I am moving to WordPress from my blog on Opera, in keeping with my sporadic adoption of new blogging platforms. Over the past 7 years, I have housed my blogs on:
I look forward now to seeing what delights, challenges, innovations, and hiccups WordPress has to offer, and will stay there for at least 6 months, come hell or high water, and possibly longer if this proves to be “the one”…kinda like any relationship: you give it your very best, plus a little.
Over the course of the next couple of months (until end of the year), I will be interspersing new posts there with “oldies but goodies” from previous years' bloggings. I hope you will (a) enjoy my new online home, (b) subscribe via RSS, and (c) tell your friends!
Adrianne Duncan’s LA Modern Jazz Series presented its latest concert at the Whitefire Theatre last night, and the intimate space thrummed with the eloquent compositions of the William Galison Quintet. I admit I wasn’t a big fan of the first tune, but when pianist Otmaro Ruiz played the opening bars to the 2nd tune, “New Samba”, I was hooked, and the rest of the audience was right with me. This was an infectious groove, written over 20 years ago by Galison, yet - as is the hallmark of any classic – as up-to-date and timely as one could wish.
The next piece, “Body and Soul”, was an exquisitely sad and longing rendition of the famed jazz standard: Galison controlled the delivery so well, some members of the audience were actually crying at the quiet end. Quite the accomplishment, to reduce your listeners to tears by your third tune!
Another famous piece, “Just Friends” followed that, switching the tempo up and delivering fun, fun, fun. The quintet sounded like a group that had been playing for more than 20 years, reuniting for a feisty jam session. It should be noted that Mr. Galison barely knew his fellow musicians, and many of the tunes performed last night were played by that quintet for the very first time together: an extraordinary demonstration of the sensitivity, communication, and openness required by truly talented live performers.
I had no idea that there are so many different different types of harmonica, each producing a distinct sound, suited to a particular genre of music (I lost count at 14, sitting at Galison’s feet, or waiting on the stool next to him) For “Whitefire Blues” (premiered here, and therefore named so), he used a small blues harmonica to deliver a solo that felt like going to a Baptist revival. The fervor was intoxicating, and I truly thought we had reached an early pinnacle to the evening’s entertainment. Then Otmaro Ruiz casually (seemingly) whipped his arse with a virtuoso solo of his own. The solos at this concert were thrillingly served up, one more impressive than the last.
After a short break, the quintet returned to play several more tunes, and this time I decided to see if my mobile phone video camera, which I had no idea how to use, would be able to capture a little of the magic.
I finally got it working halfway through Ruiz’s beautiful piano solo from “My Romance”:
This was followed by another Galison original, “Lucky's Wedding” (Here is Galison in one of his two solos during the piece):
Galison next enthralled us with a rendition of Toots Thielemans’ (his mentor) hit single, “Bluesette”:
He then switched to a great guitar original, showcasing his versatility, before ending the concert with two blissful harmonica tunes. The first, another original, was called “Over the Moon”, followed by a blistering version of “Sweet Georgia Brown”.
The LA Modern Jazz Series has been consistently presenting artists of the highest quality, and if you live in LA and love Jazz, I urge you to take advantage of this great deal before it becomes better known, and consequently more costly!
The William Galison Quintet comprises: William Galison – harmonica, vocals, and guitar Otmaro Ruiz - piano John Tegmeyer - clarinet Greg Swiller - bass Dan Schnelle - drums
G_d forbid you should get a speeding ticket. However, in the event that you DO get a speeding ticket in the USA, here's a little offer:
A "friend of mine" recently got a speeding ticket, and they did a lot of research in to which traffic school offered the best options (shortest course, most reliable, no hidden fees, etc). They found an online traffic school, offering the lowest guaranteed price, and they were as pleased with the experience as one could possibly be, under the circumstances.
GoToTrafficSchool.com is simple, straightforward, and with no hidden fees. "My friend" paid only $13.50, including the cost of mailing the certificate of completion to the Court, which the Traffic School takes care of for you. In fact, the only *hidden* thing, which "my fiend" wishes they had known about, is the referral discount you can get from someone who has already taken the course, giving you an additional $2 off the price.
So, in case you are planning to go to Traffic School, here is the code you should enter to get yourself that $2 additional discount: X25-BM4-7KK. It's apparently good for a year, so spread the word. In this economy, every penny counts!
