der Wandersmann's occasional thoughts and pics

August 23, '08

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It appears we no longer can PM one another, so ...

... please don't PM me at all. Opera has decided to try to control my life one step too far. If you need to get in touch, e-mail me at my regular e-mail, and I will do the same. I already have more e-mail accounts than I have any use for, and see no reason to acquire another.
Otherwise, leave a message in the appropriate "Comments" box in my blogs.
Thanks ...
der Wandersmann

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Friendship Policy

I've been getting lots of "Friends" requests of late ... not those that I've mentioned before, that are obviously "phishing" messages, but requests from people with absolutely no reason to want to be my friend ... and with no obvious reason for me to want to be theirs.
So, in order for me to avoid the trouble of "ignoring" or "blocking" these people, I have decided to post this, my "Friendship Policy":
No Photos, no Blog, no Profile ... NO THANKS!
Save you and me the trouble and don't bother to ask. No hard feelings.

I'm calling this post "For Antonietta", because she asked ...

... and I should warn you, it might get a little long and boring.
It's about firearms, specifically mine, or (especially in the beginning) those which have been mine, but are mine no longer. I'm attempting to give a little perspective, here, especially since so many people who haven't grown up with firearms around find that they don't understand those who have. They fear firearms, and "hate" them, though how one can hate something which is not a living thing is a little beyond me. I try to reserve such emotions for objects with some degree of consciousness and volition. One might as well hate hammers, or tweezers.
Ah, well ... chacun à son goût, as they say.
The first firearm to come into the family was found by my father as he was inspecting the crawl-space under a house we were renting in Los Angeles ... the year was 1948, and the revolver was placed up on the joist-braces. He glanced up and saw it. No further information was (or is) available; presumably it was placed up there by someone who had reason not to leave it lying about. Here it is; I still have it:

It's a late-19th century Harrington & Richardson five-shot revolver in .38 S&W. There were thousands of these produced in the 19th and early 20th centuries, by H&R and several other manufacturers, and they are not at all rare. They are somewhat dangerous to shoot; age and modern ammunition are not kind to them.
This next was given to me by my uncle, when I was 16 years old ... it was a wonderful little rifle for a boy, and accounted for many holes in tin cans in its time.

It is a Stevens Visible Loading Repeater, in caliber .22 LR (Long Rifle). It is still in working order, but I am in the process of relining the barrel, which has been pretty well destroyed by the chlorate priming of the early .22 cartridges. Everyone (including the Military) made a big thing about the corrosive properties of smokeless powder (Well, they had the old Black Powder as an example, and Black Powder definitely is corrosive, at least in the presence of humidity; its ash is highly hygroscopic, and the moisture attacks the steel.) The bit they missed was that the ash is not corrosive, but the hotter, chlorate primers, required to ignite it, were very corrosive. This little rifle was made in 1907.
And then I became that much-anticipated age of 21. I was an ADULT! I was at last free to actually purchase a firearm of my own choosing, which I did, and this was it:

It is a Model 10 Smith & Wesson Military and Police Revolver with a 2-inch barrel, in caliber .38 Special. It wasn't the best choice in the world, but I didn't know much then, and I could afford it. It was too big for my hand, and difficult to holster. It was even harder to shoot ... the heavy double-action trigger pull was really tough for me, and I soon became discouraged. I sold it, and bought this:

It is a Smith & Wesson Model 36 "Chief's Special" five-shot revolver with a 3-inch barrel, in .38 Special caliber. The slight reductions in proportion and size made it MUCH easier for me to shoot well, and it also holstered much better. It is a fine revolver for someone with small hands (me, among others), and I had it for some years. I was learning.
Along the way, I traded something else (I can't remember what; I think it was a drawing) I had for this interesting little pistol:

It's a Spanish-made semi-auto pistol, based on the 1911 design of John Browning for the US Army. It is smaller, being made for the little .32 ACP cartridge, and there are a few slight design changes, mainly the elimination of the grip safety. I was fascinated with it, because, being basically the 1911 design, it could be completely disassembled without the use of tools, except you needed a screwdriver to get the grips off. I would disassemble it and reassemble it over and over ... it really held my interest. It was completely the opposite of the revolver ... double action revolvers are quite difficult to assemble and disassemble without losing springs and little parts, and are tightly fitted, so there is a good chance of marring the finish.
Then, suddenly, as it were, a nationally advertised dealer in Alexandria, Virginia, got in a shipment of Lugers from South America, and has there ever been anyone who has seen these German Army pistols who hasn't wanted one? I ordered one quick, I tell you.

