take the droid to meet with Organa's father by way of renting the ship of small-time smuggler Han Solo. On the way there Kenobi attempts instructing Skywalker in the basics of Jedi training and philosophy. Arriving, they find the planet recently destroyed, and are brought aboard the immense battle station responsible - The Death Star. Once aboard, they manage to flee, bringing Organa with them. Kenobi seeks out his old pupil, Vader, and duels him to allow the rest of the group to escape. As he sees he has succeeded, Kenobi drops his guard and concentrates on the techniques taught him by his late Master Qui-Gon Jinn, disappearing into the Force as Vader strikes the killing blow. Skywalker, Solo and Organa flees to the Rebel base, not aware the Death Star is tracking them to find its location, having let them escape on purpose. Skywalker and Solo both join the Rebel Alliance, the latter doing so despite being overdue at a powerful gangster boss named Jabba the Hutt's place with a heavy fee. With the aid of the schematics stored in the droid, the Alliance manages to destroy the Death Star, Skywalker piloting the decisive fighter whilst aided by the late Kenobi through the Force.

Favourite Moment:
Vader demonstrating the power of the Force to the unbelieving Admiral during Tarkin's meeting.

Worst Moment:
Obi-Wan's silly little pirouette in the middle of his duel with Vader.

Missed Opportunity:
Obi-Wan and Vader's duel is very anti-climactic - even when NOT seen in context of the ones in the prequel trilogy it looks kind of stale and wooden. This could have been the Giant Final Showdown Duel To End All Duels, you know. With both participants actually being well-trained, experienced lightsaber-users, unlike Luke in V and VI...

Best Surprise:
Nobody who knows me at all will be surprised when I say Tarkin's character on this point. Seriously, even the first time I saw this movie as a twelve-year-old he totally stole the show from Vader for me. But the introduction of Han Solo's character is a close second.

My Overall Opinion:
This is a good movie. It's not really great, its plot is a little too formulaic and predictable for that, and it has some pacing issues that become increasingly apparent on rewatches. That admitted, though, it is still a good movie. Everything works here, the story is told in an efficient yet exciting manner, and it provides a great introduction to how the galaxy looks and feels after almost two decades under the Empire. Some dialogue, especially Leia's for some reason, sound a little wooden or artificial, but compared to some of the scenes in II or even III, it shouldn't even make you raise an eyebrow. The acting is alright, the characters are mostly plain stereotypes but charmingly executed ones, and the unusual visual setting of the standard myth/faery-tale-like plot succeeds greatly at making it seem more original and interesting than it really is. Most emotional moments are very underplayed, though, and could possibly have been better used. Luke gets over his adoptive parents/uncle and aunt's death in a matter of minutes, Obi-Wan's death - which is actually grieved more on screen by Luke than that of his parents - is done in the middle of a scene focusing mostly on action elsewhere, and the destruction of Leia's entire home planet with her father on it is virtually given no chance to impress upon the viewer the enormity of the tragedy at all. The expedience of the plot always bring you over to the next plot-point or action-scene rather than dwelling at these things, their consequences and the characters' reactions to them. It's not strictly necessary, of course, especially considering the fairy-tale-like quality of this movie, but it fits poorly with the remaining five movies' way of doing things, where this exact kind of emotional attachments and loss (though nearly all of them far less serious than any of these) is played up quite heavily.

Rating: A strong 8/10



The Empire Strikes Back


Luke Skywalker: "I won't fail you. I'm not afraid."
Yoda: "You will be. You will be."



Movie Plot:
The Rebel Alliance's fight against the Galactic Empire sees another setback as their base on the icy planet of Hoth is discovered and ran off. A Commander Luke Skywalker, hero of the Alliance for his efforts in the battle of Yavin some years back, sees a vision of his late mentor Obi-Wan Kenobi, urging him to travel to a remote planet and locate Kenobi's old master Yoda. Under Yoda's tutelage, Skywalker receives training as a Jedi Knight, an ancient but nearly extinct order of warrior priests Kenobi belonged to. Meanwhile, Skywalker's rebel friends Chewbacca, Leia Organa and Han Solo find themselves separated from the main Rebel force, and in need of hiding out from the Empire's infamous agent Darth Vader, the man Kenobi has said killed Skywalker's father. They travel to the planet of Bespin, where Solo claims to have an influential friend from his days as a smuggler named Lando Calrissian. Lando welcomes the group, but turns coat on them and sells them out to Vader. Vader, being primarily interested in Skywalker, holds the group as bait. Through his Jedi training, Luke senses his friends' danger and interrupts his apprenticeship to go save them against Yoda's strong urgings. Skywalker enters the trap and is nearly taken by Vader, but throws himself seemingly to his death to evade capture after learning that Vader did not kill but is in fact Skywalker's father. Narrowly escaping death by calling upon Organa's help through his Jedi techniques, they, Chewbacca and a Calrissian having turned coats a second time flee the Empire's grasp. Solo, being wanted by a powerful gangster lord for some unfinished business from his smuggling years, is frozen down by Vader and given over to a bounty hunter. The movie ends with Skywalker being given a mechanical hand restoring one lost in his fight with Vader, and wondering why Kenobi lied to him about his father's fate.

