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B4U WEBDESIGNER

Dream It We'll Design It

STICKY POST

very simple navigation menu

Ok, this stime lets make a stylish yet very simple navigation menu for your website. I am doing this menu to represent 5 links, all with the same dimensions, to a full site width of 750px. So each link will be exactly 150px wide. Lets start by creating our file:



Now lets add up some guides to separate the 5 buttons. I will use these guides to make perfect rectangles (150px wide). To add those guides go to the VIEW menu and choose NEW GUIDE. For starters you need 4 vertical guides placed at 150,300,450 and 600px.



Before drawing your rectangle add an horizontal guide too, placed at 50px. Well draw our rectangles inside this guide so we can make a small arrowlike image below each button.
Now, lets draw our firts button. Select the RECTANGLE tool from the tool box and make sure that you have SHAPE LAYERS mode on.



Be sure to draw between the vertical and horizontal guides, like this:



Ok, the first part of the button is ready. Now lets add up a gradient to that button. I’m not going to add the gradient to the full button area. I am going to leave, lets say, 5px around the top, left and right edges and 15px from the bottom. So, lets add some new guides. Firts, the left margin: a new vertical guide at 5px. For the right margin you’ll need a vertical guide at 145px (150-5=145). For the horizontal guides, you need one guide at 5px and another at 35px. So go on and add those guides:






Now for the gradient. I will choose the same red as the button and white.



Choose the gradient tool from the toolbox:



Click on the top (where the gradient spectrum shows) and you’ll get a dialog box with some gradients allready created.



The first gradient is the one we want. Choose it and apply it to our image. But before you need a new layer or else you wont be able to draw to gradient. Why? Because the last layer was a vector mask (the rectangle in shape layers mode) and you cannot mix up different layer types. So create a new layer by clicking on the new layer icon and on this new layer, between the guides, draw a selection. You need the selection first or the gradient will be applied to the whole layer. Draw your selection with the RECTANGULAR MARQUEE tool :



Ok, now apply the gradient. Be sure to start from bottom to top, as we want the red at the bottom and the white at the top. After applying the gradient, choose layer opacity of 50%:



This is the result:



Ok, so now for the triangle below the button. I am designing this triangle with the pen tool. To make sure the triangle gets the right dimensions i’m doing some calculations first. Lets see:
•Width of button: 150px
•Center of button: 75px (150/2=75)
If the triangle is 20px wide then we need 10 px to each side of the center (75px) to draw it. Lets add the guides on these dimensions to draw the perfect triangle. We need 3 new guides, all vertical, at 75px, 65px and 85px. Go on and add them, here’s the firts:



And there they are, the 3 new guides:



Now, grab the pen tool and draw a triangle like the one below. Be sure to draw this is a new layer. So add a new layer first and the choose the pen tool and click the points to create the triangle. Be sure to close the traingle when drawing it, by clicking at the end on the starting point to close it.



And here’s the triangle:



Ok, your button is now ready. All you have to do now is repeat the process 4 more time, and add a text layer to each button.
Here’s my final menu:



Hope you enjoyed this tut. If you need any help just leave a comment or drop me an email. Also if you have any doubts be sure to leave a comment or an email and maybe, just maybe, i’ll throw a tut for you. Have fun!

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Happy Independence Day

Happy Independence Day



Its the 15th August - The Indian Independence Day. A great struggle was raised by the people of India to gain this Freedom. Its a day to wish all fellow Indians a very "Happy Independence Day".


Independence Day History
Read about the history of the indian independence day

The impact of English education in India led to the growth of nationalism, resulting in freedom of thought and liberalism. It also made the educated people blindly follow Western Culture. But a strong reaction against the sweeping current of Western influence manifested itself in the third quarter of the nineteenth century. It was mainly due to the growing knowledge of the glory and greatness of ancient India. The revelation of India's past was one of the strongest foundations on which Indian nationalism was built.

The spirit of Indian nationalism was intensified by the growing discontent and disaffection with British rule due to the racial arrogance of the rulers. In this regard, Sir Thomas Munro wrote in 1817, "Foreign conquerors have treated the natives with violence, but none has treated them with so much scorn as we; none have stigmatized the whole people as unworthy of trust, as incapable of honesty, and as fit to be employed only where we cannot do without them. It seems not only ungenerous, but impolite to debase the character of a people fallen under our dominion."

