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Nikio

freelance paradigm

Posts tagged with "architecture"

It is out

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Finally the book on Virtual space is out. Yesterday we had quite a party and hopefully this book will be as successful as it deserves.You can order it from the official site (link above).


The book


And its author, dr. Or Ettlinger

On taste

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There are many ways of how to define creativity and its finest results. It probably depends on how you look at it, but I like the idea that each creative output is a product of motivation, skill and taste. Motivation keeps you going, it makes you (wanna) do stuff and it is pretty clear that without the motivation any creativity is nonexistent. Then you must have skills. You must know your devices as well as you possibly can. Despite the obvious talent, it would be impossible for Elton John to compose a song without mastering the piano. Or Michelangelo to sculpt something like David without being really good with stone. This is why every art form calls for constant and fanatic practice.

A lot of people are motivated. They desperately want to do art or science. Some of them learn the skills. But very few have the taste to know in which direction aim their creativity. Taste can be understood as a set of values that guide you trough the process of creation. Even in most trivial of situations you can spot the lack of taste immediately. There are many people who clearly have enough clothes, but they combine them in the wrong way. It is not the lack of clothes that makes them look like clowns, it is the lack of taste. It is the lack of taste to blame that many technically good painters never go beyond what it is sold on the beaches or postcards. It is the same for photography. They are motivated, they have the technical skill, but they don't know what is really good so they aim too low.

So how to acquire a good taste? In my experience this happens with constant criticism. You must put your work under the scrutiny of yourself and others. You might get hurt, but that is a good thing. Bad feelings fade away, the lesson remains. You must also see and judge as many other works as you possibly can (this doesn't necessarily involve informing your peer about the opinion). If you are an architect you should devote at least some part of your every day to review other architects' work. When I was a freshman, a very dear very professor said: "A day without looking at an architectural magazine is a lost day." Today I know how right he was. By looking at magazines you develop a clear taste of what is good and what is not. You later apply that taste to your own work. Without the taste your motivation and skills are simply misguided into wrong directions. And this goes not just for design or arts, it is true for every activity. Because of that many good works of art are very simple and resourceful. You don't need a huge budget to create something original. You don't need many resources. But you need a good taste for it. :wink:

Envisioning Information

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Winter is the time of intensive reading, at least for me. Lousy weather and short days are ideal for staying at home with a couple of good books. During these holidays I read some of the Edward Tuftes opus. I was quite aware that Tufte is an extraordinary author, but reading Envisioning Information was still a huge positive shock.

In this book the author deals with the problematic subject of data visualisation. Well, that is the subject of all his books, but here he lays down the basics. He explains how the data should be aranged in tables, charts, computer screens (etc), and also what color scheme to pick, what kind of lines between the columns (etc) - but mostly - WHY it must be so! What are the underlying principles of our perception and cognitive functions that require such design tactics. In order to proove it, he shows a great number of magnificent charts, diagrams, tables and other forms of data visualisaton, that will take away your breath. An other way in which Tufte makes his arguments so strong is by showing his own (re)designs where it becomes clear what he's trying to tell.

Later on I also read Visual Explanations, but I find Envisioning much more fundamental and stunning. Perhaps it is because Envisioning was my first of his books and the shock was hence biger, but it is also true that it contains more basic explanations about the nature of his argument.

I think this is the book that every visual artist (designer, painter, photographer, movie maker...) should read!

Smart parking ;)

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Video night

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Tonight I work! :D I will make a presentational video for my masters work at Faculty of architecture. I figured it could be really easy to animate 3d stills of my project into a fancy flashy video. So I set up a small video studio in my room. Here's what I have for the night:



- one TV monitor for previews
- one PC monitor for work (borrowed)
- one video PC (borrowed)
- one condensor mic for possible audio effects
- one iMac for graphics and cool stuff
- 750 GB of extra storage (that will not be used)
- studio headphones
- 0.5 L of fresh coffee (that will be very needed)
- 0.5 L of fresh watter
- a good chair
- a lot of patience (not visible on the picture)

Wish me luck! If this goes well... I'll be happy!

So proud!

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Yesterday I came back from UMMI Summer Camp which was an incredible experience on so many different levels. I was responsible for the architectural workshop with 6 high-school students, who at the end presentet 3 excellent projects for the city of Ankaran. It is amazing how smart and creative they all are and I am so proud to be a little part of that process. Thank you guys for letting me work with you :wink:

Janez Lenassi

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Today I would like to present a work by Slovenian sculptor Janez Lenassi, which is located in my very own town (I can even see it from my room). Sometimes when something lies right in front of your eyes for too long you might become blind for it's beauty. Many people from my city are not aware of the masterpiece they are seing every day. I myself wasn't aware of it's meaning untill recently.