Saga Plot:
The Chosen One - Darth Vader - having discovered the identify of the pilot blowing up the Death Star as none other than his own son long presumed dead, endeavors at length to capture the young man, Luke Skywalker, during his over-arching efforts to stomp out the rebellion against his Master Darth Sidious and restore order and tranquility to the galaxy. Convincing his Master that Skywalker can be turned to the Dark Side, Vader captures Skywalker's closest friends - including the former senator Leia Organa - to lure him into a trap. Skywalker, meanwhile, has temporarily left the Rebel Alliance to seek training in the Jedi arts by the Jedi Grand Master Yoda, still in self-imposed exile on Dagobah. Against Yoda's counsel he chooses to go to his friends' aid, and faces Vader in a duel. When Vader realises Skywalker is better trained in the Jedi arts than he thought, he attributes this to Obi-Wan Kenobi's teachings before his death, not knowing about Yoda's continued survival. The increased ability of Skywalker's seems to change his plans - rather than trapping his son and bring him to Sidious, Vader now suggests to him that they together can usurp the power from his master and rule the galaxy as father and son. Additionally, he is by telling Skywalker this sowing strong seeds of doubt of Kenobi's words and teachings in Skywalker's mind by revealing that he was lied to about the fate of Skywalker's father, not killed by Vader but in fact Vader himself. Again, the Chosen One desires to put his own perceived better judgment above the rest of the galaxy to impose upon it order and peace, seeing Skywalker as a potentially powerful and loyal ally to rid himself of Sidious' overrule. Skywalker, however, refuses, and escapes after calling through the Force upon Organa to come to his aid. Together, they escape with every one of Skywalker's friends except Han Solo, who is handed over by the Empire to bounty hunter Boba Fett for delivery to the gangster boss Jabba the Hutt.

Favourite Moment:
Vader's callous promotion of Piett to Admiral through the videolink whilst his previous Admiral is choking on the ground. Runner-ups would probably be Yoda's quarreling with R2-D2 over Luke's flashlight and just about every scene Han Solo has in the movie.

Worst Moment:
Tricky, as this is by far the strongest of the series. However, I find the constant re-appearing of Kenobi's ghost to be ludicrous, as it renders Yoda pointless. There is no reason for Luke to go to Dagobah if he can communicate with Kenobi's spirit - he already has a teacher, then. Yet another thing that could have been easily cleared up in episode III if they'd only spent a minute or two laying out the rules indubitably surrounding the Force Ghost-existence. Sigh.

Missed Opportunity:
The desire Vader expresses to topple the Emperor and rule himself is never really explored beyond this in the movies, which I find to be a shame. As it stands, we have no idea if his offer is intended only to ensnare Luke or if he genuinely wishes to ally with him to overthrow Palpatine.

Best Surprise:
The Organa-Solo romance, which unlike the Amidala-Skywalker one is actually believable, probably due to the one party's heavy protests that it is not.

My Overall Opinion:
Very, very, very good. If every Star Wars-movie was this good, this would probably have been the best movie-series I'd ever seen, despite having what is arguably the lamest title. (A tight contest, I know) The movie works splendidly both on its own and as a chapter in the longer story. I find it especially interesting how Vader here again expresses a desire to overthrow the Emperor and rule himself - mirroring exactly what he offers Amidala in episode III. While he then probably didn't fully understand the full extent of Sidious' powers and additionally was not impaired by his mechanical suit, it is interesting indeed that he twenty years or so later repeats the exact same request to his son - but this time with the opportunity to actually gain a usable ally in such a confrontation. The ramifications of this are many and interesting, in part because there is little to nothing given in the movies as to his actual intents and reasoning behind either proposal.
There are some smaller continuity-issues with the more recent movies in Yoda's dialogue, as his views on the training of Luke seems rather lax and open compared to the one he adhered to in the Jedi Council. Of course, there is the added lessons of Qui-Gon Jinn in this Yoda's past that wasn't in the Yoda of the prequels', so perhaps Jinn's far more open-minded views have rubbed off and been given dominance. If so, this is an interesting development indeed, as Jinn's foremost rebellious decision to train the nine years old Anakin Skywalker could arguably be seen as a argument to not lend any credence to his views. Yoda, however, seems convinced, allowing the training of one more than ten years Anakin's older...
Almost everything about this movie works - it is arguably the best paced one of the entire series as well as the best written one - and there really isn't much more to say about it.

Rating: A weak 9.5/10



Return of the Jedi


Luke Skywalker: "There's nothing to see. I used to live here, you know."
Han Solo: "You're going to die here, you know. Convenient."