It's tough to say where Obama has failed to keep his pre-election promises, because some may argue that he has the full 4 years in his term to keep all those promises. That said, others will argue (see recent LGBT March on Washington, for example) that President Obama has not only failed to uphold his commitments, but that he has even gone so far as to reverse course on some campaign promises.
Many critics of the Obama administration are, in fact, claiming that this President has been thus far little more than a failure. If failure is to be measured as a desire to manifest change through consensus, I would agree. Change is sometimes something that must be realized against the majority opinion, for better or worse. Great and reviled leaders in history all shared a certain egotistical sense of the rightness of their vision, and they usually pursued that vision, despite the positions expressed by their contemporaries.
President Obama and his administration have, for the most part, erred on the side of caution and collaboration, perhaps too much so: the plodding near-prevarication related to troop deployment and escalation in the Middle East being but one example, and the development /dilution of Health Care Reform legislation being another…
So, in the spirit of eternal optimism, I felt it timely to share a list of those promises that President Obama HAS kept in this, the first year of his Presidency (in fact, only ¾ of a year). According to the St. Petersburg (Florida) Times’ “Politifact.com” web site, Barack Obama made about 500 promises during his campaign, and the newspaper has been tracking his progress in great detail, splitting the results up (with regular updates as needed) in to “No Action”, “In the Works”, “Stalled”, “Promise Kept”, “Compromise”, and “Promise Broken”.
There is a long way yet to go, but I think it merits noting that in less than a quarter of his first term, with all that was "inherited", President Obama has managed to achieve more than we might - at first blush - realize. His feet should certainly be kept to the fire, and I do not pretend to to be free of criticism or concerns, but I do wish the immature and impatient radicals on both sides of the political spectrum would exercise a modicum of decent respect for both the office and the man, neither of which deserves the filth that seems to be continually thrown their way.
"What's it really like to be a new member of the world's most powerful legislature?"
Freshman Year is a new online series, comprising webisodes, diary entries, and other content, following the experiences of two Freshman Congressmen: Congressman Jared Polis, America's first openly gay elected House Representative; and Congressman Jason Chaffetz, a conservative Republican from Utah.
Normally, I would frown upon young children parroting speeches so obviously written by their elders. Too often, these kids have no idea what they are saying, and too often the content of their speeches is the type of propaganda that undermines the advancement of enlightened thinking.
But I don’t think this is the case here:
This young gentleman speaks words that were likely written by another, but he has taken ownership of them before he pronounced them. He clearly understands the majority whereof he speaks. His words resonate with conviction and clarity, and his tone rises and falls with the emotional context of some very inspiring ideas. It merits our attention.
One of the great things about social media is that you get introduced to a wide array of content and thought leadership, pre-qualified by your own network. No need to sit through endless hours of content on YouTube or MySpace or CNN, not when “the best of…” is delivered to your virtual doorway by your ever-loving Facebook friends!
One of the worst things about social media is that you get subjected to a wide array of content and thought leadership, recirculating through your network. As your network evolves, so does its memory alter, until you are seeing your Facebook friends gasp and thrill at the “brand new” cool video piece from 2007:
I’d like to suggest that the concept of “browser cookies” be evolved at this point in our interactive history: could some smart programmer at Facebook please develop some sort of autotagging feature which – should we choose to activate it – lets us selectively screen pre-viewed content. For example, I should be able to configure the “Facebook Refresher” application to tag each video clip I watch, and screen out any future instances where that video is “shared” with me. Even better, I should be able to draft an autoreply, to be sent to the sharing party. Something along the lines of “I agree that this is a great piece of content, but just as I recommend to my friends that they check out Snopes.com before they send me chain emails about the threat of a new virus that will eat my computer from the inside out and send all my money to an elderly grandmother in Belarius, so do I suggest you check the original posting date of this video you just sent me. Did you not realize this video first found its way on to the internet when Al Gore was still sitting in his virtual Archimedian bathtub?”
Don’t get me wrong: I love being introduced to new content, new ideas, and new interesting people. Heck, I love old content, ideas and people even more. I just don’t want to sift through everything and determine what belongs in the “wow! That’s cool!” pile, or the “seen it/done it/read it” heap.
