Ratchkapur

Taj Mahal - History and Legends

On 17 June 1631 Mumtaz Mahal died, after delivering her fourteenth child «Gauharar». Shahjahan stood dazed, unable to comprehend the situation. She had died leaving all her children, mother, and relations to his care. But he had promised her never to remarry and to build the grandest mausoleum over her grave. Her body received a temporary burial in the Zainabadi Garden in Burhanpur and in six months time removed to Agra. Shahjahan had already acquired from Raja Jai Singh a plot of land on the riverside. Here was to be built the Taj Mahal. Work on the tomb started in a frenzy with thousands of artisans and laborers toiling ceaselessly. The first anniversary urs was held in June 1632 amid royal pomp and show, attended by Shahjahan and Jahanara. The Mughal Emperor was a picture of grief.
On the second urs on 26 May 1633 the mausoleum had taken shape and the crypt chamber and the surrounding works accomplished. Peter Mundy's eyewitness account relates: «There is already about her Tomb a rail of gold. The building is begun and goes on with excessive labor and cost, prosecuted with extraordinary diligence. Gold and silver esteemed common Metal, and Marble but as ordinary stones. He intends as some think, to remove all the City hither, causing hills to be made level because they might not hinder the prospect of it, places appointed for streets, shops, etc. Dwellings, commanding Merchants, shopkeepers, Artificers to Inhabit (it) where they begin to repair and called by her name, Tage Gunge 'Taj Ganj.» This fabulous gold railing made of 40,000 tolas of gold and encrusted with precious gems and diamonds, enclosed the grave lying under magnificent golden constellation of orbs and lamps.
Shahjahan issued farmans to Raja Jai Singh ordering immediate and constant supply of the Makrana marble for the tomb. An inclined two and a half mile long road ramp was built to carry huge marble slabs to the top. In absence of wood, the scaffolding was of brick. The mausoleum rose higher with every sunset. In nearly six years time the main edifice of the tomb was complete. In the words of Ustad Ahmad Lahori, chief architect of the project: «And above this inner dome, which is radiant like the heart of angels, has been raised another heaven-touching, a guava-shaped (amrudi shakl) dome…crowning this dome of heavenly rank, the circumference of whose outer girth is 110 yards high flittering like the sun with its summit rising to a total height of 107 yards above the (level of the) ground.»
The legendary gold railing was subsequently replaced by an octagonal latticed screen (Mahajar-i-Mushababbak) of the most marvelous craftsmanship with an entrance fashioned of jasper after the Turkish style, joined with gilded fasteners. It costed 10,000 rupees but is the most splendid work of art, well worth its weight in gold. It stands enclosing the two cenotaphs.
Humayun's Tomb and the tomb of Abdul Rahim Khan-i-Khana in Delhi had served as model for the Taj with their dome-topped structure raised on a high platform. Akbar's tomb at Sikandara lent its dominant four-pillar design. Its splendid calligraphic ornamentation by Amanat Khan inspired Shahjahan to entrust the Taj ornamentation to the same artist. The tomb of Itmad-ud-Daula at Agra, built by Nurjahan for her father, had the most innovative and grand pietra dura decoration, a mosaic of exquisitely colored hard precious stones inlaid into the white marble. The lyrical rhythm of the floral motifs had an amazing beauty, which the Taj greatly emulated. The crypt and the cenotaphs at the Taj carry pietra dura decoration of a fabulous unexcelled elegance. In those days the cost of the Taj worked out to 50 lakhs and the annual revenue of 30 villages was earmarked for the regular maintenance of the mausoleum.
Unwilling to allow the native artisans all the credit for this excellence, Father Manrique in 1641 advanced the preposterous claim of the Italian jeweler Geronimo Veroneo as the architect. But this claim could never be proved and remained a legend only.