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Posts tagged with "电影"

Being an apprentice on the job hunting journey

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Finally finished Nestlé’s open questions after two days utmost effort, what a torture indeed! It is a pretty good chance to practice my written English, but what confused me most is that I am not sure whether my resume and answers will be screened by HR, for there are too many applications, it’s not surprised if my resume is dumped without a single glance. Even SJTU ( a so-called famous university in China)graduates are facing such embarrassed situation, not mentioned other university graduates. There was a Tang poem has said:”We are but wanders at the Ends of the Earth, why should we are acquaintances then? ”(同是天涯沦落人,相逢何必曾相识) .Yes, we are born in a competitive time, maybe the only thing we can do is sigh together to console our disappointing souls. Whom we graduates can blame? --Our horribly large population or invalid higher-education system? I don’t mean to criticize on politics or current system, this is far beyond my ability, and frankly speaking, not every one of us can change the rules which have operated for so many years. Just like LuXun once said, true fighters dare face the sorrows of humanity, and look unflinchingly at bloodshed, so lay aside all the useless complaints, let’s face the cruel fact and find the essence of the world together.(quoted from Orochimaru said to Kimimaro in one episode of Naruto,haha,a wicked smile appeared on my face….don’t pinch me then^_^:D ).

I think the job hunting process can make a graduate grow quickly. After failures followed one by another, you will experience the feeling of falling down. From a high self expectation to realistic self evaluation, you finally find your own place in the boundless sea. It is suffering for most of us, on one is born to be a king of face interview (Chinglish again, forgive me, faint…:insane: ), Maybe the most valuable thing we own is the accumulated experience in failures, and we should draw our lessons from this painful purgatory, so keep on your faith, hold on your optimistic attitude, you will get what you dream of eventually, plus, the crucial factor in job hunting is your English must very excellent, so exercise it right now! This won’t change until our country become the most powerful one in the world, hence I have a dream, one day ,every foreigner student who want to study in China should take TOCFL(test of Chinese as a Foreign Language, hehe……).This is my stroke back~~~~

Today I sneak out of those weird applications and OQs to see my dear blog, it is really a long time since my last post, now I feel a little relieved, ok, time to stop. Just dedicated this short passage to my job hunting journey, and hope I can get a great offer by the end of the year. Bless all the graduates in 2007!



憋死我了,终于可以说中文了,好了,我也不管什么辱没斯文了,想说就说,这些外企干吗一个一个的要人回答那些变态的开放性问题啊,搞得我们求职的一个个呕心沥血地在那边磨字,唉,都怪当时英语没写好,现在写点英文搞地比生孩子还难,更不用谈什么文风了,表达清楚就已经算得分了!还是偶们伟大的汉语好啊!!!!我要尽情地用母语去说去骂,恣意人生,快意恩仇,唯汉语可道也,^_^~!为了弥补这两天的汉语缺乏症,我决定好好看点小说了,嘿嘿,这不算不务正业吧,忙里偷闲,人生一大乐事!

还有个小插曲,前天上四川北路买了套职业女装,穿出来是要多cool有多cool,要多挺有多挺,可惜就是价格不菲(我的心在淌血啊,滴嗒滴滴嗒滴滴嗒滴…)忒英姿飒爽了些,缺了点女人味,难道这从另外一个侧面反映出外企就是不把女人当女人???也罢也罢,这种东西还得苦练内功啊,姑且修炼修炼本姑娘的举手投足吧,转型也不是一朝一夕之事也,想当年赵武灵王胡服骑射,还不是师夷长技以制夷,偶们成长在新世纪的少年们也该有这点胸襟和远见吧,暂且忍了先……

影音推荐:樱桃小丸子的真人版,喜欢死那个演小丸子的小姑娘(森迫永依饰,200少女个童星里面海选出来的), 超级卡瓦伊,依稀看到了当年偶的影子……又在自恋了,不过你看看,是不是很鬼灵精怪的感觉??亮点啊亮点啊,估计某人看了又要犯lolita情结了,哈哈~bye
全家福 偶觉得爷爷太年轻了,爸爸太猥琐了,妈妈太凶了点,姐姐倒是个小美女:)
小丸子和小玉
三年二班唯一的帥哥花轮 “hey baby...."