The social exclusiveness of the Englishmen, their arrogance and insolent treatment of Indians, particularly the immunity which they practically enjoyed for their criminal acts, including even the murder of Indians, were sources of grave discontent.

To the English-educated Indians who formed the main pillars of support for British rule, virtual exclusion from the higher branches of administration on purely racial grounds was the rudest shock.

The favoritism that afforded Englishmen superiority over Indians in all walks of life, the rulers' self-centered economic policy, and the restrictions imposed on Indians by the Arms Act were responsible for much discontent and disaffection among Indians.

The major mass movement for India's freedom from this alien rule was the so-called Sepoy Mutiny in 1857. The main cause of this mutiny was discontent and anger throughout the army. The uneasiness, misery and pain brought upon all from high offices, both in the civil administration and in the army; the economic exploitation both of landlords and tenants; destruction of old and renowned royal dynasties such as those of Peshwa, Bhonsle, Avadh, Jhansi, Punjab and Satara; the economic exploitation of the country, destruction of Indian industries and forced increase in land revenues... these are some of the main causes that led to discomfort and anger among the Indian population.

Other major events that resulted in India's Independence are as follows:
•The Partition of Bengal in 1905 by the British Government, based on religions and languages.
•The British Government's efforts to enlist the support of the Muslims against the Hindus.
•The spread of the spirit of Hindu-Muslim unity--Allah-O-Akbar and Vande Mataram.
•The Swadeshi Movement--an economic boycott of foreign goods in support of domestic products.
•Repressive measures by the British Government
Swami Vivekananda's clarion call to the nation--"Man-making is my mission of life. You try to translate this mission of mine into action and reality. Your duty should be service to the motherland. India should be freed politically first... for the next fifty years this alone shall be our keynote--this, our great Mother India. Let all other vain gods disappear for that time from our minds." These powerful utterances had a deep impact on the minds of the people.

Other important moments and movements in the history of India's Independence:
•The impact of different organizations such as Brahmo Samaj founded by Raja Ram Mohan Roy, Arya Samaj by Swami Dayananda Saraswati, Prarthana Samaj (Bombay), Swarajya Party, and the Theosophical Society started by Annie Besant.
•Formation of the Indian National Congress in 1885.
•Mahatma Gandhi's arrival from South Africa and the rise of the Indian National Congress as an expression of the revolt of the Indian people against alien rule.

Nationalism of extremists--Sri Aurobindo, Subhash Chandra Bose, Bal Gangadhar Tilak, Lala Lajpa Rai and Bipin Chandra Pal.
•World Wars I and II, which weakened the power of the British rulers.

Mahatma's Swadeshi Movement starting from Satyagraha against the Rowlatt Act.
•The Jalianwala Bagh massacre on 13 April 1919, where over 400 innocent and unarmed people were killed, and the imposition of martial law in Punjab.
•The pronouncement of complete independence at the Lahore Session of the Indian National Congress in 1929, which caused the awakening of a new spirit in the nation.

Mahatma's successful civil disobedience movement all over the country against the Salt Laws. His Salt March at Dandi, Gujarat, in December 1930 spread to various parts of the country.
•The "Quit India" movement in 1942 and its nationwide impact.


National Emblem
Know more about the national emblem of India

The National emblem of India is a replica of the Lion of Sarnath, near Varanasi in Uttar Pradesh. The Lion Capital was erected in the third century BC by Emperor Ashoka to mark the spot where Buddha first proclaimed his gospel of peace and emanicipation to the four quarters of the universe. The national emblem is thus symbolic of contemporary India’s reaffirmation of it’s ancient commitment to world peace and goodwill. The four lions(one hidden from view ) – symbolising power, courage and confidence- rest on a circular abacus. The abacus is girded by four smaller animals- guardians of the four directions: the lion of the north, the elephant of the east, the horse of the south and the bull of the west . The abacus rests on alotus in full bloom, exemplifying the fountainhead of life and creative inspiration.

