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Seems like just the other day, I

finished something. But , no: I just began something new. And got distracted...

STICKY POST

Poems, etc.


Esbat, in the pink
I don’t know if it is technic’ly true…
But the moon tonight seems full; full enough
To suit my mood, and explain the too rough
Edges I have to even strangers who --
Meeting me -- can’t quite get away too soon.
Their sidewise glances aren’t annoying. I’m
Used to such things; I get them all the time…
Ah! I think they think: Must be a full moon!
Those who’d stop and chat will be utterly
Convinced: He’s not entirely here… Is
He a lunatic? Or is it just his
Religion?
I’d tell them how it strikes me:
I’m not pagan. But I can’t not commune
With a faithful old friend, la belle lune.

________________________
D.E. Jackson © 2008 (mark: Saturday, April 19, 2008)

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Another interlude

This too departs from my stated purpose…

Something brought to mind again Rbt. Service's "The Ballad of Blasphemous Bill". I've always enjoyed reading it aloud, and have always been aware of the verse's loose strictures of declamation.
(It's easy to get it wrong, to lose the rhythm…)
But something more important struck me, tonight. (I don't recall, if I'd noticed before –– certainly not, if this particular point stuck out…) The final 12 lines are –both in terms of the telling of the tale and by the poem's structure– anticlimactic.

Without evidence to support my view; indeed, without more than a moment's reflection… I'd say, this is unusual.
In the realms of verse and fiction, in general, the point is to be seen in the culmination of the work. And the point is –well– the point.

Isn't it?
Oh, the awful hush that seemed to crush
Me down on every hand,
As I blundered blind with a trail to find
Through that blank and bitter land;
Half dazed, half crazed in the winter wild,
With its grim heart-breaking woes,
And the ruthless strife for a grip on life
That only the sourdough knows!
North by the compass, North I pressed;
River and peak and plain
Passed like a dream I slept to lose
And I waked to dream again.

River and plain and mighty peak --
And who could stand unawed?
As their summits blazed, he could stand undazed
At the foot of the throne of God.
North, aye, North, through a land accurst,
Shunned by the scouring brutes,
And all I heard was my own harsh word
And the whine of the malamutes,
Till at last I came to a cabin squat,
Built in the side of a hill,
And I burst in the door, and there on the floor,
Frozen to death, lay Bill.

[…]

So I buried him as the contract was
In a narrow grave and deep,
And there he's waiting the Great Clean-up,
When the Judgment sluice-heads sweep;
And I smoke my pipe and I meditate
In the light of the Midnight Sun,
And sometimes I wonder if they was,
The awful things I done.
And as I sit and the parson talks,
Expounding of the Law,
I often think of poor old Bill --
And how hard he was to saw.


Hm.

Circumspect

My duty I've been pressed to do,
beyond my inclination…
But deals are made; and critics who
would save us from damnation
are unaware, the whence and when
our later recollection
affects the choices that we ken
are left to our discretion.

And then there are accidents

, ,

()

This is the most egregious example I can think of, where the web's way of handling text is pure frustration: spatials.

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sure

Mostly, I like old words, and odd.
Strange little ones that wink and nod
seem friendlier than those great long
learn-ed sounding ones...that sound wrong,
to me. They may say something precise
perspicaciously- Don't "nice"
and "knowing" me! I know they mean,
or can, the same thing... But I've seen
truth lost or betrayed by long words
that might have been saved by short ones.
If you're hunting quail, you're shooting birds.
Your dog won't know no better. Fun's
fun! But your young son...he might.
You wouldn't gift him an ugly sight,
because you'd not speak plainly? Say
what you mean; and mean it. And take
care: Know, how easy to sound fake
it is. So, I've explained it now.
'Tweren't hard, were it? (Bowing low,
I take your praise, and admire your
restraint: You did't call me a bore.)
Short sounds don't circumambulate!
They walk around, dance, skip and prate...
And mean enough by themselves. There's
more, 'though: They mean more in pairs...


much better



Growing Up

I love the shrill voices of children
at play. Their volubility smacks
of self-importance but what it lacks
is only the onus we don when

we take it upon ourselves to rear
their like, because we'd have them be what
they are -till they can't. There is no glut
of childishness... I won't try to bear

the weight of the world; but on hip or
shoulders or cradled in my arms, I'd
carry any child. I myself tried
to stay... But that's what childhood is for:

Learning to live life, and keep the joy
it gives every little girl and boy.

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more better


I won't mind when I become an old fool. But
I absolutely know I'll refuse
to dodder! Not me, woman! I'll use
whatever I have, to avoid what

is intolerable, and keep my
whatever's -all of them- in working
order! There, I've named it: The lurking
fear that begs the question. You know why

I am the way I am; I've explained
-and your surmise is potent, wise, too-
I won't try to put something past you...
Nor will I lie. That too gets refrained

and loud "I won't; I simply won't," dear.
I said, I love you...! You, "I'm in here..."

D.E. Jackson (c) 2007

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