I want to simplify, and I proactively bless the engineer/programmer/geek who invents the tool that will filter out all the unwanted revisiting content in my online life (and while you’re at it, could you filter out revisiting creditors, ex-girlfriends, and overly spicy meals?)
For at least a whole generation, we have been subjected to the type of "push" branding that no longer works. Not when you calculate cost versus return. With the rapid growth of social media and interactive communications, brand and advertising agencies are scrambling to understand what their new model needs to be. Sometimes they get it right, and sometimes they fail abysmally (see my previous post).
Still, I don't think the answer has been found, or at least it has not been confirmed. Though it may not be terribly difficult to deduce. It might be as simple as "tell them a story in to which they are willing to become invested" or, in other words, make the consumer care again...:
Sometimes, an otherwise strong brand manages to prove the value of intelligent marketing strategy, by dint of its abject failure to manifest such a concept:
In between snorting rice milk out of my nose, as I watched this embarrassing/astonishing/hilarious/infuriating “home video” promoting the upcoming MSFT Windows 7 launch, I wondered whether I had made the right decision to leave my Chief Marketing position at T_____ last year, in favor of pursuing a year of non-profit volunteer work. While there is no doubt that the new leadership at the company is pursuing all the right fiscal and operational fixes, the complete and utter lack of interest in market positioning and brand strengthening is fast eroding any chance they will have of rebuilding a robust operation, short of mass cash infusion, spliting the company into smaller peices, or a hostile takeover.
What so many unwieldy brands do not seem to accept today, despite clear current and historical evidence in support of the thesis, is that a strong and clear-valued brand is a buffer and a springboard. In good times, a strong brand positions the company to spring forward past the competition, without undue additonal investment: the reputation of the brand in the client or consumer mind affords said company a measure of “credit”. During challenging periods, meanwhile, such as the one most industries are today experiencing, a strong brand serves as a security blanket, protecting the value offering for a period, while competition freezes in the cold chill of a tough economy, unprotected simply because they do not enjoy the warmth of customer loyalty.
Brands such as McDonalds and Coca-Cola, which could easily be pilloried as artery-clogging killer meats and battery-corroding acid poison, respectively, are instead still valued the world over, as marks of reliable warmth; brands we are happy to have in our home. Compare their brand and marketing investments with companies such as Wimpy Burger and RC Cola, and you realize swiftly that strong marketing equals strong market position (Wimpy was all but gone until its bargain-basement purchase by Famous Brands in 2007. Its survival now depends on – you guessed it! – a significant marketing campaign, which may still prove too late in the game. Meanwhile, RC has been fractured, and sold off to multiple stakeholders, who now bury it deep inside their portfolios, due to lackluster performance).
Instead of dumping one’s marketing budget, at the first sign of financial challenges, today’s smart corporation needs to recognize that investing in a dynamic marketing team, with innovative and cost-conscious leadership, will do far more to shore up and reverse the damage done by lost sales, than the traditional cycle of fires and hires throughout the BUs, followed by satellite business interest sell-offs, and share revaluations…companies need to stop behaving like banks (look where that got the banks!), and return to the practice of devotedly innovating valued goods and services, and communicating said value in a clear and believable fashion (minus the extremely awkward “let’s have a party” YouTube videos…)
Does your city or town have a staircase and escalator setup similar to this, somewhere within its municipality? If so, why not suggest a project like this?
A thrilling demonstration of athletics, agility, coordination, synchronicity, teamwork, rhythm, and creativity! Not the usual vacuous pom-pom infused inanity one expects from these drill teams. Imagine getting schools across the nation to have cheerleading squads and drill teams demonstrate gymnastically healthy routines, not in small groups of 8-12 snot-nosed elitists, but in large crews of synchronized athletes…
Fairly or not, the Brazilians are renowned for their party spirit...and lack of organization. The question hangs in the air for the next 6 years, therefore: "which attitude will prevail when the games open in Rio?" This site presentation below suggests the former, and I am hopeful, because there is no disputing the fact that the Cariocas know how to throw a party, and the culture is unquestionably global. Here's wishing the newest Olympic host the very best, as they begin the daunting (and some would say Sisyphus-like) task of preparing for their Olympic moment in the sun...