《美国往事》的两个隐含情节

在家的时候,把〈美国往事〉的碟又找出来细细看了一遍,发现了以前没有注意的两个情节,算是导演埋下的伏笔吧,将其记录在此,希望有同样喜欢这部电影的人能够看到。

1、关键词:水牛城 buffalo city
影片前半部分,noodles在三个同伴死去遭人追杀时,到了火车站买了随机的最早一班火车票,目的地是水牛城;看到影片中部的时候,看到他们小时候,挣到帮派第一桶金,去那个银行存箱子的时候,背景音是广播火车时刻,很清晰地听到在播的是buffalo city......

2、关键词:26
noodles出狱的时候,max开了辆灵车去接他,车里有一个裸女,是max安排陪noodles睡觉而准备的,而noodles上车时,max却故意骗他说这是一具死尸“多么美丽啊,才26岁就死了......"后来有个镜头,noodles去看他那三个朋友的墓碑时,生卒年很清楚地表明除max以外都是26岁就身亡了。

重看电影,虽然发现了这两个伏笔,但是给我最大感触的不仅是导演的深藏不露,还有一种最深切的大彻大悟,一开始看不懂的疑问都得到了解答,比如max怎样一步步安排noodles去打了那个电话,并让他下半辈子活在歉疚中的,里面很多镜头都表达的很清楚,可是第一次看的时候,可能因为不那么细心就错过了。实际上导演已经将max一步步筹划地过程尽量不露痕迹地表达得很清楚了。

另外一个新发现,一开始就觉得max对noodles得感情有点不正常,他要么是喜欢noodles,近似于bl,要么就是觉得noodles是自己心目中男性力量的化身,是他无法到达的高度,因此对他又爱又恨,第二次看更加深了我这种感觉,证据如下:

每当noodles跟女人在一起的时候,max总是流露嫉妒的神色,比如noodles和Deborah,以及noodles跟peggy第一次做爱的时候,甚至连noodle在强奸carol的时候,他的脸色都是那么阴沉;

个人浅见:max的性功能可能有问题,少年时期他和noodles在Deborah家被另外一个帮派报复毒打的时候,很明显的看到他的下身受到了很大伤害,跟peggy做爱的时候,也很长时间进不了状态,而凡是跟noodles有关系的女人,他都要染指甚至夺走,peggy是这样,carol是这样,noodles最爱的Deborah最后也成了他的妻子。

还有noodles为了替死去小兄弟报仇,像疯子一般将刀捅向凶手和抓他的警察,那时候max脸上流露的是惊讶和羡慕,他无法为了友情而豁出自己,因为他有野心,不像noodles把友情高于一切而奋不顾身,这点他永远做不到,因此相比noodles,他是自惭形秽的。

对noodles而言,触动他最深的两件事情就是那个小弟临死时,只是说了一句:“i slip(我滑倒了).....”这句让他在下半生都为了兄弟而愿意付出一切,而另外一个他最在乎的人就是Deborah,很多人不能理解他为什么强奸了她,并认为粉碎了所有的美好,而我认为,其实真正被伤害的是noodles本人,如果你是个有经历的男人的话,一定能明白当自己最爱的女人离开自己的时候那种感觉,他的行为我认为是可以理解,出于本性的。

一句话,《美国往事》是部深刻的片子阿,值得好好咀嚼~~~前提是你得有一定的生活经历。

PS:佩服那时制作电影的精致,所有小演员与长大后的成年演员都很相象,气质超级符合,不妨留意一下。

最难忘还是他们年幼时的这张合影
还是童年
那次被打让他们建立了友情
那个性命攸关的电话是noodles背负的命运的十字架

最经典的场景

搏击俱乐部电影及原著台词

引自"http://www.quotegarden.com/bk-fc.html"
非常喜欢的一部电影~
Quotations from the movie Fight Club, 1999
screenplay by Jim Uhls, directed by David Fincher



When you have insomnia, you're never really asleep, and you're never really awake. ~Fight Club movie, screenplay by Jim Uhls, directed by David Fincher, novel by Chuck Palahniuk


The things you own end up owning you. It's only after you lose everything that you're free to do anything. ~Fight Club movie, screenplay by Jim Uhls, directed by David Fincher, novel by Chuck Palahniuk


