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Opera Mini 6 and Opera Mobile 11 has been released 3 days ago as was said in opera press release opera. But there is a uniqueness to the opera press release for this time. Opera Team has inserted some titles from the famous songs. Here are some song titles that I've found.

Opera Mini 6 and Opera Mobile 11 has been released 3 days ago as was said in opera press release opera. But there is a uniqueness to the opera press release for this time. Opera Team has inserted some titles from the famous songs. Here are some song titles that I've found:

1. Whole lotta love, by Led Zeppelin


"Whole Lotta Love" is a song by English rock band Led Zeppelin. It is featured as the opening track on the band's second album, Led Zeppelin II, and was released in the United States and Japan as a single. The US release became their first hit single, it was certified Gold on 13 April 1970, when it sold one million copies.

As with other Led Zeppelin songs, no single was released in the United Kingdom, but singles were released in Germany (where it reached number one), the Netherlands (where it reached number four), Belgium and France.

In 2004, the song was ranked number 75 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time, and in March 2005, Q magazine placed "Whole Lotta Love" at number three in its list of the 100 Greatest Guitar Tracks. It was placed 11 on a similar list by Rolling Stone. In 2009 it was named the third greatest hard rock song of all time by VH1.

"Whole Lotta Love" was recorded at Olympic Studios in London and mixed at A&R Studios in New York.[citation needed] Already part of their live repertoire, it saw its first official release on the LP Led Zeppelin II on 22 October 1969 (Atlantic LP #8236). (source: Wikipedia)

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2. Oslo, by Bob Brookmeyer


Bob Brookmeyer has been so busy as a writer since the mid-'60s that his valve trombone playing has been somewhat underrecorded. This quartet set with pianist Alan Broadbent (who also plays a bit of synthesizer), bassist Eric Von Essen and drummer Michael Stephans) finds Brookmeyer in top form on four standards and a quartet of his originals (including "Later Blues," "Tootsie Samba" and "Who Could Care").

His valve trombone playing had grown and evolved through the years and, although he still had the cool tone, Brookmeyer's solos are often quite complex while not completely abandoning chordal improvisation. This Concord release is well worth picking up. (source: AllMusic)

3. Can’t get no satisfaction, by Rolling Stone





"(I Can't Get No) Satisfaction" is a song by English rock band The Rolling Stones released in 1965. It was written by Mick Jagger and Keith Richards and produced by Andrew Loog Oldham. The song is notable for Richards's three-note guitar riff which opens and drives the song, and for the lyrics, which include references to sexual intercourse and a theme of anti-commercialism. The latter in particular caused the song to be "perceived as an attack on the status quo".

The song was first released as a single in the United States in June 1965 and also featured on the American version of Out of Our Heads, released that July. "Satisfaction" was a hit, giving the Stones their first number one in the United States. The song initially played only on pirate radio stations because its lyrics were considered too sexually suggestive. In Britain the single was released in August 1965; it became the Rolling Stones' fourth UK number one. The song is considered to be one of the all-time great rock songs. In 2004 Rolling Stone magazine placed "Satisfaction" in the second spot on its list of The 500 Greatest Songs of All Time, while in 2006 it was added to the Library of Congress National Recording Registry. (source wikipedia)

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And, i've found another song title



No Satisfaction, by Sam Fan Thomas



Sam Fan Thomas is a Cameroonian musician associated with Makossa. He began in the late 1960s and had his first hit with Rikiatou. His African Typic Collection would be an international hit in 1984 and is perhaps his best known album (source: Wikipedia)