The National Film Festival for Talented Youth is a baby of a festival, compared to the giants of Sundance, Tribeca, and Cannes. Yet, in just a couple of years, it has managed to grow in to the world's largest and most influential Youth film festival in the world. Just last year, film submissions more than doubled, screenings also doubled, and attendance tripled!
The call for entries for the 2010 festival was launched just a week or so ago, and young filmmakers aged 22 years or younger (there is no minimum) are encouraged to submit their works for consideration.
Here is one of last year's youth films, "The Reunion of Amilia Marbleberry and Marcy Stills", made by Michael Tucker while an undergraduate at UC Santa Cruz. It stands out as proof that tomorrow's filmmakers are more than just the expected 3D-lovin', animation junky, action-addicted short-attention-span lightweights:
That said, NFFTY (as the festival is known) is filled to the gills with every type of film you can imagine: animation, music video, documentary, action adventure, drama, comedy, SciFi (or is that now supposed to be "SyFy?), Horror, and more. 3 days of fantastic film screenings, workshops, industry panels, exhibitions, showcases, and more.
This is a festival with a difference, and well worth it.
For the past 7 months or so President Obama has been consistently criticized for his "weak obeisance" to foreign governments, as he presents a diplomatic methodology and style far different from that of his predecessor. Where Bush was possessed of an almost ordained sense of the rightness and superiority of his convictions and, by perceived extension, the rightness of his nation’s position as “the most powerful country in the world”, Obama has chosen – for right or for wrong – to reposition the USA as a far more equal player on the world political stage. The USA of Obama’s administration is not the cocksure “you’re either with us or against us” motherland that Bush held up for the entire world to see, and hopefully fear. Obama is repainting the canvas upon which our nation rests, and his worldview is based upon a belief in collaboration, cooperation, mutual respect and deference.
This is where the criticism has found its footing.
How dare the President NOT blindly and passionately, nay rabidly defend his nation against any form of criticism or critique?! What sort of President chooses to allow enemies of our nation to shake his hand? Upon the conservative critical wall is painted the moniker of “traitor”, branding this upstart young semi-American President as unpatriotic and unwilling to show his nation the type of aggressive support the conservative flank expects and demands of its leader.
I find it rather telling, obvious, contradictory and sad therefore that these very same critics are jeering and cheering at President Obama’s aggressive demonstration of the very qualities they previously accused him of lacking. That he stepped forth and strongly campaigned on behalf of the US bid for Olympic hosting in 2016 can be criticized for many reasons, but it did not lack for patriotism.
This is just the latest in an ever growing collection of nonsensical guerilla warfare tactics. This sort of politic has existed since the days of George III, and before, but in this day of ubiquitous connectivity, the damage is quicker and deadlier. The citizen majority is not equipped with a self-correcting “snopes.com” filter in their brains, and so what may seem idiotic to some of us (that Obama is not rally an American, that he is a Muslim, that he is part of Al-Qaeda, that he wants to kill your grandmother…and so on) miraculously bypasses that part of the brain governing reason, and connects powerfully with the emotional cortex.
History will show, I am confident, that the attacks on Obama had nothing to do with logic, rational opinions, or reasoned counterpoints. It has always been about fear, ignorance, and bigotry. My fear, however, is that history may record also some terrible consequences to these irrational and unpredictable motivators. I grow more afraid, on a daily basis, at the mounting loss of calming influence our political system has over those who simply can no longer differentiate between rhetoric and riots. We may well point the finger of accusation at the oratorical firebrands of the right wing, and hold the conservative fire starters accountable for their irresponsible incitements, but what good will that do, if the damage done is the kind of damage that cannot be undone?
I pray that someone realizes what is going on before it is indeed too late. I pray, because I find there is little else I can do.
I recently reviewed my Facebook friend list and was struck by several facts:
I am thrilled by the number of good friends I have.
I am thrilled by the number of friends I have, who also use Facebook, permitting me to keep in touch with them in a creative and interactive fashion.
I am thrilled by the several new FB friends I have made, who are slowly but surely becoming "real world" friends, too.
I am curious about the few complete strangers who, polite and courteous as they may be, have not clarified why they wanted to "friend" me in the first place.
I have decided to no longer accept friend requests from anyone but already existing friends or family.