The motto ‘Satyameva Jayate’ inscribed below the emblem in Devanagari script means ‘truth alone triumphs’.
The National emblem of India is a replica of the Lion of Sarnath, near Varanasi in Uttar Pradesh. The Lion Capital was erected in the third century BC by Emperor Ashoka to mark the spot where Buddha first proclaimed his gospel of peace and emanicipation to the four quarters of the universe. The national emblem is thus symbolic of contemporary India’s reaffirmation of it’s ancient commitment to world peace and goodwill. The four lions(one hidden from view ) – symbolising power, courage and confidence- rest on a circular abacus. The abacus is girded by four smaller animals- guardians of the four directions: the lion of the north, the elephant of the east, the horse of the south and the bull of the west . The abacus rests on alotus in full bloom, exemplifying the fountainhead of life and creative inspiration.

The motto ‘Satyameva Jayate’ inscribed below the emblem in Devanagari script means ‘truth alone triumphs’.


National Anthem
Read the national anthem of India

The Constituent Assembly adopted the Indian national anthem from a song written and composed by the Nobel laureate Rabindranath Tagore on January 24, 1950. Before this Vande Mataram written by Bankim Chandra Chattapadhya was the National Anthem of India. Later Constituent Assembly of India,( Vol.XII, 24-1-1950) opined: "The composition consisting of words and music known as Janaganamana is the National Anthem of India, subject to such alterations as the Government may authorise as occasion arises, ..." Only the first of the five stanzas was designated as the anthem.

The anthem goes like this :



Jaana Gaana Maana Adhinayaka Jayehe
Bharata bhagya vidhata;
Punjaba Sindhu Gujarata Maratha,
Dravida Utkala Banga,
Vindhya, Himachala, Jamuna, Ganga,
Ucchhala Jaladhitaranga;
Taba Shubha Naame Jaage
Taba Shubha Ashish Maage
Gaye taba jaya gaatha.
Jaana Gaana Maana Adhinayaka Jayahe
Bharata bhagya vidhata;
Jaya he Jaye he
Jaya Jaya Jaya Jaya he.





National Flag
Know more about the national flag of India

The man who designed Tiranga Few of us associate the name of Pingali Venkayya with anything else other than as being the original designer of the national flag. But how many of us know that this versatile genius was a prolific writer, a Japanese lecturer and a geophysicist? Born on August 2, 1876 to Hanumantharayudu and Venkataratnamma at Bhatlapennumaru in the Divi taluk in Krishna district, Pingali was a precocious child. After finishing his primary education at Challapalli and school at the Hindu High School, Masulipatnam, he went to Colombo to complete his Senior Cambridge. Enthused by patriotic zeal, he enlisted himself for the Boer war at 19. While in Africa he met Gandhi, and their rapport lasted for more than half a century. On his return to India he worked as a railway guard at Bangalore and Madras and subsequently joined the government service as the plague officer at Bellary. His patriotic zeal, however, did not permit him to stagnate in a permanent job, and his quest for education took him to Lahore where he joined the Anglo-Vedic College, and learnt Japanese and Urdu. He studied Japanese and history under Prof Gote.

During his five years? stay in the north, he became active in politics. Pingali met many revolutionaries and planned strategies to overthrow the colonial rule. The 1906 Congress session with Dadabhai Naoroji witnessed Pingali emerging as an activist and a force behind the decision making committee. Here he met the famous philanthropist, the Raja of Munagala, and from 1906-11, he spent his time in Munagala researching on agriculture and the crops. For his pioneering study on the special variety of ?Cambodia cotton?, he came to be called ?Patti Venkayya?. Even the British were taken up by his contributions in the field of agriculture and conferred on him honorary membership of the Royal Agricultural Society of Britain.

Finally, this man went back to his roots at Masulipatnam and focused his energies on developing the National School (at Masulipatnam), where he taught his students basic military training, horse riding, history and knowledge of agriculture, soil, crops and its relation to nature. Not content with being a theoretician, Pingali's day-to-day activities also reflected a deep commitment to his liberal values. In 1914, he turned his agricultural land into an estate and named it Swetchapuram.
The prismatic colours of his personality reflected an unusual ray in the years 1916-21. After researching into 30 kinds of flags from all over the world, Pingali conceived the design of a flag which became the forbearer of the Indian national flag. Though all credit goes to Pingali for having conceived the national flag in its present form, its antecedents can be traced back to the Vande Mataram movement.