4. Weapon of choice


The cover of Norman Cook's breakout Fatboy Slim album, You've Come a Long Way, Baby, was a good clue to the contents, picturing as it did thousands of LPs straining the racks in Cook's record room -- undoubtedly just a small portion of his massive collection of sampling material. Inside, Cook unfolded a party record for the ages, long on fun (though understandably short on staying power), chock full of samples pillaged from all manner of obscure soul shouters and old-school rap crews, triggered and tweaked ad nauseam. With his third LP, Halfway Between the Gutter and the Stars, Cook pulls away slightly from the notoriously fickle pop charts and crossover kids courted on his last record. Instead, he makes a conscious attempt to inject some real hedonism back into the world of dance -- he is a DJ, after all -- and sure enough, the cover matches those aims: it's a long shot on a beach (Ibiza or some other far-flung shore), with the sun shining out of someone's behind. The intro even pokes gentle fun at the loved-up R&B tradition with an extended sample from some bygone soul artist waxing overly poetic about his girlfriend. From there, Cook tears into an acid-techno rampage named "Star 69," a track that takes few prisoners and sounds closer to Plastikman than Propellerheads, though it does include the Fatboy Slim trademark -- a rather blue vocal sample repeated continually for nigh on a minute (funnily enough, the track was entirely removed from the clean version of the album).

Despite the torrid pace set early on, there's still quite a bit of the used-bin scavenger left in Cook; the most patented big-beat anthems here, "Ya Mama" and "Mad Flava," include all the expected displays of crowd-moving hip-hop calls, unhinged beatbox funk, continual drum breakdowns, and plenty of rawk riffs. The first single "Sunset (Bird of Prey)" is another potential crossover move, featuring what is easily the album's most recognizable sample source -- Jim Morrison from the Doors. Borrowing from Morrison's posthumous LP of poetry An American Prayer, the "collaboration" works better than could be expected, with Morrison's pseudo-mystical, surreal vocal -- "Bird of prey, flying high/In the summer sky, gently passing by" -- floating over some comparatively atmospheric breakbeat funk by the Fatboy.

Sniffy electronica purism aside though, Cook remains, if not the best overall producer in the dance world, certainly in its top rank, with an excellent ear for infectious hooks, tight beats, and irresistible grooves. On advice from friends the Chemical Brothers, Cook recruited collaborators for the first time -- nu-soul diva Macy Gray, funk legend Bootsy Collins, fellow superstar DJ/producer Roger Sanchez -- and the two tracks with Gray, "Love Life" and "Demons," are arguably the highlights of the entire album. In a similar fashion to David Holmes, Cook's ample production talents are served best with a vocalist lending focus, and "Love Life" is a seven-minute ride veering from dirty, warped funk to noise-heavy hip-hop breakdowns while Gray scats, growls, and purrs with clearly audible glee. After Bootsy's joint (the surprisingly bland "Weapon of Choice") and a hackneyed social-message track ("Drop the Hate"), Gray returns to save the album with another unbelievable performance on the half-resigned, half-hopeful gospel soul of "Demons." The closer, "Song for Shelter," is a masterful stroke of sun-splashed house recorded with help from Roger Sanchez and an ecstatic serenade to the dance music experience by Roland Clark (interpolated from his single "I Get Deep"). In all, Halfway Between the Gutter and the Stars is possibly Norman Cook's best possible statement after being -- nearly simultaneously -- picked up by a multitude of notoriously fickle pop consumers and thrown away by his previously rock-solid dance fan base. The hooks are unmissable and there's plenty of big-beat techno from a master of the form, but there's also a good amount of mature material that would undeniably appeal to many listeners in the dance world if they ever condescended to give it an objective listen. (source: All Music)

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5. Don't stop til you get enough, by Michael Jackson


"Don't Stop 'Til You Get Enough" is a single by American recording artist Michael Jackson. Released under Epic Records on July 28, 1979, the song is the first single from Jackson's fifth studio album, entitled Off the Wall. Written by Jackson, it is in the key of B major and in common time signature, the song was the first solo recording over which Jackson had creative control. Jackson said that the song's lyrics were not a reference to sex, but could be about whatever people wanted them to be about.

"Don't Stop 'Til You Get Enough" was Jackson's first single to peak at number one on the United States Billboards Hot 100 chart in seven years, and his first number one song on the soul singles chart. The song charted within the top ten on worldwide charts. Within a few months of release, the song was certified gold, and eventually certified platinum.

