Skip navigation.

Sid is Alive

Ireland Hopping - London to Shannon

We headed to Heathrow early Monday (March 9) to hop an Aer Lingus flight to Shannon, passing through a bit more of London that emphasized how big the city is.

The flight was uneventful, except that the storage compartment plastic seemed to make more noise than I was used to, creaking a little with serious movement. No free beverages either. Everything was for sale. I passed.

Very little hassle when we touched down at Shannon airport, except for the usual wait for bags. I don't understand how my bags are always among the last to come off, if they come off at all.

Once we made it out of the airport we found our CIE tour bus and got our greeting from our driver/guide Tom Ryan. (He pronounced it Rhine.) His accent wasn't like an Irish accent from TV. Somehow, at first, he almost sounded German. He was a great guide, mixing in Irish custom, history, and the occasional limerick.

We set off first for lunch in a spot near the Bunratty Castle Hotel. I wound up ordering bacon and cabbage. The bacon was more like ham and they threw in cabbage and a lot of root vegetables. All in all an interesting meal.

Race Among the Ruins
After lunch we headed off on an hour and a half drive to the Cliffs of Moher at the coast of Clare. When I was in junior high we moved to a rurual community with a lot of immigrants from central Europe. Somehow driving through the small towns we visited reminded me of the first generation American kids who were in school with me. I'm not sure what exactly triggered those feelings as we made our way through narrow streets.

In the countryside we started to see the walls of old churches and other ruins all mixed in with modern neighborhoods. Most of the houses were flatter on the front than American design favors these days, and a lot were yellow - same color as Bunratty Castle Hotel.

Eventually we reached the cliffs. Winds were about 50 miles an hour. Tom warned us not to go past the protective wall. As we climbed the stone steps up to the viewing areas, we saw a lot of people who were on the grassy patches beyond the walls.

With the wind buffeting everywhere I decided to take Tom's advice and just enjoy the cliffs from a safe distance. They really are beautiful and the water crashes against the rocks below like it's the cover of a Gothic paperback.

We looked around for as long as we could take the wind then headed into the tourist rest stop for a while before the trip back to the Shannon area.

Castle Nights
For the evening, we attended a medieval-style banquet in the Great Hall of Bunratty Castle <http://www.shannonheritage.com/Bunratty_Day.htm>. I grew up feeling a romance about Ireland because there were family stories that our ancestry was there. Visiting Ireland and a castle fulfilled a lot of dreams.

It was chilly as we made our way up to the entrance, setting a crisp feel for things. A man playing bagpipes greeted us and then we were shown into a hall where a violinist named Seamus performed tunes, eventually joined by a harpist and ladies with meade. It's sweeter than I was aware, has honey mixed in. The harp is the official instrument of Ireland or one of the most favored. They put it on the money. (We'd changed some cash to Euros before leaving the states, and the exhange rate was a little more favorable than the pound's.)

The whole evening at the castle was a blast. They seated us at long tables and the ladies of the castle entertained with tunes, while a host made jokes and offered a tune or two of his own.

We got a kick out of the singing of the Lord of the Dance. Tune's the same as 'Tis a Gift to Be Simple, a tune that also serves as our corporate theme song. `Dance, dance, wherever you may be, for I am the lord of the dance,' said he.

They offered up ribs with sauce, a chicken dish, vegetables and a lot more in an array of courses. Then we headed out for the night with well wishes.

Back at the room we watched RTE, Ireland's channel. The hotel had a few more frills than the Jury's Inn in London, spacious room with a nice feel to it and the lobby, sort of homey.

Read more posts at http://my.opera.com/SidW/journal



:wink:

Sunday in London

The phone rang at 8 a.m. London time (Feb. 8). Apparently is was a standard wake-up call for everyone in our group. We'd pre-paid for continental breakfast, and I guess they wanted to make sure we ate it. It was fortunate, because I'd been sound asleep for 12 hours. Probably would have wasted half a day without the ring.

After breakfast we started learning about the London Underground by hopping down to Angel station on Islington High Street. (Guess I need to see if that capitalization is correct on that high street business. I always remember them talking about Whitechapel High Street in Jack the Ripper discussions.)