Movie Plot:
Han Solo, former smuggler and current hero of the Rebel Alliance, is held captive by the vengeful gangster lord Jabba the Hutt. A close-knit group of his best friends from the Alliance decide to help him escape under the leadership of Luke Skywalker, self-declared Jedi Knight after a year of personal studies and training built on the teachings of Jedi Grand Master Yoda. Jabba is killed and Solo freed, and the group travels to reunite with the Rebel Alliance proper, except Skywalker who leaves for the planet where his old master is waiting to finish his training. Upon arriving, Skywalker finds Yoda on his deathbed, and is told that one final test waits him before he will be a full Jedi Knight - confronting his father, Darth Vader, the right hand of the Emperor the Rebels are trying to overthrow. The Emperor, meanwhile, has built an immensely powerful battle station known as a Death Star much like the one destroyed by Skywalker half a decade earlier, only this one is far bigger. However, it is also incomplete. The Rebel Alliance decides to attack it while it is still not operational, but find the Emperor quite prepared - and the Death Star to be only appearing as unfinished to draw the rebels out. Skywalker and his team are dispatched to a small moon where the projector of a protective force shield to guard the Death Star is located while the main Rebel force attack the Star and the Imperial fleet surrounding it. On the moon, with the aid of some primitive natives, the Imperial forces are overwhelmed and the shield knocked down. Skywalker, though, is captured, and brought by Vader to the Emperor aboard the Death Star, who desires to turn him into one of his agents. The attempt is unsuccessful, and the Emperor decides to kill Skywalker, only to be thrown to his death at the last minute by Vader, choosing his son's life over that of his lord. Vader, dying from injuries sustained upon him by the Emperor, is brought by Skywalker off the battle station mere seconds before it is destroyed by the Rebels. The movie ends as the major victory and the death of the Emperor incites uprisings all over the galaxy and Skywalker and his friends celebrate on the moon with their newfound friends among the natives.

Saga Plot:
Luke Skywalker has trained himself further in the Jedi arts since his defeat on Bespin, and decides he is ready to attempt freeing his friend Han Solo from his captivity under the crime lord Jabba the Hutt. He recruits a small group of friends including Leia Organa who unknown to either of them is his biological sister, infiltrates Jabba's lair, and succeeds at rescuring Solo, killing Jabba in the process. Solo, Organa and the others decide to go rejoin the Rebel Alliance, but Skywalker finally decides to return to Yoda, the only surviving Jedi Master of the days of the Galactic Republic, to finish his training. Once arrived at Yoda's, however, Skywalker finds the old master on his deathbed, and is handed out only a few more sentences of advice before Yoda, exercising Qui-Gon Jinn's technique, becomes one with the Force. He tells him that his training is almost complete, but he lacks a final trial; facing Vader, who Yoda now admits to be Skywalker's father. Furthermore, he warns Skywalker not to underestimate the Emperor, like he himself once did. He also tells Skywalker that he has a sibling, to which Obi-Wan Kenobi's apparition later adds the identity of. Skywalker rejoins the Rebel Alliance, who are planning to attack Darth Sidious' latest superweapon, a new, bigger Death Star, before it is completed. In truth, the Death Star is part of the Sith Lord's plan to lure out and ensnare the entire Rebel Alliance. Skywalker decides to try helping his father rather than killing him - despite this being something Yoda, in his vast experience which included Dooku in a very similar situation only twenty years earlier, considered impossible - and confronts the Chosen One in person, surrendering to him. Vader, on orders of his master, brings him to the Emperor aboard the new Death Star, assuming they will once again try to implement their plan of changing Skywalker to their side, bringing order and tranquility to the galaxy. Once in front of the Emperor, Skywalker is taunted by him in front of a silently watching Vader. He is informed that the Death Star is indeed operational, and they are expecting the rebels. Succeeding in thus summoning Skywalker's rage, the Emperor dares him to reclaim his lightsaber and kill him. Skywalker yields to his anger and grabs his lightsaber, but is stopped in his efforts by Vader. In the ensuing duel, Vader constantly has the upper hand, Skywalker attempting to make his father stop and join him against the Emperor to no avail. Vader, insisting he is not at all conflicted in his loyalties, senses within Skywalker the concern for his sister, thus discovering her existence for the first time. Suggesting that he will simply kill Skywalker and try turning her instead, Vader manages to urge Skywalker's anger back out, but gets more than he bargained for. In a turn of events much reminiscent of Kenobi's defeat of the vastly more skilled Darth Maul on Naboo more than thirty-odd years earlier, Skywalker overwhelms Vader with his sudden anger and defeats him by chopping of his sword-hand, placing him in yet another situation mirroring years past as the Emperor gleefully applauds. Back then, Vader had been talked into killing the unarmed Dooku, great current villain of the galaxy, in front of Sidious seeking to replace one apprentice by one younger, more easily controlled and more potentially powerful. The Emperor asks Skywalker to kill his father and take his place at the Emperor's side. Unlike his father two decades earlier, Skywalker recognises the similarities between the man defeated before him and the man he could himself become, considering his own artificial hand and looking at the stump of Vader's. He holds to the Jedi code, and turns off his lightsaber, throwing it aside, sparing his father - and, as Yoda warned him not to, discounting the Emperor as a lone old man. Darth Sidious, his scheme thwarted, is repulsed by the decision, and throws lightning out of his fingers through the Force, incapacitating and torturing Skywalker. The Chosen One gets back up on his feet, and looks at his master torturing his son, declaring Skywalker's imminent death. Betrayed by the man who told him for the past thirty years that it was his role as the Chosen One to bring order in the galaxy, believing himself groomed for the day when he himself would run it, Vader's doubts on killing his own son take him over and he finally decides that the way of the Sith is not the best solution to anything. Realising that while his many evil deeds and murders in the name of peace and order were beyond him to rectify, he could still save his son, Vader grabs hold of his master. Unprepared, Sidious can do nothing but scream as he is thrown into a reactor-shaft and into his death. The lightning spread from his hands get caught in Vader's mechanical body and fries his life-supporting systems. Finally dying the death he's been suffering through for twenty-three years, he asks Skywalker to take off his mask so he can see him with his own eyes before dying. Admitting he had been torn for a long time about his service to the Emperor, the Chosen One died, having lived twenty-three years as Anakin Skywalker and twenty-three years as Darth Vader. Being back in the pure side of the Force through his personal love for and attachment to his son, the Chosen One intuitively preserves his personality in death like Jinn before him. By killing his master and dying himself, he has done what no man has done and what no Jedi managed to do - he has destroyed the entire Order of the Sith and thus fulfilled the prophecy, leaving his son to restore the Jedi Order to keep the new balance. Luke Skywalker escapes the Death Star with his father's armour, and rejoins his sister and his friends in the Rebel Alliance who have won the greatest military battle against the Empire yet by destroying their new Death Star while Skywalker kept Vader and the Emperor occupied. Across the galaxy, different planets give rise to sudden uprisings at the news of the Emperor's death, and on a small forest moon, Skywalker, watched over by the Force Ghosts of his father, Yoda and Kenobi tells Organa that she is his sister.

