My Opera
Ajmer Sharif
On the foot of a barren hill stands the dargah sharif, a saint's marble domed mausoleum and India's most important shrine for the Muslims. The saint Hazrat Mu'inuddin Chishti was a Persian and a missionary of Islam who with his piety, charisma, blessings, and service changed the ways of this land. The Khwaja established the Chishtia order of 'fakirs' in India and was also known as 'Gharib Nawaz' (protector of the poor). The mortal remains of this highly revered Sufi saint Khwaja Moin-ud-din Chishti lie buried in this tomb and attract believers from every faith. The shrine receives an endless flow of visitors of all religions, the sick, the troubled and the childless come here in hoardes, seeking a boon, a blessing or just peace of mind. The central assumption is that the saint is still conscious and attentive, and can confer blessings upon people, by acting as a channel for God's grace. Legend has it that the Mughal emperor, Akbar came here to be blessed by the saint and beget a heir.
Within the dargah lies a mosque, built by the Mughal Emperor Shah Jahan. Like all of Shah Jahan's buildings, the mosque too, is an architectural marvel - a magnificent building in white marble with a long and narrow courtyard for the faithful to pray in, richly embellished with ornate calligraphic inscriptions, delicate carvings and detailed trellis work
In the centre of the compound lies the actual mazaar, or grave, which is the focus of all the attention. Around it is a golden railing donated by Emperor Jahangir and atop it a couple of kilos of gold. The jewelled mazaar, covered with gold cloth, is protected by railings and partially covered with a marble screen . A great dome swells gracefully above. The walls are panelled with velvet curtains, including one from Mecca. Inside the atmosphere is hushed and reverant. Prayers are said constantly and the interiors are covered with rose petals. The daughter of Shah Jahan had built a prayer room in the Dargah for the women devotees. The premises of the Dargah also has the tomb of Bhishti, tomb of Saint's daughter-Bibi Hafiz Jama, tomb of Shah Jahan's daughter Chimni Begum. In the courtyard are two huge cauldrons with capacity of 2240 kg and 4480 kg. Gifted by emperor Akbar, these cauldrons are used on special occasions when 'Kheer' and other delicacies are cooked in them and distributed among the pilgrims. During the urs festival the khadims ( caretakers) even put on boots and leap into the hot cauldrons to ladle food out from the bottom.
The entrance doors are opened each day at specific hours by the Khadims. The entrance is beautifully decorated with gold and enamel work, as well as Belgian crystal chandeliers (lights and lamps have traditionally appeared at Sufi tombs, perhaps to convey the image of the saint as illuminating people). Clocks are another regular feature of mosques and Sufi tombs--in part to help the faithful keep track of prayer times.
In this reverent and intensely spiritual atmosphere groups of traditional musicians sing the qawwal throughout the day and their singing enhances this devotional ambiance.
On the foot of a barren hill stands the dargah sharif, a saint's marble domed mausoleum and India's most important shrine for the Muslims. The saint Hazrat Mu'inuddin Chishti was a Persian and a missionary of Islam who with his piety, charisma, blessings, and service changed the ways of this land. The Khwaja established the Chishtia order of 'fakirs' in India and was also known as 'Gharib Nawaz' (protector of the poor). The mortal remains of this highly revered Sufi saint Khwaja Moin-ud-din Chishti lie buried in this tomb and attract believers from every faith. The shrine receives an endless flow of visitors of all religions, the sick, the troubled and the childless come here in hoardes, seeking a boon, a blessing or just peace of mind. The central assumption is that the saint is still conscious and attentive, and can confer blessings upon people, by acting as a channel for God's grace. Legend has it that the Mughal emperor, Akbar came here to be blessed by the saint and beget a heir.
Within the dargah lies a mosque, built by the Mughal Emperor Shah Jahan. Like all of Shah Jahan's buildings, the mosque too, is an architectural marvel - a magnificent building in white marble with a long and narrow courtyard for the faithful to pray in, richly embellished with ornate calligraphic inscriptions, delicate carvings and detailed trellis work
In the centre of the compound lies the actual mazaar, or grave, which is the focus of all the attention. Around it is a golden railing donated by Emperor Jahangir and atop it a couple of kilos of gold. The jewelled mazaar, covered with gold cloth, is protected by railings and partially covered with a marble screen . A great dome swells gracefully above. The walls are panelled with velvet curtains, including one from Mecca. Inside the atmosphere is hushed and reverant. Prayers are said constantly and the interiors are covered with rose petals. The daughter of Shah Jahan had built a prayer room in the Dargah for the women devotees. The premises of the Dargah also has the tomb of Bhishti, tomb of Saint's daughter-Bibi Hafiz Jama, tomb of Shah Jahan's daughter Chimni Begum. In the courtyard are two huge cauldrons with capacity of 2240 kg and 4480 kg. Gifted by emperor Akbar, these cauldrons are used on special occasions when 'Kheer' and other delicacies are cooked in them and distributed among the pilgrims. During the urs festival the khadims ( caretakers) even put on boots and leap into the hot cauldrons to ladle food out from the bottom.
The entrance doors are opened each day at specific hours by the Khadims. The entrance is beautifully decorated with gold and enamel work, as well as Belgian crystal chandeliers (lights and lamps have traditionally appeared at Sufi tombs, perhaps to convey the image of the saint as illuminating people). Clocks are another regular feature of mosques and Sufi tombs--in part to help the faithful keep track of prayer times.
In this reverent and intensely spiritual atmosphere groups of traditional musicians sing the qawwal throughout the day and their singing enhances this devotional ambiance.
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