Bought a couple of day passes for the tube system, which came to feel really empowering. Best £1.40 I've ever spent. It meant you could take the wrong train and correct your mistake without an extra charge. I didn't make any wrong connections, but it was nice to know I could get away with it if I wanted. Learned to feed the ticket through the turnstiles by watching other people and after a descent down a steep escalator we rode over to King's Cross station and got off for a visit to the British Museum.

Enlightenment
I think there's a scene in Mark Frost's The List of 7 set there. I'd always wanted to visit anyway. Lots of mummies of course, prompting Christine and I to recall the scene from The Simpsons where homer looks at a mummy in a museum and notes: "He's scary, but I'd rather have him after me than the wolfman."

What was most awe inspiring to me was the Enlightenment exhibit (<http://www.thebritishmuseum.ac.uk/enlightenment/>)including the re-creation of King George III's library.

As I walked through classical statues and collected volumes, it crystalized some thoughts for the novel I'm working on and made me realize my world view's modified a bit, becoming a tad less dark than say when I was in my twenties.

Bloomsburry and Beyond
After the museum we wandered on through Bloomsbury and hopped another train down to Piccadilly in search of statues I'd seen from the tour bus. I was surprised by how many statues devoted to the U.S. there were to be found. A statue of Abraham Lincoln here, a tribute to John F. Kennedy there.

Did some shopping and had afternoon coffee after that. I guess I was surprised most by the fact that London really wasn't much different than shows I watch on BBC America (http://www.bbcamerica.com). (Although Hustle with Robert Vaughan seemed to be the hot show on the BBC at the moment.)

Had dinner again in Islington, this time at a place called Est Est Est (<http://www.restaurant-guide.com/details/default.asp?rID=19846&ID=539&path=12,14,2395,539&cuiID=32>), Italian food. I had lamb, which I don't eat that often.

Browsed Borders on the way back to the hotel, noting The Davinci Code was already in paperback and that Martina Cole is popular. I don't think she's available in America yet, oddly. Every bookstore I visited in England and Ireland had her whole backlist on hand. Went to the hotel room early. Guy stopped me on the way back to ask where Angel station was. Same as that time in Chicago. Guess I inherently look like I know where I'm going. We were packing it in early because we had a morning flight to Shannon was on the schedule for Monday(Feb. 9) .
:zzz:

Read more posts at http://my.opera.com/SidW/journal

In the UK

Just spent 10 days in England and Ireland. Had a great time all around. Didn't try to access the web the whole time. The dollar to pound exchange was so steep hated to drop coins on bandwith, even though there was an Internet cafe just down the street from our first hotel in Islington.

We touched down in London March 7 after a 10 hour flight and got immediately on a tour bus for a quick trip around town -- I was pretty wiped out by the time we finally stopped. We hit the Tower of London first then St. Paul's, finally stopped about four hours later. After a little rest we wandered up and down Islington High Street and visited bookstores among other spots. Decided not to go on a Jack the Ripper tour, which had sounded good beforehand. Time change was affecting me by evening.

We had dinner in a place called Cuba Libre(actually Cuba Libre Restaurant and Havana Bar at 72 Upper Street Islington Green), great food. Getting used to British service was a little different. They have a very hands- off attitude, compared to what Christine called "the Outback" experience we're used to in America. (Or maybe the service was bad if you check some of the reviews here: <http://www.london-eating.co.uk/383.htm> :happy:

Read more posts at http://my.opera.com/SidW/journal

Rough Media

I'm becoming more of a movie wimp than I ever expected. A girl at the office who reads some of the same authors I do and likes some of the same movies has been anxious for me to see "The Butterfuly Effect" to ge my opinion.

I haven't wanted to. Partly it's because I don't have the patience these days to sit through one of those stories where similar events unfold again and again. Loved Run, Lola, Run but I watched it on DVD. Something about the notion that I'm in a theater watching repetition doesn't appeal.

But the real reason is because of the dog killing. I understand why the screenwriters put that in, going for a tough, unflinching world view, but I'm not up for that these days.

I'm generally of the opinion that Kafka held, that a work of fiction shouldn't be easy on us. It should affect, and more and more the movies I like are the challenging ones -- Mullholland Drive, Swimming Pool etc.

I still don't agree with the folks I've known over the years who've whined when every work of film or fiction isn't Disney. I argued with some people once who didn't understand Pulp Fiction which I reviewed positively in a newspaper. "I don't need to be shown the dark dregs of the world," one woman told me. Doesn't change the fact it's a brilliant work, but sit in your complacent little cubicle.