Favourite Moment:
"And now, young Skywalker... you will die." Enter sardonic smile.

Worst Moment:
Certain moments of the Ewok-battle against the Empire which shows much too much pre-planning and knowledge of exact battle-situations as they would occur bringing what's already an unrealistic segment into the realm of the hysterically ridiculous.

Missed Opportunity:
Leia's role as Luke's sister feels like it could have been used a lot more in these movies, but I suppose that's a result of Lucas suddenly deciding to do six instead of nine of them. I'm also a little pissed that the awesome-looking Imperial Red Guards never got to fight anyone.

Best Surprise:
The opening segment with Jabba, where Luke as a Jedi is genuinely cool.

My Overall Opinion:
This is a fair, alright movie that brings a satisfactory end to the saga. It suffers from the boring "let us build a new Death Star"-plot, but this is a plot that is quite admittedly rather believable - because why wouldn't they just make a new one? It is also somewhat uneven, in that I much prefer the beginning of movie up until the Rebel attack on Endor/the Death Star, where the pacing gets a little off and you additionally have to somehow account for how a tribe of teddy-bears can triumph over a legion of a galaxy's best troops who are aware of an imminent attack. That said, the final scenes between Palpatine, Anakin and Luke aboard the Death Star are pretty awesome. The problem of the dying Jedi Master reveals itself here yet again - what does it matter what Yoda has time to tell Luke and what he doesn't, as both he and Obi-Wan can reappear and talk to him for hours later if they want to? (And Obi-Wan indeed does just that - showing up after Yoda's passing to clear up some things Yoda was vague about) There is also the oddity of Luke somehow having trained himself quite efficiently in the year since the events of Episode V, but without ever having time to return to Yoda - which you'd think would have been more constructive. Oh, well. Despite a number of silly chinks like that, he movie is an alright one, and an adequate ending to the overall story.

Rating: Strong 6.5/10


Thanks for reading.

Star Wars: The Clone Wars

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Skywalker is in trouble. You know the drill.


- General Kenobi to his troops

When the prequel trilogy of Star Wars was over and done with - or really, already once episode II was out - there was an odd big hole where everyone had expected the Clone Wars to be. Part of this hole was splendidly filled by the hand-animated Clone Wars-series - a series that I dare say eclipses or at least matches several of the Star Wars-movies proper.

Now, George Lucas has decided to launch a new animated series about the Clone Wars, this one a digital half-hour show rather than the five- and fifteen-minute shorts that comprised the previous series. Set after the old one (thankfully, it seems to very much remain in continuity) this new series is distinguished in title from the previous one by a handy little "the" in the front - it's called The Clone Wars.

Lucas being Lucas, having an ordinary television premiere just wouldn't do, so suddenly, there was a world-wide cinematic release of a new Star Wars movie that also acts as a pilot for the show. (He's also said that the show will have at least 100 episodes before it's done - this before even the pilot had been released. The man is out of control!) I've finally seen that pilot movie, and I must say, I had meagre hopes after the trailer.