For a brief history of the origins of the Indian flag we have to go back to August 1, 1906 to the Parsee Bagan Square (Green Park) at Calcutta where the first national flag of India was hoisted. This flag was composed of horizontal stripes of red, yellow and green. The strip on the top had eight white lotuses embossed in a row. On
the yellow strip were the words Bande Mataram in deep blue
Devanagari script.

Madame Cama and her group of exiled revolutionaries hoisted the second flag in Paris around 1907. This was similar to the first flag except that the top strip had only one-lotus andseven stars denoting the saptarishis. This was exhibited at a socialist conference in Berlin. By the time the third flag went up in 1917, the political struggle had taken a definite turn. Annie Besant and Tilak hoisted the flag during the Home Rule Movement with an addition in the left hand corner (the pole end), the stamp of the Union
Jack.

There was also a white crescent and star in one corner indicating the aspirations of people of those years. The inclusion of the Union Jack symbolised the goal for dominion status. However, the presence of the Union Jack indicating a political compromise, made the flag unacceptable to many. The call for new leadership brought Gandhi to the fore in 1921 and through him the first tricolour flag.

The years 1921-31 constitute a heroic chapter in not only Pingali Venkayya's life but also in the history of the freedom struggle of Andhra. The AICC met at a historic two day session at Bezwada (March 31 and April 1, 1921). It was at this session that this frail middle aged gentleman, Pingali, approached Gandhi with the flag he designed for India. Pingali?s flag was made of two colours, red and green representing the two major communities of the country. Thus the Indian flag was born but it was not officially accepted by any resolution of the All India Congress Committee. Gandhi?s approval made it popular and it was hoisted at all Congress sessions. Hansraj of Jallandar suggested the representation of the charkha, symbolising progress and the common man. Gandhi amended, insisting on the addition of a white strip to represent the remaining minority communities of India.

A consensus could not be reached until 1931. The designing of the colours in the flag ran into rough weather even as communal tension broke out on the issue of its interpretation. The final resolution was passed when the AICC met at Karachi in 1931. The flag was interpreted as saffron for courage, white for truth and peace, and green for faith and prosperity. The dharma chakhra which appears on the abacus of the Sarnath at the capital of Emperor Ashoka was adopted in the place of spindle and string as the emblem on
the national flag.

Interpreting the colours chosen for the national flag, Dr. Sarvepalli Radhakrishnan explained the saffron colour denoted renunciation or disinterestedness of political leaders towards material gains in life. The white depicted enlightenment, lighting the path of truth to guide our conduct. The green symbolised our relation to the soil, to the plant life here on which all other life depends. The Ashoka wheel in the centre of the white strip represented the law of dharma.

Speaking philosophically, he remarked that the national flag ought to control the principles of all those who worked under it. The wheel denoted motion and? India should no more resist change as there was death in stagnation?. Pingali Venkayya, the illustrious visionary, the designer of the national flag died, unhonoured on July 4, 1963, in conditions of poverty. It was only a few years ago that his daughter began to receive pension from the government. There is not even a memorial in his hometown Machilipatnam to the man who brought such glory to Andhra. Even the original house has been razed to the ground.


Independence Day Quotes
Read the inspiring quotes for Indian IndependenceDay.


We owe a lot to the Indians, who taught us how to count, without which no worthwhile scientific discovery could have been made!" --Albert Einstein


If there is one place on the face of earth where all the dreams of living men have found a home from the very earliest days when man began the dream of existence, it is India!" --French scholar Romaine Rolland


India is the cradle of the human race, the birthplace of human speech, the mother of history, the grandmother of legend, and the great grand mother of tradition. Our most valuable and most astrictive materials in the history of man are treasured up in India only!" --Mark Twain


So far as I am able to judge, nothing has been left undone, either by man or nature, to make India the most extraordinary country that the sun visits on his rounds. Nothing seems to have been forgotten, nothing overlooked." --Mark Twain


She (India) has left indelible imprints on one fourth of the human race in the course of a long succession of centuries. She has the right to reclaim ... her place amongst the great nations summarizing and symbolizing the spirit of humanity. From Persia to the Chinese sea, from the icy regions of Siberia to Islands of Java and Borneo, India has propagated her beliefs, her tales, and her civilization!" -- Sylvia Levi