Intellectually, I haven't left the farm. Anything goes in art if it's for a purpose. As Roger Ebert says it's not what a movie is about but how it is about it.

But, some days I don't want to face any more unpleasantness. At least not that I'm viewing.

:yikes:

Biblioholism

I have books everywhere. Stacked against walls in my office, tucked in cabinets. In my desk, in boxes, in the closet, on the coffee table. Oh yeah, I have some on book cases too. I emptied out the bottom drawer of a filing cabinet that was filled with books. They're stacked against the side of the cabinet now. That helps them to intimidate me now. Their spines couldn't urge me to read them hidden away in a drawer.

In one Signals catalog or another I've seen reference to a book, I think on Biblioholism, the compulsion to own books. Ironically, that's one book I don't own.

Fellow Travelers
I've talked or corresponded with other people who do the same thing. I used to exchange letters with a girl in England who'd advertised for pen pals in Fangoria. She told me of having cabinets and every available space in her home full of books. I also dated a girl once who had a dorm room stuffed that way. (I fall back on a quote from a Twilight Zone episode, from the eighties version--I don't remember if it was "the new" or whatever. In it Danny Kaye played a character who asked a young man: "Why would I want a library full of books I've already read?"

It all started for me with one copy of The Adventures of Robin Hood when I was a kid. It built via gifts, and my own purchases. Used books make up a large portion of my personal, disorganized library. Dime and nickle purchases are what really got me in trouble. When a used book store I'd frequented for years went out of business, I compiled a lot of books. Library culls for a dime and a quarter a copy stacked up a few more.

Futility
I've reached a point in life, as you may glean from other posts, in which I'm conscious of the passage of time. I'm almost ready to acknowledge I'll never read all of the books I have. I'll run out of time. Arteries or dementia will take me down before I've turned the last page on the last volume.

Yet, I don't see any other path, because I wouldn't exchange the pleasure of great reads. And if you're a reader, you know you never know where that's going to come from. You can't judge a book by the synopsis on the jacket flap or back cover. You have to dive in.

Sometimes it happens when you bring a book home from the store and open it on the sofa, and sometimes it comes (if you're a biblioholic) when you pull a book you've owned twenty years from a box and start turning the pages.

If you've ever done that, then you really have to wonder about people who have only three or four paperbacks that they've already read. :lol:

Michigan Avenue

My boss stopped by my office this morning to tell me a little about his Chicago trip. We'd watched the Oprah episode he attended which aired on Monday afternoon but hadn't really discussed specifics of his sightseeing.

As it turned out he stayed in the same hotel down near Michigan Avenue where Christine and I stayed on our last visit a few years ago, so he had some similar experiences.

He thanked me for recommending the Field Museum. He and his wife had a good time there, seeing dinosaur and mummy exhibits and many of the animal displays.

I'd told him that it was used in The Relic and to watch for the lions featured in The Ghost and the Darkness, which he hasn't seen yet. I was surprised when I found the exhibit that the real lions, though male, didn't have manes. Guess they looked scarier in the movie with more hair. There must be a tag at the end of the movie about the Field Museum because I made a point of seeking them out on my visit.

Kind of makes me want to go back and visit Wayne and everything. He's written me that Michigan Avenue has changed a lot since we were there. There was a Viacom store we spent a lot of time in, and in a three-story mini-mall that's become something else.

With Wayne's tour-guiding and a few trips up and down the street, I apparently started looking like I belonged there. People were asking me for directions, but memory has faded some of that.

My boss asked about the science and industry museum.

"The one down by the planetarium?" I asked.

"No, the Field Museum is by the planetarium," he reminded me.

Time flies. :cool:

Snow Day

At 4 a.m. Saturday, Christine woke me to tell me the snow that had come only in a few brief flurries on Friday had turned to a full-fledged snowfall. Huge flakes were indeed falling. I never expected it to stick, but by 5:30 a.m. when the cats insisted we get out of bed, the yard was blanketed. I took pictures with our new digital camera and almost immediately e-mailed them to my friend, Wayne, in Chicago, where he's been enduring the winter cold for months. It's ironic we got snow in Texas. My boss went to Chicago this week and around the office we joked with him about his choice of winter getaways. I kept a Weather Channel forecast posted in the hallway with the "Feels Like" chill report.