You see, I'm no fan of digital animation to begin with. But fair enough, it can be done well. Judging from the trailer, this wasn't going to be one of them. The style chosen is downright ugly. I had very, very low expectations because of this. (Well that, and let's face it, it was a Star Wars-movie, high hopes would seem irrational) Oddly, it didn't bother me mentionably when actually watching it. The clone troopers and the droids all look just like they do in the movies. The problem is only with people's faces, and honestly, you can get past that. The two main problems were Dooku and Obi-Wan, due to their beards. The style was horrid on faces in general, but hair, and especially beards, look like chunks of rock planted on the people's faces.

So, visually, most things looked good or okay, except the faces of actual people, which all looked horrendous. Some more than others. Still, this didn't really bother me that much - it's odd how quickly you accept something like that and stop letting it bother you if what's going on is actually interesting.

To my pleasant surprise, you see, what was going on was interesting. The plot-point I'd heard about (and seen on posters) that was the most horrid-sounding to me actually turned out to work and be well done as well: Anakin Skywalker gets a Padawan, young Ahsoka Tano, a Togruta girl with just enough attitude to be fun without being annoying. The main plots worked very well too, tying together mythology from several of the main movies and, to my immense joy, the previous Clone Wars-series and feeling relatively convincing and real. With all these pleasant surprises, you might be wondering if I'm head over heels at this point.

Well, no. It can't really compete with the best episodes from Clone Wars, and while it doesn't have any scenes as cringe-worthy as some in the original movies, the animation-style simply cannot compete with live-action people on-screen, nor is there any scenes packing the sheer amount of emotion and pathos scenes of the old six had in bunches. There are also some classic Lucas-choices that make no sense, like having the battle-droids have personalities and fumble around stupidly. If they had personalities, the entire premise of clones-are-better-because-they-can-think-creatively that is so central to the movies fall apart. A few jokes, some bad and some a little amusing, are not worth compromising that, Mr. Lucas. Not that the six main movies haven't done so thoroughly already.

The voice-acting was rather good. Mace Windu, C-3PO and Count Dooku are all voiced by the original actors, but the main charactes of the film have gotten new voices. Some are closer to the original than others, but all work. James Arnold Taylor, who apparently voiced Obi-Wan, does a very good job at mimicking Ewan McGregor's voice, but at times a little too well, the dialogue sometimes coming off as almost a parody of himself. Still, these things are minor nuiscances. On the whole, all the characters - and especially my favourite character among the main cast here, Obi-Wan - were very much spot-on.

Still, this was surprisingly enjoyable. A lot of choices I wholeheartedly applaud were made here, like pushing the political plots a little more central stage, playing up the close relationship the Jedi got to some of the clone trooper officers they fought with, keeping in line with the previous Clone Wars-series, and so on. The series that continue on from it is supposed to focus less on the traditional main characters and open up more of the universe. If this movie is any indication as to how, this will be a good thing, as I consider this a very constructive addition to the main mythos. All it really needed was some bigger, more emotional events, and seeing as it used the traditional main characters, it couldn't really do that as all the giant events of their lives are hogged by the old six movies. A series with other people in focus would not have this problem. I'm actually looking forward to checking this series out now. Despite the horrid animation-style chosen.

A very strong and promising 7/10

AND SING LOUD!

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Dear Diary

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Today, Santa Claus gave a lecture on the American revolution and early government, referencing Luke Skywalker, Napoleon, Buffy the Vampire Slayer and Superman, and then went on to state that "God wants greedy Americans" and "Sweeds are whimpy".


It was the best day ever.

The Clone Wars

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This actually looks interesting. Considering their previous animated series about the Clone Wars was at times better than the movies have ever been (Me? Bashing Star Wars? Why, I resent the implication, I still have a poster from Episode I over my bed! (Oh, Qui-Gon, why did you have to leave us?)), I think I'll actually allow myself to hope for some quality here. After all, it'll have Dooku, Asaj Ventress and probably a cool General Grievous, which is more than what ROTS managed.

"Batman and Robin"

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- and I'm positive that something like seventeen gazillion people have said this before me - is bad. Baaaad.


Baaaaaaaad.




That being said, there were highlights, even in this piece of badity. (NEW WORD!)

First, the characters, which you all know is the most important factor to yours truly. For simplicity's sake, I'll grade each one from A to F.

BATMAN
C+
Cloony did a solid job as the Caped Crusader, though a little too light and youth'y for my taste, especially since it lessened the contrast to Robin, which was so very important to the film. That is probably not (all) his fault, though, as much as the director and/or the scriptwriters.
Line of the movie, by the way: "Grab on to my belt!"

BRUCE WAYNE
B
A very good Bruce, both in his relationship to Dick and maybe especially to Alfred, but again a little too light. However, he makes up for this by having a real knack for the superifical, fake Bruce-persona shown in the "public-appearances-by-Bruce-Wayne"-scenes.