With respect to the last point, I made this decision when I realized that Facebook has been lately morphing into an online meeting zone, akin to Second Life and Match.com, and that was not the sort of social network I want to be a part of.
I am a big fan of Facebook, privacy concerns aside. I find it to be an eminently useful tool for keeping in touch with, and getting back in touch with, my friends around the world - whether they are family, old school friends, or business associates with whom I enjoy working an brainstorming.
What I want to avoid, however, is becoming that FB user with 2,000 "friends". Apart from the fact that I would be overwhelmed by the info stream, it would not be long before I made some comment on some wall, which would be deemed quite appropriate amongst my friends, but wholly offensive in public society! I did spend my formative years in England, after all, and despite our charming accents and bow ties, we are a truly inept culture when it comes to political correctness (see? Right there I've offended every British "friend" in my network!).
That said, I’d hate to miss an opportunity to make new friends, so perhaps the service’s next update should include Dante-inspired “circles of Facebookness”: The outer circles, with limited profile access, would be reserved for people whom we have met exclusively via Facebook; the next circle of friendship would be reserved for casual acquaintances and business networks; and the inner circle would be reserved for pre-existing and pre-qualified “real world” friends. Our FB friend’s “circle” status would not be available to them, but it would enable us to more efficiently manage our use of the service.
I believe there are certain settings on Facebook that allow us to emulate an approximation of this dynamic, but not on an ongoing and default basis. I believe this system should be implemented right away, so I can retake that great Friend Facts quiz, and get a pie chart showing me the ratio of close friends to "other" friends that I have!
The alternative, after all, would be to have to go out and find friends in the real world, and that’s too much like work…
NFFTY (National Film Festival for Talented Youth), the largest youth film festival in the US, is the first film festival in the world to use a groundbreaking film festival submission and selection system, built by San Francisco based Indee.tv.
The system allows the entire film submission process to be paperless, including completion of online entry forms and most importantly, a secure high quality Internet upload of films for festival review and judging. For those filmmakers who are unable to upload a digital file of their film, they can still mail in a DVD to Indee.tv and Indee.tv captures and uploads their film to the festival server, allowing every film submitted to the festival to be privately viewable and judged online by festival staff and jury members.
Jesse Harris, NFFTY Executive Director, developed the submission system concept with Indee.tv. “You wouldn’t believe how much waste happens with the whole film submission process – hundreds of DVDs, mailing envelopes, and paper usually have to be sorted through and distributed out to our screening judges, and then eventually thrown away”, said Harris, “What this new system lets us do is have judges, from anywhere in the world, log in and watch the films that have been submitted and then immediately submit their recommendations; this provides the festival with rich, real-time analytics of the submissions and the judging process. Plus, it saves the filmmakers the hassle of making a DVD, shipping it off to us, and then wondering if we got it OK. NFFTY is a carbon neutral film festival and has always been a leader in promoting environmental awareness through our own actions. This is a great achievement for us.”
Indee.tv currently provides an online film distribution platform with a rich social network for filmmakers. But they saw an opportunity to help film festivals with the submission and curating process. “Film festivals are the right place for us to begin our outreach to filmmakers”, said Sharan Reddy, CEO & Founder of Indee.tv, “This was so wonderful since we worked directly with NFFTY to build a submission system that was perfect for their film festival. I think this first hand festival knowledge NFFTY brought has enabled us to design a system that will work well for any festival, big or small.”
Currently NFFTY is the only film festival using the system, but Indee.tv plans to start offering the system to other festivals in 2010.
NFFTY’s call for entries is now open, accepting films from any filmmakers 22 and younger from around the world. Filmmakers can submit their film at: http://www.nffty.org
About The National Film Festival for Talented Youth (NFFTY) NFFTY (National Film Festival for Talented Youth) was founded in 2007 with the goal of becoming the largest and most influential film festival and support organization for filmmakers 22 and under. NFFTY occurs annually each spring in Seattle, Washington and includes 100+ film screenings, filmmaking workshops, concerts by youth bands, and opportunities for young filmmakers to network with industry professionals and each other. NFFTY is a core program of The Talented Youth, a non-profit arts organization.
About Indee.tv Indee.tv is an online film distribution platform with a rich social network, valuable filmmaker tools and comprehensive analytics that can help augment filmmakers connection with their audience and is accessible at http://www.indee.tv .