"Don't Stop 'Til You Get Enough" was generally well-received by contemporary music critics. An accompanying music video for the song was released in October 1979. The video shows Jackson dancing, as well as being shown in a triplicate, in different color backgrounds. The song also won Jackson his first solo Grammy and American Music Awards. "Don't Stop 'til You Get Enough" is considered to be the first song to showcase Jackson's talent as a solo artist, both as a singer and songwriter. Since the song's release, it has been covered by numerous musicians. (source: Wikipedia)

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6. What’s new, pussycat? by Tom Jones



"What's New Pussycat?" is a song made famous by singers such as Tom Jones (US #3 in april 17 1965), Bobby Darin, Tony Bennett, Alvin and the Chipmunks, Anita Kerr and The Four Seasons; it was written by Burt Bacharach and Hal David. It is the title tune of the movie starring Peter Sellers.

Barbra Streisand performed several lines in her "Color Me Barbra Medley" from the TV special and album "Color Me Barbra". Czech singer Pavel Novak recorded song under the Czech title "Zofie" in may 2 1966. (source: Wikipedia)

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7. Smooth operator, by Sade -


"Smooth Operator" is a song by the English group Sade, released as the fourth and final single from their debut album Diamond Life (1984). It was released (in both the U.S. and the UK) as a 7" single with "Spirit" as its B-side, and as a 12" maxi single with "Smooth Operator" and "Red Eye" on side A and "Spirit" on side B. In the U.S. it was the follow-up to "Hang on to Your Love".

This was Sade's first Top Ten hit in the U.S., peaking at number five on the Billboard Hot 100 chart for two weeks in May 1985. The song spent thirteen weeks in the Top Forty, and also topped the Billboard Adult Contemporary chart for two weeks. Although "Your Love Is King" remains Sade's biggest hit in the UK to date, "Smooth Operator" is the band's breakthrough hit on the U.S. charts, and their most successful single internationally.

Ray St. John, who co-wrote "Smooth Operator" with Sade Adu, was previously a member of Adu's former band Pride, although he was not a member of the band Sade. The pair co-wrote the song in 1982 while still members of Pride, yet did not get around to recording it because St. John left Pride shortly after Sade joined. St. John later went on to play guitar with the band Halo James, which scored a UK Top Ten hit with "Could Have Told You So" in February 1990.

"Smooth Operator" is about a fashionable man who lives a jet-set lifestyle. He is popular with women and breaks many hearts. The lyrics "Coast to Coast/LA to Chicago/Western Male/Across the North and South to Key Largo/Love for sale" imply that he uses women to sustain himself. It is also clear that he does not return the affections of these women, as Adu sings near the end, "His heart is cold."

This song is noted for Sade's spoken recitation in the song's introduction. Some radio edits have omitted the spoken Introduction, and proceeded with the opening sung line of the title of the album, "Diamond Life". Some radio edits have shortened the instrumental saxophone solo, as well as the first repeat of the lines that come after the Chorus portions. (source: Wikipedia)

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8. Sweetest thing, by U2


"Sweetest Thing" is a song by U2. It was originally released in 1987 as a B-side on the "Where the Streets Have No Name" single.

The song was later re-recorded and re-released, as a single for the U2 compilation album, The Best of 1980-1990, in 1998.

The song was reportedly written by Bono as an apology to his wife Ali Hewson for having to work in the studio on her birthday during The Joshua Tree sessions. At Alison's request, profits from the single went to her favoured charity, Chernobyl Children's Project International.

A version by New York gospel choir, The New Voices of Freedom, appears on the soundtrack to the 1988 Bill Murray film Scrooged. It was recorded following U2's performance of "I Still Haven't Found What I'm Looking For" with the choir at Madison Square Garden, which appears on the band's 1988 album Rattle and Hum.

To promote the release of the single in 1998, Island Records distributed "Sweetest Thing" chocolate bars, wrapped to look like the single, throughout Europe. They have become a very valuable collectors item among U2 fans during the 2000s. The song reached #1 in both Canada and Ireland, #3 in the UK, #6 in Australia, #63 on the Billboard Hot 100, #9 on the Modern Rock Tracks chart and #31 on the Mainstream Rock Tracks chart in the United States.