ROBIN/DICK GRAYSON
B+
Let's face it, there's no clear difference between Dick and Robin as characters. O'Donnel plays them both rather well, though I feel something is lacking for the top mark. Not sure what, though, it just doesn't totally click. He was good in the last one, he's even better here.

ALFRED PENNYWORTH
A+
You don't get better than this, I won't even bother commenting on it. Suffice to say, the subplot on Alfred is the sole reason to watch this movie. Well, that and Lionel Luthor (John Glover) as the insane scientist in the beginning.

BARBARA/BATGIRL
F+
OH-MY-GOD. They've slaughtered the character. Run her through a meat-grinder. Where is the brilliant genius of the character? Where is her conflicted relationship to her father, the stalwart Commissioner Gordon (a character so horrilby misused in all these four old Batman-movies. I can't thank Nolan enough for "Batman Begins")? Where is her red hair, I mean, for goodness sake, they COULD have dyed her damned hair. (Though then they probably couldn't give Ivy red hair, for some obscure reason. I have a horrible feeling that was why, you know. Couldn't have two red-haired women in the same movie. Would've looked weird or something.) And what the HELL is she doing in this movie, anyway? It's "Batman and Robin", and here they introduce a NEW sidekick to steal screen-time? Sodding idiots. Anyway. It appears they took away everything but her motorbike and her spunk, and then, for no good reason, as she does nothing to the plot one way or the other, knit her into the very well done subplot about Alfred by raping her backstory.
If you're wondering, the plus is there because they gave her a "she's good with computers"-scene near the ending. I mean, as attempts go, it's damned horrible, but at least they made one.

PAMELA ISLEY/POISON IVY
B
I really have no major complaints here (though her skin could be greener), apart from her crush on Freeze, which to me makes no sense with her character, and loses her the A. Also, Ivy is supposed to be really seductive - which she is in this movie - but I'm not that attracted to Uma Thurman, so I drop the +, too. Unfair maybe, but that's life.

BANE
F
Bane, the inverted Bruce Wayne, the guy who is (almost as) brilliant, dedicated and skilled in all he puts his mind to. The man who broke Batman, for crying out loud.
What is he here?
A silly sidekick, type: monsterous brute, who could benefit from speaking-lessons from the Incredible Hulk!

MR. FREEZE
D-
Surprisingly, not badly played by the Governator. Okay, so it's not WELL played either, but still. What's bad is two things: First of all, he's too erratic, too impulsive, too quick to put his wife's apparent death aside to make new plans of revenge, he's not the "sane yet crazy" Freeze from, say, the excellent animated movie "Batman: Subzero". Still, when he gets the scenes which pulls in this direction, like in the very ending when he gives Batman the antidotes, he does it very well, in my opinion. This leads me to, again, blame writers and directors, not the actor. Though his evil laugh is soley Arnold's fault. Dear lord, was that awful.
What's even worse is all the puns. This could have been an okay albeit still somewhat boring movie if not for all the horribly bad puns. And coming from me, that's saying something, as I adore bad puns far more than the next guy. Many of them didn't even make any sense in the context, they were obviously just put there by script-writers competing to see who could think of the most ways to use "ice", "cool" and the like in sentences with some poor resemblance of dual meaning. I'm not exaggerating when I say that I'm sure there were at least one hundred horrible puns in this movie, eighty per cent of them relating to temperature or weather. Sigh.

And that was that.

As for the other elements of the movie, I think we've covered it already: too light in mood and dialogue, especially with some characters. Same music, more or less, as "Batman Forever", in other words, nothing that notable there either. Okay plot, but still managed to be boring somehow.

Final grade?
4/10, and that's me giving an entire grade higher than I otherwise would, to actors who really outshone their material. Had Hayden Christensen had Clooney and Thurman's talents to perform horrible lines, "Attack of the Clones" could have been a good film instead of a mediocre one.

"Because the Joker's WILD..."

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BOOM.
"That's not funny."



Sorry, I'm just catching up on "Infinite Crisis" seeing as how I finally got issue #1 in my subscription (I've gotten 2-6 already, so now I'm just awaiting 7), and the one page - ONE PAGE - with Joker in it (so far, anyway) was just darn excellent.


I should read "Crisis on Infinite Earths" sometime now, too, before issue #7 arrives, but it has such old drawings and seems so loooong... p:



Anyway, I've decided to buy some of the Ultimate X-men-run. I already have what's been translated to Norwegian (volume 1) plus volume 2, which I bought and read this week. Lovely stuff, I think I'll buy the volumes Millar has written, at least, before I need to make the financial call of whether or not this should be a priority over, say, "Lucifer".


I'm also finally getting around to reading some pre-Prequel Trilogy Star Wars-comics, I've read "Jedi Vs. Sith" already, plus the first volume of "Knights of the Old Republic" in "Tales of the Jedi". JVS was good, but the style of the stories and drawings were way too old fashioned for me in the KotOR-stuff.