Fuck Martha Stewart. Martha's polishing the brass on the Titanic; it's all going down, man. ~Fight Club movie, screenplay by Jim Uhls, directed by David Fincher, novel by Chuck Palahniuk


I say never be complete. I say stop being perfect. I say let's evolve. Let the chips fall where they may. ~Fight Club movie, screenplay by Jim Uhls, directed by David Fincher, novel by Chuck Palahniuk


How much can you know about yourself if you've never been in a fight? ~Fight Club movie, screenplay by Jim Uhls, directed by David Fincher, novel by Chuck Palahniuk


Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need. ~Fight Club movie, screenplay by Jim Uhls, directed by David Fincher, novel by Chuck Palahniuk


We're the middle children of history.... no purpose or place. We have no Great War, no Great Depression. Our great war is a spiritual war. Our great depression is our lives. ~Fight Club movie, screenplay by Jim Uhls, directed by David Fincher, novel by Chuck Palahniuk


You're not your job. You're not how much money you have in the bank. You're not the car you drive. You're not the contents of your wallet. You're not your fucking khakis. You're the all-singing, all-dancing crap of the world. ~Fight Club movie, screenplay by Jim Uhls, directed by David Fincher, novel by Chuck Palahniuk


No fear. No distractions. The ability to let that which does not matter truly slide. ~Fight Club movie, screenplay by Jim Uhls, directed by David Fincher, novel by Chuck Palahniuk




Quotations from Fight Club
by Chuck Palahniuk, 1996


“When the fight begins within
himself, a man's worth something.”
- Robert Browning, 1855 -



On a large enough time line, the survival rate for everyone will drop to zero. ~Chuck Palahniuk, Fight Club, Chapter 2


This was freedom. Losing all hope was freedom. ~Chuck Palahniuk, Fight Club, Chapter 2


This is your life, and it's ending one minute at a time. ~Chuck Palahniuk, Fight Club, Chapter 3


If I could wake up in a different place, at a different time, could I wake up as a different person? ~Chuck Palahniuk, Fight Club, Chapter 3


One minute was enough, Tyler said, a person had to work hard for it, but a minute of perfection was worth the effort. A moment was the most you could ever expect from perfection. ~Chuck Palahniuk, Fight Club, Chapter 3


And I wasn't the only slave to my nesting instinct. The people I know who used to sit in the bathroom with pornography, now they sit in the bathroom with their IKEA furniture catalogue. ~Chuck Palahniuk, Fight Club, Chapter 5


You buy furniture. You tell yourself, this is the last sofa I will ever need in my life. Buy the sofa, then for a couple years you're satisfied that no matter what goes wrong, at least you've got your sofa issue handled. Then the right set of dishes. Then the perfect bed. The drapes. The rug. Then you're trapped in your lovely nest, and the things you used to own, now they own you. ~Chuck Palahniuk, Fight Club, Chapter 5


"If you don't know what you want," the doorman said, "you end up with a lot you don't." ~Chuck Palahniuk, Fight Club, Chapter 5


May I never be complete. May I never be content. May I never be perfect. Deliver me, Tyler, from being perfect and complete. ~Chuck Palahniuk, Fight Club, Chapter 5


I just don't want to die without a few scars. ~Chuck Palahniuk, Fight Club, Chapter 6


After a night in fight club, everything in the real world gets the volume turned down. Nothing can piss you off. Your word is law, and if other people break that law or question you, even that doesn't piss you off. ~Chuck Palahniuk, Fight Club, Chapter 6


It used to be enough that when I came home angry and knowing that my life wasn't toeing my five-year plan, I could clean my condominium or detail my car. Someday I'd be dead without a scar and there would be a really nice condo and car. ~Chuck Palahniuk, Fight Club, Chapter 6


Maybe self-improvement isn't the answer.... Maybe self-destruction is the answer. ~Chuck Palahniuk, Fight Club, Chapter 6


The gyms you go to are crowded with guys trying to look like men, as if being a man means looking the way a sculptor or an art director says. ~Chuck Palahniuk, Fight Club, Chapter 6