Guess this is the second real snow we've had since living in this house. The last was on New Year's Eve, 2000. It was unexpected then. This one doesn't feel quite as magical as that one did, but it was still a nice surprise and made the back yard beautiful for a day. There's something to be said for variety as well, and I've seen a lot of snowmen. The sun's out today and the lawns are clearing, but the snowmen look as if they're going to be the last to go. I guess the compressed snow in their makeup has kept them standing.

:happy:

Lost in the mail

I read a condensed novel about a lost letter once in one of those Reader's Digest collections that used bookstores don't want. In the story the letter caused a lot of drama I don't recall. Happily those things don't happen often.

This article on the AP wire today <http://www.dfw.com/mld/dfw/news/weird_news/7891792.htm> (don't you love ASP URLs?) reminded me of my first story as a reporter.

I interviewed a couple who'd received a letter 17 years late. They'd lost a son in Vietnam. The letter was from his Army buddy, actually written by the buddy's wife.

She described events between her husband and their son at the camp in California and included a stack of snapshots the couple was glad to get, even 17 years late. Our headline was: "Letter that arrived 17 years late was worth the wait." It was one of those time warp moments. I've thought of that moment often. You don't have to have a lost letter. Unpacking old boxes can transport you too. Find an old object (like forgotten clothing tags I mentioned before) and you're whisked back through the years. It's 1968 again or 1975 and the message is time flies.

I wrote the article 20 years ago. And it feels like yesterday.

Chicken Strips

Lunch today is chicken strips at my desk. Caved on the low-fat effort I've been trying to follow. I guess they're still better than some fast food meals. I know a doctor who's been on a weight-loss effort. He can rattle off the fat content in every kind of burger.

These are from Wendy's with their spicy mustard. Went for the fries too. Have to watch my meals over the weekend.

I'm eating them while listening to The Glenn Mitchell Show from Dallas, streamed from <http://www.kera.org>. It's a very good Public Radio station and the Mitchell Show is a really great talk show. On Fridays, the noon-hour is devoted to questions and answers. Listeners call in and relay questions then they're thrown out to the audience to see if anyone knows the answers.

If you have chicken strips and the Glenn Mitchell Show, life is good.

This afternoon I have a meeting with the guys from the web firm my company uses to discuss moving to a new server. We got backed into a tight deadline on that so the headaches are plentyful.

Of course there always seems to be a crisis. I don't get acid indigestion about it much anymore.

Comic Strips

Once upon a time, you were limited to reading the comic strips in the newspaper your family received. My dad noted once that it was the paper he threw as a paperboy that he read and remembered strips like Gasoline Alley. (He also recalled making a kite from a front page with a picture of John Dillinger and a headline that said: Have You Seen This Man. He also recalled hitching a ride once from a guy he believed to be Pretty Boy Floyd but that was never proven. Ironically you could hitch a ride with a public enemy in those days and live to be disbelieved about it.)

I used to hate not having some strips in our local paper. Visiting relatives used to be fun because you picked up a few strips you didn't get at home.

Of late, partly from the nostalgia of it, I've hit a rhythm of reading strips online. You can bounce through all of the existing serial strips pretty readily.

I start with <www.comics.com>. We never had "Tarzan" in papers when I was a kid. There's a fairly new strip called "Pibgorn" I really love, too. A true fantasy-oriented strip.

My favorites are still the older strips, though. Dick Tracy is still going strong and Daddy Warbucks in Little Orphan Annie is testifying before Congress. Annie herself has a modern look. Then there's Brenda Star. You have to jump over to <www.ucomics.com> to pick up a few of them. I round things out with <www.kingfeatures.com>. They have Spiderman, Apartment 3g, Judge Parker, The Phantom, Mandrake and Mike Nomad among others.


Sometimes I check out <http://www.toonopedia.com>/ which has a great histroy of strips. Sometimes it's a little bittersweet, reading about the last strip featuring Steve Canyon or the demise of the Jackson Twins, but it's also kind of cool that for the time being the medium still exists in the modern age and that's part of my webmonkey day.

Web Page

I'm working on getting my web page going again. I let it slide a while back because I changed ISPs and lost my free space. It's stopped showing up in Google even in cached form, a sure sign your site is dead.