Also, Monday I'm getting the last part of the gritty "Welcome Back, Frank!"-storyline in the Norwegian Punisher-album!


Well, that's the comics-update for now, folks. Stay crunchy, even in milk.

Reading List

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I'm posting this more to have a easily available list somewhere than to inform you readers, so I apologize if this seems dreadfully boring.



1. Finish "The Hidden City", book 3 of the Tamuil-trilogy by David Eddings, last of the Sparhawk-books.
2. Read "Exiles Return", last book (at this point, at least) of the "Conclave of Shadows"-series by Raymond E. Feist
3. Read "The Malazan Book of the Fallen"-series by Steven Erikson, which has, like, six books brick-thick at this point or something, so this is going to be taking a while. Looking forward to it, though.
4. Read "Jimmy the Hand", last book (again, at this point, at least) of the "Legends of the Riftwar"-series of stand-alone books by Raymond E. Feist. Thanks to Rafe for this piece of information. Whoever you are, dude, I owe you. :D
5. Read "The Complete Sherlock Holmes Collection", at least a few more stories in it, I've been standing in the first fourth of the gigantic book for over a year now.
6. The "Labyrinth of Evil"-"Revenge of the Sith"-"Dark Lord: The Rise of Darth Vader"-trilogy, which I've been post-poning for quite some months now.
7. Read "Knife of Dreams", latest book in the "Wheel of Time"-series by that Robert Jordan-fellow everybody keeps going on and on about.
8. Catch up on "Artemis Fowl".
9. At this point I should probably try something of Robin Hobb.
10. "American Gods" by Neil Gaiman.
11. Getting back into the Deverry-books by Katherine Kerr, I've only read the very first series, and that one in Norwegian, no less.
12. Reading "Flight of the Nighthawks" and whatever more Feist may have published in his Darkwar-saga at this point in time.
13. Sigh. Reading book 4-> of "Harry Potter", I guess...
14. Assorted "Discworld"-books.
15. Now, I'm sure this list will be obsolete before I get this far due to new interests, new publications and the like, but at this point I'd rather fancy reading Milton's "Paradise Lost" or Dante's "Divine Comedy". I should probably also give "Don Quijote" a chance, and I've been wanting to re-read some Jules Verne, haven't read him since the eight or ninth grade.

And that's the wørd?

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Forced inspiration

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I wanted to make a post. I can't think of anything to post about. Thus, I search my mind. What do I come up with?



Please, as if you don't know it'll be Whedon-related. :D




Well, it won't. Not per se.


It'll be LISTS! LISTS! LIIIIIIISTS!



Ehrm. I'm calm now. Really, I'm calm.




LIIIIIIIIIIIIIIIIIISTS!


TOP FIFTEEN VILLAINS OF ALL BOOKS, TV-SERIES, MOVIES AND COMICS I CAN THINK OF.
Many of these characters have lots of different incarnations, and I list only those I am both familiar with and like.

1. The Joker (from the comics "Batman" and the television-series "Batman the Animated Series")
2. Lex Luthor (from the modern-age comics "Superman" and television-series "Smallville" and "Lois & Clark")
3. Darken Rahl (from the book-series "the Sword of Truth")
4. Grand Admiral Thrawn (from the "Thrawn-trilogy" book-series of Star Wars)
5. Angelus (from the television-series "Angel" and "Buffy the Vampire Slayer")
6. Eric Magnus "Magneto" Lensherr (from the comics "X-men", "Ultimate X-men" and the "X-men" movies)
7. The Phantom Blot (from the "Mickey Mouse"-comics)
8. Doctor Victor von Doom (from the comics "Fantastic Four", "Ultimate Fantastic Four" and the "Fantastic Four"-movie)
9. Shere Khan (of the "Jungle Book"-book, Disney's "The Jungle Book"-movie and the "Jungle Book: Shaonen Mowgli"-television series)
10. Scar (of the "Lion King"-movie)
11. Holland Manners (of the "Angel"-television series)
12. Lionel Luthor (of the "Smallville"-television series)
13. Martel (of the "Elenium"-books)
14. Saruman (of the "Lord of the Rings"-book and ditto movies)
15. Hans Gruber (from the "Die Hard"-movie - there's probably lots of villains I like better that I'm just not trying hard enough to remember, but I just had to get Alan Rickman on the list)

(notable characters who'd probably have made the list if I had considered them true villains: The Janitor from the "Scrubs" television-series, Petyr "Littlefinger" Baelish from "A Song of Ice and Fire"-fantasy book-series and Lucifer from the "Sandman" and "Lucifer"-comics.)

Remember that this is probably highly dependent on my unreliable memory and moods.