You aren't alive anywhere like you're alive at fight club.... Fight club isn't about winning or losing fights. Fight club isn't about words. You see a guy come to fight club for the first time, and his ass is a loaf of white bread. You see this same guy here six months later, and he looks carved out of wood. This guy trusts himself to handle anything. There's grunting and noise at fight club like at the gym, but fight club isn't about looking good. There's hysterical shouting in tongues like at church, and when you wake up Sunday afternoon you feel saved. ~Chuck Palahniuk, Fight Club, Chapter 6


At the time, my life just seemed too complete, and maybe we have to break everything to make something better out of ourselves. ~Chuck Palahniuk, Fight Club, Chapter 6


Nothing was solved when the fight was over, but nothing mattered. ~Chuck Palahniuk, Fight Club, Chapter 6


"It's only after you've lost everything," Tyler says, "that you're free to do anything." ~Chuck Palahniuk, Fight Club, Chapter 8


By this time next week, each guy on the Assault Committee has to pick a fight where he won't come out a hero. And not in fight club. This is harder than it sounds. A man on the street will do anything not to fight. The idea is to take some Joe on the street who's never been in a fight and recruit him. Let him experience winning for the first time in his life. Get him to explode. Give him permission to beat the crap out of you. You can take it. If you win, you screwed up. "What we have to do, people," Tyler told the committee, "is remind these guys what kind of power they still have." ~Chuck Palahniuk, Fight Club, Chapter 16


For thousands of years, human beings had screwed up and trashed and crapped on this planet, and now history expected me to clean up after everyone. I have to wash out and flatten my soup cans. And account for every drop of used motor oil. And I have to foot the bill for nuclear waste and buried gasoline tanks and landfilled toxic sludge dumped a generation before I was born. ~Chuck Palahniuk, Fight Club, Chapter 16


I wanted to burn the Louvre. I'd do the Elgin Marbles with a sledgehammer and wipe my ass with the Mona Lisa. This is my world, now. This is my world, my world, and those ancient people are dead. ~Chuck Palahniuk, Fight Club, Chapter 16


We wanted to blast the world free of history.... picture yourself planting radishes and seed potatoes on the fifteenth green of a forgotten golf course. You'll hunt elk through the damp canyon forests around the ruins of Rockefeller Center, and dig clams next to the skeleton of the Space Needle leaning at a forty-five degree angle. We'll paint the skyscrapers with huge totem faces and goblin tikis, and every evening what's left of mankind will retreat to empty zoos and lock itself in cages as protection against the bears and big cats and wolves that pace and watch us from outside the cage bars at night. ~Chuck Palahniuk, Fight Club, Chapter 16


"Recycling and speed limits are bullshit," Tyler said. "They're like someone who quits smoking on his deathbed." ~Chuck Palahniuk, Fight Club, Chapter 16


"Imagine," Tyler said, "stalking elk past department store windows and stinking racks of beautiful rotting dresses and tuxedos on hangers; you'll wear leather clothes that will last you the rest of your life, and you'll climb the wrist-thick kudzu vines that wrap the Sears Tower. Jack and the beanstalk, you'll climb up through the dripping forest canopy and the air will be so clean you'll see tiny figures pounding corn and laying strips of venison to dry in the empty car pool lane of an abandoned superhighway stretching eight-lanes-wide and August-hot for a thousand miles." ~Chuck Palahniuk, Fight Club, Chapter 16


You are not a beautiful and unique snowflake. You are the same decaying organic matter as everyone else, and we are all part of the same compost pile. ~Chuck Palahniuk, Fight Club, Chapter 17


...you're not how much money you've got in the bank. You're not your job. You're not your family, and you're not who you tell yourself.... You're not your name.... You're not your problems.... You're not your age.... You are not your hopes. ~Chuck Palahniuk, Fight Club, Chapter 18


I see the strongest and the smartest men who have ever lived... and these men are pumping gas and waiting tables. ~Chuck Palahniuk, Fight Club, Chapter 19


All a gun does is focus an explosion in one direction. You have a class of young strong men and women, and they want to give their lives to something. Advertising has these people chasing cars and clothes they don't need. Generations have been working in jobs they hate, just so they can buy what they don't really need. ~Chuck Palahniuk, Fight Club, Chapter 19


We don't have a great war in our generation, or a great depression, but we do, we have a great war of the spirit. We have a great revolution against the culture. The great depression is our lives. We have a spiritual depression. ~Chuck Palahniuk, Fight Club, Chapter 19