The band played the song about 30 times during the Elevation Tour in 2001, where Bono played The Edge's piano parts.[citation needed] The song is featured in the short film, Sightings of Bono and the film, Mr. Deeds. (source: wikipedia)

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9. Twist and shout, by The Beatles


"Twist and Shout" is a song written by Phil Medley and Bert Berns. It was originally titled "Shake It Up, Baby" and recorded by the Top Notes and then covered by The Isley Brothers. It was covered by The Beatles with John Lennon on the lead vocals and originally released on their first album Please Please Me. The song was covered by The Mamas & the Papas (in the style of a ballad) in 1967 on their album Deliver, and on a film soundtrack by Cliff Richard. It was also covered by The Tremeloes. Most recently Chaka Demus and Pliers (featuring Jack Radics and Taxi Gang) reached No. 1 on the UK charts with their version in January 1994. The Who performed it throughout their career, most notably on Live at the Isle of Wight Festival 1970 and 1982's Who's Last. (source: Wikipedia)

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10. Let it be


"Let It Be" is a song by The Beatles, released in March 1970 as a single, and (in an alternative mix) as the title track of their album Let It Be. It was written by Paul McCartney[2][3] and credited to Lennon/McCartney. It was the final single released by The Beatles before McCartney announced his departure from the band. Both the Let It Be album and the US single "The Long and Winding Road" were released after McCartney's announced departure from and subsequent break-up of the group.

"Let It Be" holds the number-one spot on "The Fans' Top 10" poll included in The 100 Best Beatles Songs: An Informed Fan's Guide by Stephen J. Spignesi and Michael Lewis. The song is number three in the 100 Best Beatles Songs list, only behind "Strawberry Fields Forever" and "A Day In The Life", which is number one.
In 1987, the song was recorded by charity supergroup Ferry Aid (which included McCartney). It reached No. 1 on the UK Singles Chart for three weeks and made the top ten in many other European countries. (source: Wikipedia)

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11. Around the World, by Red Hot Chili Peppers


"Around the World" is a song by Red Hot Chili Peppers released as the second single from their 1999 album, Californication. The single peaked at number seven on the Billboard Modern Rock Tracks and number sixteen on the Mainstream Rock Tracks.

In 2007, the song was also heavily edited and used as a new soundtrack for the California Screamin' ride at the Disneyland Resort, as part of their "Rockin' Both Parks" campaign.

Anthony Kiedis has stated that in the lyrics for the verses he is telling about his journeys and his experiences on them, about being the member of the Red Hot Chili Peppers and living extreme life. He also noted that Roberto Benigni's film Life Is Beautiful was a lyrical inspiration.

John Frusciante came up with the music for the song while playing at his house and told the other band members they would have to hear it but he had to play it with somebody because of its deceptive downbeat. Chad Smith kept time on the hi-hat while Frusciante played. Band members liked the outcome and Flea came up with his bass part.

When recording the song John Frusciante played 66' Fender Jaguar which he had borrowed from their engineer Jim Scott. He played it through two Marshalls: a JTM 45 and a 100-watt SuperBass. Frusciante told that he liked Jaguars because of their "real cool cheap sound".

Flea played on a Modulus Flea Bass (Silver Flake), on this recording. He also use the Modulus in the Music Video (source: Wikipedia)

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12. Shout it out loud, by Kiss


"Shout It Out Loud" is a song by the American hard rock group Kiss originally released on their 1976 album, Destroyer. Released as a single in 1976, the band and their record company, Casablanca Records, were trying to cash in on the success of their previous single, the live version of "Rock and Roll All Nite", by releasing another anthem. While the song would break into the American Billboard Top 40, peaking at #31, it would prove to not be as successful as its predecessor was but would remain in the bands concert setlists for every tour from that point on. In Canada, the single was far more successful, reaching #1 on the RPM national singles chart on May 22, 1976.

In 1998, Pretty Boy Floyd covered this song for their album Porn Stars. It was also covered by Zeke on their album Kicked in the Teeth and by Stryper on their album The Covering.

The song is featured in the movie Detroit Rock City. A 2007 re-recording of the song by the band is featured on the music/rhythm video game Guitar Hero 5. The cast of Glee covers the song in the episode Theatricality. (source: Wikipedia)

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13. Is it any wonder?, by Keane


"Is It Any Wonder?" is a song performed and composed by English alternative rock band Keane and is featured on their second studio album, Under the Iron Sea as the second track. This is considered to be the second single on "Under the Iron Sea era", after the download-only "Atlantic". However, it is also considered to be the album's first physical single release.