I've been working on the design, which I haven't done hands-on in some time. I have it pretty much the way I want it in the "Preview in Browser" view at least, although there's one line showing up where I don't want it to, and I'm not sure why. I'd forgotten about the "bang your head against the wall" aspects of tweaking HTML.

For far too long, I've worked with a design company on my day job, doing odds and ends design and code as I need to in Dreamweaver. It's Front Page on my home computer, which I find a little like working without thumbs.

I got into web work because I liked design and the like and managed to find a job where they were more interested in my journalism past than having me do much design. Recently I started doing some e-mail newsletters that demand a little more of me, although they involve using management tools.

Management tools are always a little frustrating to me. There's always something they won't do, and I start thinking "If I could just get to the HTML..."

On my site I can get to the HTML, and there's still a blasted line!

Aha's are hard to come by

In the project I'm writing, I've reached a point where I need a really clever revelation, some realization of an earlier clue or some other devishly ingenious twist that will send the heroes on their way toward the climax. Can't come up with it at the moment. Something will hit me eventually, but I'll have to mull it over for a while. Sometimes I watch movies and think, "That story would have been better if they'd just fixed one detail." Sometimes it's easier said than done.

I was a newspaper reporter for a long time, and I used to think it was tough to work as a journalist and write at night, late at night. Now I realize how much I benefited from being in a newsroom where things were alive and happening all the time. If I wasn't covering a story and picking up bits and pieces of the human condition, I was hearing hubub in the background, other reporters making phone calls, scanner broadcasts, conversations about city hall and the police beat. There was constant input.

It's not quite the same in a marketing office, where I work now. There's always a lot going on, but not quite the fodder for action packed mystery thrillers. Sometimes I write scenes I think of as placeholders, fuctional scenes but not everything I hope them to be. Then when I manage to pick up the detail that triggers the epiphany I can go back and polish.

Those details just don't drop out of the sky like they once did.

My mom's labels

My father passed away in October, and almost coinciding with that, my mom's health took a downturn. I've had her in the hospital or transition for months, although she's finally settled for a while, I hope, in an assisted living area of a nursing home.

She had a full-blown apartment before that and I've been cleaning out a lot of her things. She had a lot of stuff even though she and my dad had an estate sale before moving into that apartment.

In getting her old Singer sewing machine ready to donate to the Salvation Army, I found a tiny mail order package from Helen Gallager/Foster House dated 1972. That's a year after she took early retirement from her job as a home economics teacher. The package contained labels that read: Specially Hand Made and designed by Mildred.

She doesn't remember buying them now, but they must have been an impulse from her newly retired era. I don't guess she ever used them, which saddened me a bit, looking back. The time ahead must have looked fresh and exciting and full of promise in 1972. She must have planned to utilize her seamstress skills and sign her work. I never thought of what my mother did as an art until I found the package.

The years passed as years do, and in restrospect that seems like the blink of an eye. Not long before she was hospitalized, she crocheted a hand towel for our refrigerator. I guess it's the last work of that type she'll ever do. In those name tags and that refrigerator towel I have two fragments that bookend the last 30 years. Makes me realize how important the "live in the now" message is. Carpe diem and all that.

Books I didn't write

The curse of the common name is that someone else with the same name is likely to do the same thing you do. A few years ago in a library I was picking through titles on an interlibrary loan computer system and discovered a mystery writer named Sidney Williams. His titles included The Body in the Blue Room and Mystery In Red, and a host of others. We Sidneys confound bibliographers, so it's hard to tell which titles are his, but other possibilities include: The Eastern Window (published in 1918); The Drury Club Case and The Aconite Murders. I found a biographic entry about him in a reference book once, noting he was a journalist first. (Me too, me too.)

There's another book out there called A Reluctant Adam by an author named Sidney Williams. That's not me either.

I need to go the middle name route I guess. I did an initial a few times and that gets me listed separately from myself in some listings. In one online mystery short story bibliography "Miss Daisy and the Rosary Pea" gets listed separately from "Skull Rainbow" because I wrote the latter with an initial in the middle of my name.

Going to have to contemplate that if I do any serious publishing again. And need to get my website cranked up again, I guess and get my complete bibliography back to life. I guess that's the only real way to avoid confused immortality.





Friday afternoon

The last half hour of the afternoon is usually the slowest. Too late to start a new project and too fried to be really creative.
December 2009
S M T W T F S
November 2009January 2010
1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31