We have to show these men and women freedom by enslaving them, and show them courage by frightening them. ~Chuck Palahniuk, Fight Club, Chapter 19


I am the all-singing, all-dancing crap of this world.... I am the toxic waste by-product of God's creation. ~Chuck Palahniuk, Fight Club, Chapter 23


...when deep-space exploitation ramps up, it will probably be the megatonic corporations that discover all the new planets and map them. The IBM Stellar Sphere. The Philip Morris Galaxy. Planet Denny's. Every planet will take on the corporate identity of whoever rapes it first. Budweiser World. ~Chuck Palahniuk, Fight Club, Chapter 23


Only in death are we no longer part of Project Mayhem. ~Chuck Palahniuk, Fight Club, Chapter 28


I've met God across his long walnut desk with his diplomas hanging on the wall behind him, and God asks me, "Why?" Why did I cause so much pain? Didn't I realize that each of us is a sacred, unique snowflake of special unique specialness? Can't I see how we're all manifestations of love? I look at God behind his desk, taking notes on a pad, but God's got this all wrong. We are not special. We are not crap or trash, either. We just are. We just are, and what happens just happens. And God says, "No, that's not right." Yeah. Well. Whatever. You can't teach God anything. ~Chuck Palahniuk, Fight Club, Chapter 30

Last words for Max,by Noodles in once upon a time in America 美国往事

"You see, Mr secretory, I have a story also, but a little simple than yours. Many years ago I had a friend, a dear friend. I turned him in to save his life, what he was killed. But he wanted it that way. It’s great frendship. Went bad for him, went bad for me too. Good night, Mr Bailey. "
——Noodles

比尔·莫瑞——一个有魅力的老男人和他的电影

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比尔·莫瑞,此人声名不绝于耳,可惜在半年以前我却从没看过他出演的电影。原因很简单,看到长成这样的男人,一副郁闷到底的衰样,嘴角老是别扭地往下拉,眼神一副既颓废又无奈还无所在乎的样子,这眼神如果放在一个摇滚帅哥身上,我尚且觉得是一种cool,一种看透世事的淡然;可惜他既不帅,身材也没见得怎么好,总给人一种被生活磨得又油又老,但又对一切保持动物欲望的中年男子形象,可是这种形象和杰克·尼科尔森的那种又很不同,尼科尔森是老得也张扬的花花公子,而此男人则是很闷很闷的小老头,整个脸上所有的皱纹怎么看怎么透着“无聊”二字。很自然的,产生第一反应:he is not my taste,his movie is not fit for my age。


如果不是男友非要强迫我看《土拨鼠之日》,想必我现在还是一直在回避着他的电影。今年寒假的百无聊赖,让我接受了男友的推荐,开始看这部被我拒绝了数次的老片子。一个天气预报员,每年都要去一个小镇上报道土拨鼠节,那里的人指望从土拨鼠身上看出一年的气候。在比尔莫瑞扮演的天气预报员眼里,生活早就无聊透顶了,工作更是让无聊变得更无趣而已。在满心不原意的情况下,他和漂亮的女节目制作和摄像二人来到了这个小镇。不知是不是他对土拨鼠的不敬,让自己被诅咒,在漫不经心耍大牌的一天度过后,他满心以为可以离开这个无聊的小镇,却没想到生活自此开始了循环,从此每天早晨他都听着同样的广播节目醒来,在一开始烦躁不安中,他开始适应了这日复一日的生活,甚至开始享受其中的乐趣。从一开始泡每天都见到的马子(反正第二天又会重复,她也会忘记前一天和谁春宵共度),满足自己的低级趣味;到开始惩前毖后,治病救人(反正他对这一天什么时候发生车祸了如指掌);再到对这个死循环看不到希望,尝试了多种自杀方式(反正第二天他又好端端地在自己床上起来);最后,直到他开始精心策划用每天时间了解那漂亮的女制作,才明白真心对人,热爱生活,不冷漠不自私才能得到内心的平静和渴望的爱情,自此,这日复一日的诅咒也至此终结。


这部电影从整体上看来是轻松谐趣的,尽管有黑色幽默的感觉,这个循环却没有被拍的很灰暗,常常令我们捧腹大笑。其实,这个日复一日的循环,智慧的米兰·昆德拉早在《生命中不可承受之轻》开篇设想过