The song was released to the iTunes Store on 16 May and to shops on 29 May 2006 as the lead single from the album (see 2006 in British music). The single debuted at #15 in the UK Singles Chart on 28 May based on download sales alone but reached #3 with physical sales on 4 June.[1] The song was officially premiered on 17 April on Jo Whiley's BBC Radio 1 show. Soon after this, it was leaked into the Internet.
"Is It Any Wonder?" is the first Keane single to be sold in Mexico and other Latin American countries, where it is even more expensive than the album (approximately US$15.00).

The song was featured on the UK compilation Now That's What I Call Music! 64, the soundtrack of the 2006 film Ice Age: The Meltdown and in the video games Madden NFL 07 and Dance Dance Revolution Universe 2. The song was nominated for the Best Pop Performance by a Duo or Group With Vocal for the 2007 Grammy Awards. (source: Wikipedia)

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14. Still haven’t found what you are looking for, by U2


"I Still Haven't Found What I'm Looking For" is a song by rock band U2. It is the second track from their 1987 album The Joshua Tree and was released as the album's second single in May 1987. The song was a hit, becoming the band's second consecutive number-one single on the US Billboard Hot 100 after "With or Without You", while peaking at number six on the UK Singles Chart.

Like much of The Joshua Tree, the song was inspired by the group's interest in American music. "I Still Haven't Found What I'm Looking For" exhibits influences from gospel music and its lyrics describe spiritual yearning. Lead vocalist Bono's vocals are in high register and guitarist The Edge plays a chiming arpeggio. The song originated from a demo the group used to develop a unique drum pattern played by drummer Larry Mullen, Jr.
"I Still Haven't Found What I'm Looking For" was well-received by critics.

It has subsequently become one of the group's most well-known songs and has been performed on many of their concert tours. The track has appeared on several of their compilations and concert films. Many critics have acclaimed it as one of the greatest songs of all-time. (source: wikipedia)

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15. Rock you like a hurricane, by Scorpions


"Rock You Like a Hurricane" is one of the most famous songs by the German heavy metal band Scorpions. The song was released as the second track of their 1984 album Love at First Sting.

"Rock You Like a Hurricane" reached number 25 in the USA Billboard Hot 100, greatly contributing to the album's success, and MTV put the video in heavy rotation.

In 2006, VH1 named "Rock You Like a Hurricane" number 31 on their 40 Greatest Metal Songs and in 2009 it was named the 18th greatest hard rock song of all time also by VH1. On November 15, 2010, it was named the number 4 best riff of the 80's.

The racetrack depicted on the sleeve corresponds to the Circuito Permanente de Jerez, located in Spain.
A new version was recorded in 2000 as "Hurricane 2000" in the album Moment of Glory, featuring Berlin Philharmonic Orchestra backing the track. In the same way, it was titled "Hurricane 2001" when played in the follow-up Acoustica.

The lyrics of "Rock You Like a Hurricane" also references the title of the album on which it's found - Love at First Sting. (source: Wikipedia)

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16. You’ve lost that loving feeling


"You've Lost That Lovin' Feelin'" is a 1964 song by The Righteous Brothers which became a number-one hit single in the United States and the United Kingdom the following year. In 1999, the performing-rights organization Broadcast Music, Inc. (BMI) ranked the song as having had more radio and television play in the United States than any other song during the 20th century. Additionally, the song was chosen as one of the Songs of the Century by RIAA and ranked #34 on the list of the 500 Greatest Songs of All Time by Rolling Stone. (source: wikipedia)

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17. Don’t let it bring you down, by Neil Young


"Don't Let It Bring You Down" is the seventh track on Neil Young's album After the Gold Rush. It was written by Young. It also appears on the 1971 Crosby, Stills, Nash & Young live album Four Way Street as well as Young's 2007 album Live at Massey Hall 1971, which was recorded in 1971. John Reed wrote an arrangement of this for The Hampton String Quartet in 2006.