India conquered and dominated China culturally for 20 centuries without ever having to send a single soldier across her border!" -- Hu Shih, former Ambassador of China to USA




Independence Day Greetings
Send warm indian independence day ecards, greetings and egreetings


independenceday.swf


Auroville



Auroville wants to be the first realisation of human unity based on the teaching of Sri Aurobindo, where men of all countries would be at home.:smile:



Auroville:smile:



The city-in-the-making is located on the Coromandel Coast in south India. It draws its inspiration from the vision and work of the renowned Indian seer and spiritual visionary, Sri Aurobindo. His spiritual collaborator, The Mother, founded the township in 1968 and gave its Charter, which you find scrolling on our homepage. The writings of these visionaries, and the specific guidelines for Auroville given by the Mother are crucial for in-depth understanding of what is trying to be achieved in Auroville, a collective experiment dedicated to human unity and international understanding.

Human Unity
"With the present morality of the human race a sound and durable human unity is not yet possible; but there is no reason why a temporary approximation to it should not be the reward of strenuous aspiration and untiring effort. By constant approximations and by partial realisations and temporary successes Nature advances", writes Sri Aurobindo, and this reality stands central in Auroville and acts as perpetual encouragement for the residents to persevere. During all our meetings, deliberations and plannings, we are acutely aware of how vast and how high our aim is, for "--- in it must be found the means of a fundamental, an inner, a complete, a real human unity which would be the one secure base of a unification of human life. A spiritual oneness which would create a psychological oneness not dependent upon any intellectual or outward uniformity."

Pondicherry
Auroville's location in south India is connected with the fact that the Mother had been living in Pondicherry since 1920. It was there, in the Sri Aurobindo Ashram in 1964 that the idea of Auroville was conceived. Both Sri Aurobindo and the Mother had expressed in their earliest writings the necessity of starting, at some point, a collective experiment under optimum conditions - ideally in the form of a city - in order to create a bridgehead for a new consciousness which was seeking to manifest in the world. The Ashram itself, formally created in 1926, was a first attempt in that direction. It was only in 1964 that the Mother felt that the time had come for such a bold experiment to be started on the bigger scale of a township.
The name 'Auroville' was given in homage to Sri Aurobindo, while also meaning 'City of Dawn'. The idea was recognised and taken up by the Government of India. A location near to Pondicherry was found. The time was right, the wheel set in motion, and support started coming in. The inauguration took place on February 28th, 1968.

Worldwide support
Since the very beginning, Auroville has received the unanimous endorsement of the General Conference of UNESCO in 1966, 1968, 1970 and 1983. Governmental and Non-Governmental Organisations in India and abroad have funded various development programmes, and donations have been received from foundations in Europe and the USA, from Auroville International Centres, and from private donors around the world. The residents themselves have also made, and continue to make, a major contribution of their resources and energy to the project.

Multifarious activities
Auroville is intended as a city for up to 50,000 inhabitants from around the world. Today its inhabitants number around 2000 people, drawn from some thirty countries. They live in 100 settlements of varying size, separated by village and temple lands and surrounded by Tamil villages with a total population of over 35,000 people. Their activities are multifarious, and include afforestation, organic agriculture, educational research, health care, village development, appropriate technology, and building construction, information technology, small and medium scale businesses, town planning, water table management, cultural activities and community services.

Independent legal body
In 1988, the Government of India passed the Auroville Foundation Act to safeguard the development of Auroville according to its Charter. This Act established three constituent bodies: the Governing Board, which would oversee the development of the township in collaboration with its inhabitants, the Residents Assembly and the International Advisory Council, which can provide international support and advice, when required, to the Governing Board.

Faith in humanity's future
As the world is rapidly changing and groping for new paradigms to re-model itself, so Auroville stands poised at the start of a new millennium, ready to enter a new phase of its development and growth, and aware of a new flowering of the faith in humanity's future that it represents.:yes:

b4u_webdesigner

I used to live in india but now I'm a full-time webdesigner in Pondicherry. I love Webdesigner, I would be a photographer and computergrapher instead than a webdesigner but, well, it's not so bad! Why I do website? mmh... well, I think that is my way to see the world around me, understand it and accept it. I know, see odd! :-) I hope that you enjoy my pictures :-)
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