Now, we have a list, what can we surmise from it? Well, if you dismiss characters acting out of uncontrolled insanity (The Joker), pure greed (Gruber, Saruman, Scar) or megalomaniacally based actions without further reasoning behind them than ego (Shere Khan, The Blot, Doom, Rahl), that means seven of my favourite villains can be considered, in their own ways, heroes. (That doesn't mean the eight I listed before can't, mind, it just means I'm not going to try)

- Lex Luthor
Lex is a fascinating example of what a really excellently made antagonist can be. Something that intrigues me about him especially is how he is the opposite to Superman. Superman is emotional, caring, emphatic, Lex is cool, distanced, cynical. What makes this so intriguing is that the same parallell exists between The Batman and The Joker. Batman is analytical, strategical, level-headed and surgical in his actions. The Joker is instinctive, random, unpredictable and insane. This, though of course not an exact parallell, places Batman and Lex on the same side of the scale. (And, amusingly enough, Joker and Superman on the other) This fascinates me - Superman's total antagonist have far more in common with Superman's arguably closest ally than with almost any other character in the DCU. I dunno, it just fascinates me.
To get back to the point, though, Lex is more than a mere villain who is wants to take over the world. Yes, he wants to take over the world, but he has reasons that, while questionable, are far more valid than the average super-powered warlord-wannabe's. Lex considers himself the most intelligent man on Earth - which may even be true. Thus, he considers himself best suited for leading mankind. Which, again, may be called a rational line of thought. He considers the greatest potential threath to humanity to be a Superman turned tyrant. Again, this is very probably a sound estimate, as Superman is one of, if not the, most powerful single creature in the earthly DCU, magics not taken into consideration. So, he reasons, as the world's natural leader, it falls on him to rid them of this potential threath before it is too late.
Lex, in his own eyes, is a self-sacrificing hero. His reasoning for innocents being killed as a result of his acquiring more power is "necessary casualties for the greater good". If he is to lead humanity, which he by his reasoning should do for humanity's sake, against a foe like Superman, he'll need whatever resources he can get.

- Grand Admiral Thrawn
Another "greater good" kind of person. He really just wants order, and like Lex, considers himself the best suited person to manufacture this order. In fact, putting him on the villain-list at all is something I do with doubt.

- Angelus
Is not crazy (in the sense that his actions are random and irrational), nor is he greedy or obsessed by his own ego. He's just evil. He likes it when bad things happen to other people. He may very well be the best display of a purely sadistic villain with no power-hungry main motive whatsoever I've ever seen.

- Eric Magnus "Magneto" Lensherr
He wants equality. Or, allright, not equality, he wants to practice a kind of humanitarian darwinism. Mutants are more developed than humans, ergo they should be put in better positions in society. This does not mean humans should be treated poorly, they are intelligent life, but they should ideally not be treated as as good as mutants - and under no circumstances as betters. He does, at times, go to extremes to reach his goals, and thus is considered a terrorist and a villain, but at heart, he's just a staunch defender of what he sees as his leaderless people, a people mistreated and bereft of priviligies. Sure, he thinks a hell of a lot of himself, but why shouldn't he? He is, after all, very intelligent and immensly powerful.

- Holland Manners
While it is dubious, Holland appears to at one time in his life has chosen to work for evil to be able to do greater good later in his life - at least this is the lesson he tries to teach his protegè Lindsey McDonald. This means he follows a code of ethics that will always allow him to let monsterous things happen with a clear conscience - he simply convinces himself "this will make me more powerful, and thus at a later point in time able to do even greater good than stopping this right now would be"...

- Lionel Luthor
As I see this character, though this can certainly be argued, he wants power for his son, not for himself. Everything he does is aimed at molding and shaping his son to be the greatest man who ever lived - as Lionel rates these things. This is very unegositical, and thus, I think, very un-villain-like.

- Martel
He's an odd one. He seems to have betrayed his order, mentors and boyhood friends for power, but he seems to half-way regret his choice throughout the entire trilogy of books. Due to some kind of personal set of ethics, he never tries to repent his misdeeds, though, he just seems to accept that he has chosen to be the bad-guy and, somewhat melancholy, acts like the bad-guy. His last words, though, were to the mentor he betrayed and the man who killed him - saying they were the only two people he ever loved.

"We're doomed."

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I'm half-way watching "Star Wars Episode IV: A New Hope" as it is on a Norwegian channel right now. The subtitles are so horribly bad I'm physically feeling ill from reading them. The few sentences that actually qualify to be called "real Norwegian words used in real Norwegian grammatically correct sentences" sounds artificial and weird.

If this was a one time thing, fine, shameful, but fine. But this is the case EVERYWHERE. Newspapers, commercial-signs, everywhere written Norwegian is used, the grammar, spelling and vocabulary is sub par. Or worse.

Apparently, nobody with a higher grade than "D" in Norwegian gets a job in the medias any more. Our language(s) is (/are) going straight to sodding hell.


The upside is, if this is the standard, I should be able to get a job writing subtitles with a snap of my fingers if I ever find myself in unemployment. P:

LA LA LALALA LAA LALA LAAAAAAAAA

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LA LA LALALA LAA LALALA LAAAAAAAAAAAAAAAAAAAA!