On the CSNY Live Album Four Way Street, Young says, "Here is a new song, it's guaranteed to bring you right down, it's called 'Don't Let It Bring You Down'. It sorta starts off real slow and then fizzles out altogether." The crowd then roars with laughter.(source: Wikipedia)

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18. The sun always shines on TV


"The Sun Always Shines on T.V." is a song by Norwegian pop band A-ha. It was released as the third single from the band's debut album, Hunting High and Low. In many countries the single was not as successful as the band's previous, "Take on Me", which hit #1 in the U.S. and several countries around the world. In the UK and Ireland, however, "The Sun Always Shines on T.V." actually improved upon the #2 charting of their debut, remaining at the top spot on the UK Singles Chart for two weeks in January 1986, having been released there on 16 December 1985. The single was certified Silver in the UK and gold in the USA and Canada. The song was re-released in a live version in 2003 with some minor success in Eastern Europe. The song has sold over 5.5 million copies worldwide. (source:wikipedia)

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19. Who are you?, by The Who


Who Are You is the eighth studio album by English rock band The Who. It was released on 18 August 1978, through Polydor Records in the United Kingdom and MCA Records in the United States. It peaked at number 2 on the U.S. charts and number 6 on the U.K. charts. It is The Who's last album with Keith Moon as the drummer; Moon died approximately three weeks after the release of this album.
In 1996, the album was re-released in remixed form. Some of the elements from the original mixes were eliminated, including on the songs "Had Enough" and "Guitar and Pen". However, "Trick Of The Light" was restored to its full length at 4:45. (source: wikipedia)

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20. Shake, rattle and roll, by Elvis Presley


Elvis Presley recorded the song twice in a studio setting: a 1955 demo recorded during his Sun Records tenure (which was not released until the 1990s), and as a 1956 single for RCA Victor, although it was not a major hit. Both versions by Elvis used Turner's original lyrics combined with a faster-paced version of Haley's arrangement.

Introduced by Cleveland disc jockey, Bill Randle, Presley, Scotty, Bill, and DJ performed the song on the January 28, 1956 broadcast of the Dorsey Brothers Stage Show.[6] Elvis recorded the song with these same musicians. Bill and Scotty had played with Elvis from his first professional sessions at Sun Studios. DJ joined the group late in 1954. These personnel performed and recorded with Elvis throughout 1955 and 1956. The song was released on September 8, 1956.[7] Elvis sang lead vocal, and played rhythm guitar. Scotty Moore played lead guitar. Bill Black played stand-up bass. And D.J. Fontana provided percussion. Scotty, Bill and DJ also provide vocals for the chorus, as can be seen clearly in the recordings of the broadcast, rather than the Jordanaires, who began working with Elvis after he left Sun for RCA, but months after the Dorsey Brothers performance. DJ is on record saying "That's the first and last time he let us sing. I can't blame him for that."(source: wikipedia)

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21. Speed of Sound, by Cooldplay


"Speed of Sound" is a song by English alternative rock band Coldplay. It was written by all members of the band for their third album, X&Y. Built around a piano riff, the song builds into a huge, synthesizer-heavy chorus. It was released on 23 May 2005 by Parlophone Records as the lead single from the album.

Coldplay vocalist Chris Martin admitted that the song was developed after the band had listened to English alternative rock singer Kate Bush. The song's drumbeat is similar to Bush's 1985 song "Running Up That Hill". Upon the song's release, it charted in the UK Singles Chart in the number two position. In the United States, it reached number eight on the Billboard Hot 100.

Although it was recognized Song of the Year by the American Society of Composers, Authors and Publishers (ASCAP), the song received only mixed reviews from critics. "Speed of Sound" was nominated twice at the 48th Grammy Awards. The song won a Brit Award in the category for Best British Single in 2006. The track's music video was nominated for four MTV Video Music Awards. "Speed of Sound" was also the billionth song downloaded from the iTunes Store. (source: Wikipedia)

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22. The Price You Pay, by Bruce Springsteen & The E Street Band


Originally, the album was going to be a single set entitled The Ties That Bind and released in late 1979.[1] According to Dave Marsh, tracks of this unreleased album were to be:[1]
Side One: 1. "The Ties That Bind" 2. "Cindy" 3. "Hungry Heart" 4. "Stolen Car" 5. "Be True".
Side Two: 1. "The River" 2. "You Can Look (But Don't Touch)" 3. "The Price You Pay" 4. "I Wanna Marry You" 5. "Loose Ends".