Ilirska Bistrica is a city that is merged from two previous villages; Trnovo and Bistrica. Inbetween there is a hill, covered with grass, that now stands in the centre of the city. In 1960's they decided to use that prominent location to make a monument to fallen in WWII. The design of the monument was done by a sculptor, Janez Lenassi, who wanted to present two basic ideas; the shape of the bones (there are actual bones of dead solders burried underneath the monument) and a cube of Kras' cave that is taken from beneath the ground and now floats above the ground. (Karst, called Kras is the predominant type of landscape here and has deep symbolic meaning for local people).

The monument was an immediate success. In the same year Lenassi recived the Prešeren Foundation Award and got published throughout the former Yugoslavia. The monument is still often published in architecture and design magazines. I believe there is a lot of visionary thinking behind this design.

Sadly, Janez Lenassi died earlier this year.



More photos here.

On Virtual space

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Today I visited the frist in a series of three lectures (link to pdf, 800kb) by Dr. Or Ettlinger who obtained his Doctorade on the field of virtual architecture or virtual space in general. The lecture answered many of fundamental questions of virtual(-ity) and the least I can say is that it was mindblowing. I would really like to share some insights based on my notes and my own thoughts from the lecture.
So here it goes. :hat:

Read more...

Edvard Ravnikar

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Sometimes anniversaries come together. This year we honour 50 years of Plečnik's death and celebrate 120 years of Le Corbusier's birth and 100 years of Edvard Ravnikar's birth.

To mark Ravnikar's 100 years, Faculty of Architecture in Ljubljana organized a special 2-day symposium which took place in Cankarjev dom (cultural organisation and building also designed by Ravnikar himself). We could attend various lectures and visit exhibition of his drawings in a gallery (the exhibition will remain opened untill 21st January 2008) that is in a building also by his design. It is incredible how much he did for Ljubljana after WWII.

I personally believe that Ravnikar's contribution for Slovenian and European architecture was highly underestimated up to this day. Being one of the last true allaround scholars, his architecural and design works reflect the widest spectrum of the knowledge and tallents he had.
He was also a gifted writer and teacher. The collection of his theoretical articles is huge and the impact he left in only one year of his so called B-program at Faculty of Architecture in Ljubljana (in 1969, then they stoped him) still echoes among today's professors and students.

The main work he did for Ljubljana is Trg revolucije (Revolution square), which is designed by the theme of a regular triangle, regular hexagonal or both together as on a passageway window below. The floor plan of both twin towers is of the same shape.


Click below for some more pics...

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The Opera is down

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Well, don't be afraid, I don't mean the software nor our community, but National Opera house in Ljubljana, which is being renewed. The whole stage and backstage part is being torn down for the reconstruction and it get's really interesting to see what is the skeleton of such house like.

Besides that, it was one of the hottest days of the year. In Ljubljana I measured 36°C. Of course the temperature that one feels is infact higher due to heavy infra-red radiaton comming from the asphalt, steel and concrete. Big cities are in summer really not a place to live in. People found different ways to cope with heat. Many of them layed down in shady parks.

Deconstructivism, part II (other examples)

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This is an other post about deconstructivism, but this time we'll look in other areas, not just architecture and design. Is it possible to find this ideas of deconstructed (crushed or melted) creativity in music, movies, televison...?

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One way to understand The Renaissance

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One of the most fascinating periods of all is the Renaissance. Of course, when you look closer, every period is very interesting, but the Renaissace was the period of great artist's like da Vinci, Michelangelo, Bruneleschi and many others. There is a reason why we know about them. Ever since Dante's time, Chatolic curch had lost a lot of it's power and respect (due to dirty business they were in) and two things happened: (1) builders were not building "for the God himself" and therefore their name became important (for their own social benefit). Gothic builders of the chatedrals were at least as genius, but majority of them remained anonymus, because their name was not important in comparison to God's work. And (2), due to churches smaller impact, secular activities gained it's attention. Art was not just for the sake of God, but also for the sake of more human needs, such as love and even erotic needs(check out Botticelli's Birth of Venus for that matter). Many of that happened on behalf of the Medici family, which supported such activity.

The first artist that they sponsored was Filippo Brunelleschi who built the dome over the Basilica di Santa Maria del Fiore in Florence. How did he do it? What was the paradigm underneath it?

