Nancy Reynoso

Artists, Labels and Managers need a place to manage all of their songs, videos, photos, show schedules, blogs, twitter from a single place. They need to syndicate this content across social networks, emails, instant messages, blogs and twitter. They

Los Angeles' Roxy had fallen on hard times. Its outdated ways no longer worked L.A.s ever changing and demanding music scene. Through Social Media, the management opened doors to the community that desperately wanted to connect with artists, the club

Panelists will discuss the successes and failures of music-based activism campaigns, as viewed both historically via case studies and with an eye towards maximizing the potential of future events. Social networking sites and other mass communication

The assertion that majors have outlived their usefulness is specious - there will always be a place for them. There's an aspect of large scale artist development that only a major can achieve - the idea that the web and inexpensive recording gear eli

Social networks are fine for promotion, but social technologies have so much more to offer independent and small label musicians and bands. Still using the tools, though, isn't a short cut to the bank. Invest your time wisely and you'll see a growth

A look into current trends both musical and financial. Join us as top music professionals discuss the creative end of synchronization licensing, and the current climate of fees associated with these areas. We will explore how to connect with both lic

The way we are listening to music has been changing significantly over the last ten years and it looks like it will continue to develop. This panel tries to look into the future and assess the issues that comes with the move away from physical record

The digital age has opened up the world to your music, but it doesn't happen by itself. Like growing your fans domestically, international reach requires a deliberate strategy. Come learn what are the most effective global marketing tools, what regio

We live online. We Twitter our thoughts, Flickr our photos, and Hulu television. 420 million of us are listening to music online waiting to go mobile. Moving music to the cloud is the future. In a few years, the MP3 will be extinct, how will we adjus

For years, artists under contract with major labels have been pressured into creating and delivering "hits" to satisfy unit sales and revenue objectives. With the emergence of direct-to-fan marketing and more artists going it alone, the door has open

We7, cofounded by Peter Gabriel and launched in the UK in November 2008 is the fastest growing music website in the UK (1200% growth by June 2009). Other services in Europe & US (eg Spotify, Lastfm, Imeem) go for scale and think about monetisation af

In this panel you’ll learn from fellow Artists, Social Media Cheerleaders, New/Old School Music biz and PR experts how to create your own “Power Pie” or “dream team”. We will discuss how combining together the perfect ingredients, purpose,

This panel will focus on the recent frenzy of discussion and activity surrounding different proposals for how rights holders can collect fees from users of free online music services. On the one hand, a number of countries are starting to follow Fran

A discussion on the ways artists use social networking tools to interact with fans, and how that affects their supposed “rockstar hero” status. Do fans really want to know every daily activity their favorite musicians do, or does sharing remove s