Springsteen added darker material after he'd written the title track. Indeed, The River became noted for its mix of the frivolous next to the solemn. This was intentional, and in contrast to Darkness, for as Springsteen said during an interview, "Rock and roll has always been this joy, this certain happiness that is in its way the most beautiful thing in life. But rock is also about hardness and coldness and being alone ... I finally got to the place where I realized life had paradoxes, a lot of them, and you've got to live with them(source: Wikipedia)

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23. The Whole of the Moon, by The Waterboys


The Waterboys are a Scottish band formed in 1983 by Mike Scott. The band's membership, past and present, has been composed mainly of musicians from Scotland, Ireland and England. Edinburgh, London, Dublin, Spiddal, New York, and Findhorn have all served as homes for the group. The band has played in a number of different styles, but their music is a mix of Celtic folk music with rock and roll.

After ten years of recording and touring, they dissolved in 1993 and Scott pursued a solo career. They reformed in 2000, and continue to release albums and tour worldwide. Scott emphasizes a continuity between The Waterboys and his solo work, saying that "To me there's no difference between Mike Scott and the Waterboys; they both mean the same thing. They mean myself and whoever are my current travelling musical companions. (source: Wikipedia)

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24. Strange Magic, by ELO

"Strange Magic" is a song written and performed by the Electric Light Orchestra. It can be found on the 1975 Face the Music LP.

Released as a single in 1976. The single was edited in the USA, whereas in the UK the song appeared as the album cut minus the orchestral intro. The US single edit can be found on the remastered Face the Music released in September 2006 . The song was also included on the band's 1978 ELO EP. A remastered version was included on the box set Flashback in 2000. The 'weeping' guitar lick was provided by Richard Tandy. (source: Wikipedia)

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25. Hallelujah, by Alexandra Burke


As the winner of The X Factor, Alexandra released her debut single, "Hallelujah", originally a Leonard Cohen song, that became the current European record holder for single sales over a period of 24 hours: selling 105,000 copies in one day;[2] but also, the top-selling song of the year in the UK[citation needed] as well as becoming the 2008 Christmas number one single in the UK. By January 2009, sales of Burke's version of "Hallelujah" had passed one million copies which made her the first British female soloist to sell that amount of copies in the UK. (source: Wikipedia)

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26. What you waiting for?, by Gwen Stefani

"What You Waiting For?" is a song by American recording artist Gwen Stefani from her debut solo album, Love. Angel. Music. Baby. (2004). Written by Stefani and Linda Perry, the song is the album's opening track, and was released as its lead single. "What You Waiting For?" details Stefani's lack of inspiration, fear of producing the album, as well as her reaction to pressures exerted by her record label. The song is primarily a New Wave song but also has influences from electropop, and introduces Stefani's four back-up dancers, the Harajuku Girls, who had a major input into the album's production.

"What You Waiting For?" was released as the album's lead single; according to Stefani, as an "explanation for doing the record". The single sold well, reached the top twenty in many countries, and topped the singles chart in Australia. It was certified gold in the United States, and was nominated for Best Female Pop Vocal Performance at the 47th Grammy Awards. It was well received by critics, and was frequently cited as a highlight of the album. The song has been remixed a number of times, and was covered by the indie rock band Franz Ferdinand. (source: Wikipedia)

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27. Walk this way, by Aerosmith


"Walk This Way" is a song by American hard rock group Aerosmith. Written by Steven Tyler and Joe Perry, the song was originally released as the second single from the 1975 album Toys in the Attic. It peaked at Number 10 on the Billboard Hot 100 in early 1977, part of a string of successful hit singles for the band in the 1970s. In addition to being one of the songs that helped break Aerosmith into the mainstream in the 1970s, it also helped revitalize their career in the 1980s when it was covered by rappers Run-D.M.C. in their 1986 album Raising Hell. This cover was a touchstone for the new musical sub-genre of rap rock, or the melding of rock and hip-hop. It became an international hit and won both groups a Soul Train Music Award for Best Rap - Single in 1987. (source: Wikipedia)

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Sstt..New Opera Version has been releasedNgebut di Warnet bersama Opera

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February 2014
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