:"如果我们生命的每一秒钟都有无数次的重复,我们就会象耶稣钉于十字架,被钉死在永恒上。这个前景是可怕的。在那永劫回归的世界里,无法承受的责任重荷,沉沉压着我们的每一个行动,这就是尼采说永劫回归观是最沉重的负担的原因吧。
  如果永劫回归是最沉重的负担,那么我们的生活就能以其全部辉煌的轻松,来与之抗衡。"



比尔·莫瑞在影片上是可怜的,可悲的,又是势利的,冷漠的,同时自己又是痛苦的,沉重的,失落的。直到他在永劫回复中找到了该如何用真诚的态度面对生活,面对爱情。

从此我记住了比尔·默瑞。

今年的新片《天气预报员》是同样题材之作,同样的郁闷之气扑面而来,尼古拉斯·凯奇的表演相较比尔莫瑞有师承之痕迹,但是他那漫不经心毫不在乎的冷漠态度却比不上莫瑞,尽管他也有张郁闷至极的苦瓜脸。






看《破碎之花》则完全是出于男友对比尔·莫瑞的喜爱,在我们为了打发在宝山的无聊时光而在音像店流连往返时,他在一大堆光怪陆离的大片鬼片色情片暴力片中,找到了这盘碟。一个人到中年的男人,独自一人住着超大的房子,解释女友的离去也只解释为“she just left”,自己是搞高科技的却从来不碰电脑,整天听着凄凄惨惨的音乐,活了大半辈子没结过婚也没有子女,虽然自己浪荡了大半生,相比较邻居家的人丁兴旺和热闹,真的是孤家寡人一个。某日,忽然接到一封粉红色的信笺,其中称他曾经的女友瞒着他生了一个他的孩子,孩子已经长大,现在离家出走,有可能会来找他,特此提醒。尽管他自己觉得是个玩笑,却禁不住有侦探梦想的邻居的怂恿,在他帮忙制作的地图和路线行程,开始飞遍了大半个美国,拜访那段时间交往过的5个女友(其中一个已经故去……)

看到这个题材,一开始我就很兴奋,以为是个故事性悬疑性很强的片子,一定会有个结果——谁是孩子的妈妈真相大白的。结果到最后字幕亮起的时候,我才恍然大悟:就这样结束了!孩子也没找到,那些女人也早已经物是人非。

每个人生命中都有无数过客,有的驻足的时间长点,有的则是一闪而去。如果没有这样一封陌生女人的来信,很少有人能有时间和精力好好怀恋自己生命中曾经分享最亲密关系的那些“过客”们。而比尔·莫瑞却踏上了这样一个寻访之旅。结果让他无所适从,5个女人,在告别自己后变化得那么巨大,甚至让自己无法辨认,然而这些变化中是否有自己当年的错呢??

主人公从飞机,到公路旅行,走走停停,重新介入自己已经放弃过的别人的现在生活,无奈,叹息,仿佛能感觉到时间的流逝和人事的变化。

郁闷的启程,郁闷的结束。没有孩子,只有在那个已经故去的曾经女友墓地上,献上一束粉红色的玫瑰,也许你能听得见我心破碎的声音……

比尔·莫瑞在这部电影里,比《土拨鼠之日》里面苍老了许多,形象更加衰了,白发,皱纹,但是却拥有吸引小女孩的男人魅力。同样不变的,还有那郁闷的心情。不是每个男人都有机会和时间去回顾自己曾经的过去,曾经的她,比尔·莫瑞代替他们做了一次,然而所见确是那样令人失望。

《土拨鼠之日》至少还有个阳光的尾巴,而《破碎之花》确是彻头彻尾的苍凉。

在电影里,比尔·莫瑞一次又一次地为那些走过荒唐岁月的男人们郁闷着,简直成了形象代言人,但即便如此,魅力依旧不可抵挡。

于是有了oscar大叔也青睐的《迷失东京》,难道他演出了所有危机中男人们的心声?


曾经,这个男人是个喜剧演员……
也这么英俊过(受不了了,大叔以前是很帅嘛!)
开始用不同的眼光看男友了,既然能欣赏比尔·莫瑞德电影,说明其心灵深处肯定有某点被他触动了吧??
January 2010
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