Blueridge Guitars

In this essay, I am going to apply a number of the Principles of Correct Practice to a technical area that is of major concern to players. For beginners, it poses one of the most challenging difficulties, and an incomplete appreciation of it's difficulties dogs many an advanced player (sometimes without them being aware of it).

So you can barely squeeze in any time at all in a day to practice, huh? There are many of us that share the same dilemma, but by knowing what to practice in those short moments of time you can maximize your effort. For example, if you only have ten minutes in between jobs, or other things you need to do, here is a list of some of the things you can do:

After coming to an awareness of the existence of a "bad habit", develop an understanding of how it got there. What weren't you doing that allowed that situation to develop. Of course, it always reduces down to something you weren't aware of that you should have been paying attention to, been more intense about during your practice.

Turn your musical frustrations into an asset in the form of a motivating force. I wrote a whole article called Musical Frustration. I don't want to repeat here everything that I wrote in that article, so read it if you haven't already. If you have read it, it may be worth your time to read it again now.

The sculptor visualizes what he/she wants to create. The act of carving away at the raw material is a form of "destructive creation". In the beginning there is only a block of marble, stone or wood. The sculptor must remove all the material that is not needed so that only the finished sculpture remains!

Staying with that feeling positions you in the best possible way for being able to see what your obstacles to growth really are. As soon as you think you are "complete" in some way as a guitarist, you will be unable to see your own weak spots.

Now, the challenge will be to be able to use the practice approaches that can actually change something like that. Users of "The Principles" know that this means Posing, and No Tempo practice, and the use of The Basic Practice Approach. Again, unfortunately, too often I meet readers of my book who are not really using these practice approaches. They bought the tool, but they don't use it! Those that do, see the results.

Music just happens to be your medium and guitar just happens to be your instrument, but YOU are the artist. From this day forward when someone asks you what you do or who you are, don't reply by saying you are a guitarist or musician.

Blueridge Guitars

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