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Deconstructivism

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This post is my little contribution on understanding contemporary art, especially architecture and design. It is not written for architects and designers (they are supposed to already know that), but for normal people who want to know something more about what's going on now in architecture and understand it. So I have to warn experts and "experts" that some simplifications are neccecary, but basicly the point is there.

Click below to continue...

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Blending

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I'm thrilled over the fascinating options of using OpenSource software. My dream is that every software could be OpenSource. Right now I'm in the middle of learning the complex program for 3d modelling called Blender. The program it self it is extremly powerful, but my "built-in windows paradigm" isn't just ready yet to use something more intuitive.
This is one of my very first renderings... I't is not something special, just something you make in the process of learing new tools. I don't even expect you to like it :D

Scratch it!

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I am sure you are all familliar with the frustration that comes with every scratch on a new car. Uroš Pavasovič, a young car designer, made an art out of it. His latest design, Fiat Scratch, is painted with four layers of not only colors, but patterns, that will reveal with every new scratch. The idea comes from torn and worn out Levis’ jeans which look very cool!

Anyways, Uroš held a lecture at our Faculty, and i must admit it was very insightful. Later on we talked about issues in industrial design and technology. I am personally not so much interested in car design, but some aspects of it can sure be useful to know. The philosophy of "making a good product" is rather universal and worth pursuing
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Ljubljana at the verge of a new spring

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Ljubljana is very charming at spring time, mostly because of it's very prominent vegetation. A river of Ljubljanica adds it's part. For the last two weeks we had very high temperatures for this time of year (up to 18°C). Thank you Globar warming, it was very kind of you :wink:. Of course there are many caffe shops beside the river and people enjoy sitting there, chatting and having a good time. When the trees will get greeneer and the grass will grow up it shall be even nicer. But we have wait an other month for that.

Inspiration

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A while ago there was a photo-extempore in which i took part. I don't know if you are familliar with this kind of events, but they are really difficult for photographers. It is similar to improvisation in theater or freestyle battles in rap music; there are no second chances. The rulles tell you to use only one roll of film on a speciffic day and speciffic location. Sometimes they also tell you the subject of your work. Just before the deadline you must submit your film to the jurry which then decides which are the winningest photos, and which are not.
This exact event took place one weekend in Štanjel, a beautifull village on Kras. The wheather was really bad for spring photography (dark, rainy clouds...) and so the first day i felt really uninspired. I took about 16 photos, half of the roll, and i wasnt happy with it. After the sun went down my friends and I wend to a really good turist farm restaurant and had some of the best local food and drinks. It was an evening to remember.
Next day we went to shoot the second half of the roll and things went fantasticly. I didn't struggle with composition roules, light and optics like day before... everything just fall into place... everything was so smooth and obvious... i felt inspired. And the photos were great and well accepted by the jurry.

So what was that caused this change? The wheather conditions were sitll very bad... Well, it made me realize that there are dozens of small causes that each day define my mood. Everything, from what i ate yesterday, to what i wear today has an impact on my perception of the world and my active role in it. Maybe the pleasnt evening a day before influenced me with a positive energy to perform well the next day. Maybe it was just that I had an experience behind me that lead to better resoults... maybe both of that, maybe none.

The important thing is, that you grasp the moment when you feel in creative mood. But you can't be always in a good mood. So how to "get in the mood", when you need? There is no off and on switch in your head, is it.

In order to answer this question i came across a book entitled The inner game of music. It is written by Barry Green and it presents wonderfull technicques and excercises to pracice will and awareness, which help you to perform better and find new layers of experience in music. But as i found out, these roules can be applied to and kind of activity. The basic principle is that you increase your performance not just by pracitsing more, but also by reducing interferance (especially inner interferance, like being nervous, bored or lack of enjoinment)... in order to reduce that you must change the way you think about music... sometimes when you find yourself in a stressful situation on stage and you just can't perform well, the awareness technicques are useful. You focus on your tone, fingering or something else in order to occupy your brain... soon you'll fall into it and forget about audience (hypnosis uses similar techniques, but on different level). I can't really go into details, it would take it too long... i suggest you read the book yourself.

Sometimes even that is not enough... in my architecture and design work i often have deadlines to catch and you can't just wait for the idea or good mood to fly down from the sky. You simply must do it for your client. In this kind of situation i try to start with something really basic. I just answer the needs of the task in the simplest possible way. then I leave it alone for a little while (drink a coffe, go to lunch...), after that review it and work further. Usually it happens that in the process of working ideas start comming. Which really is logical. In order to win a lottery you must buy the ticket first and in order to climb a mountain you must have some plain walk in the valley too...