Well, this is what it looked like after I rebarreled it; the original 4-inch barrel was shot out (those lovely chlorate primers, again), and I had Adolph down at Abercrombie & Fitch put on a 5-inch barrel, so as to keep it from being taken as an original. It shot very well, and was a very interesting pistol, indeed. All matching numbers, it locked up tight, and if you could point it properly with those awful sights (they were very fine; almost impossible to see), and could get a smooth let-off with that beast of a trigger (I once described the Luger trigger as "a study in lost motion", and most firearms engineers agree with me), it would hit what you were aiming at. It was probably the best auto pistol design before the US 1911. I kept it for quite a long while, only selling it when I needed money for a wedding.
But for any practical use, it was ... well, not very good. I knew by now what I wanted, though it went to my heart to trade the Chief's Special for it; I wanted a Colt Government Model; I wanted a 1911!

and there it is. Well, not really; I no longer have that pistol; this is a picture off the 'Net. The Colt Government Model is the Model 1911A1 .45 caliber pistol, made for the civilian market. It is polished and blued, rather than Parkerised, and it has the Colt markings on it. Government-issued pistols might be made by any of several different contract manufacturers, and the Parkerised finish is a sort of dull grey-green. All 1911-pattern pistols are "sloppy" in the way the parts fit together, so pinpoint accuracy is not something that you're going to get, but that sloppiness has an important purpose: no matter what kind of dust, dirt, sand or mud gets on them or in them, they will work, and that's what it's all about, at least to the soldier who needs it, and needs it NOW, not after he cleans it and reassembles it. I happily carried mine everywhere for many years. (You must understand, here, that I lived in a University neighbourhood in Chicago, and such neighbourhoods are notoriously crime-ridden. The campus police and the lads I knew on the regular Chicago force all said to me "Don't go out without your gun!", because they didn't want to pick me up off the sidewalk. They also knew that I was not an impetuous person, not likely to put anyone else on the sidewalk, save at dire need.) I was always fairly skilled at diverting hostility, anyway.
...
And here I am ... back at the keyboard again, after roughly three weeks of intermittent hospital stay ... in and out, then back in, you know. Some long-awaited surgery, and "old-men's problems", nothing terribly important, but vexatious in the extreme, and too many separate factors to expect anything to go smoothly on its own. I seem to be OK now, though weak as a fish, and as rubber-legged as Ray Bolger.
...
The next item on the list called itself to my attention largely because one of my fraternity brothers was the son of a local farmer, and we used to do a good deal of "pest" shooting around the farm and barn ... mice, ground squirrels and the occasional prairie dog fell to our marksmanship. We'd also shoot an occasional pigeon out of the silo, to keep the barn cats well-fed and happy.It must be pointed out, incidentally, that the "pests" were either going to be controlled by us, or they were going to control us ... they breed VERY quickly, and as far as they were concerned, the farm was a free-lunch counter. This was not exactly the situation which was ideal, for our purposes. And, with the semi-spoilt barrel of the little Stevens rifle in mind, I bought this ... it was cheap and the Marlin manufacturer had (and has) an excellent reputation, especially for their really excellent barrels ... You'll notice the '60s styling, not the sort of thing one normally thinks of in regard to rifles, and the receiver (peep) sights, for which I've always had a fondness.

It's a .22, of course, and shoots very well indeed, though the action and barrel should be rebedded in the stock.
Well, then, I started to hanker for something a little more unusual ....
And This was It: a Model 1962 Tingle Rifle, calibre .44 percussion ... a muzzle-loader! And I must say that I've never since lost my love for these old-fashioned firearms. They're graceful and well-appointed, and usually very accurate. The point being, I suppose, that if you've only got one shot, you'd damned well better make it count.
When properly and consistently loaded with a well-fitting ball and patch, the right powder charge, and carefully shot, this piece of nostalgia would out-perform many more-modern rifles.
The next addition was a nice double-barrelled shotgun, Italian in origin, in 20 gauge. It was beautiful little piece, but it did not fit me well, and I soon got tired of the little thing beating me up, and I sold it:

Nowadays, there are more varieties of fitting-pads, adapters, and cheekpieces available, and I doubtless would still have it .... ah, well ... sic transit, and all that.
I had never had a .22 pistol that I thought much of, because the front and rear sights were never mounted on same piece of metal, which moved in relation to each other, and the potential inaccuracy always put me off, but then came the Browning series of target pistols, at a reasonable price. I bought the middle-grade one, and became a "fan":

It shot amazingly well, and it fit my hand so perfectly that I just got used to wasting two magazines full of .22s before I had to remind myself that I had better hang on to the damned thing, in a proper grip, or I wasn't going to hit much with it. It was, however, a magnificent little pistol, and could easily out-perform me, even on my best days.
And then came the Single-actions:
This first is a revolver made by Ruger, with (notice) TWO cylinders. The first was chambered for the regular .22LR, and shot nicely, but the second was chambered for the .22 WMR (Winchester Remington Magnum), a rather longish .22 cartridge, intended to be more powerful ... I rather suppose it was, but the early manufacture of the cartridge was most undependable in the spinning of the priming compound out into the rim of the cartridge ... at least 50% of the time, the cartridge would have to be rotated and tried again. It was a pretty little revolver, but who needs a revolver that fires 50% of the time, or less? I got rid of it.

The next single action was this Ruger Blackhawk, in .357 Magnum caliber ... the .357 is basically the old S&W .38 Special, with a little more cartridge length for a bigger powder charge. It's a useful, medium-powered cartridge, quite easy to shoot well.

Well, the die was cast, I suppose ... I began to investigate the types of Black Powder revolvers available, and I managed to get one of these ... a reproduction of the Remington New Model Army, Model 1858, .44 calibre percussion. It's basically a muzzle-loader, with six chambers to be loaded:

These things, primitive as they seem, are phenomenally accurate, and extremely easy to shoot. The crowd of redneck "Good ol' Boys" that I hang around with, took to them like ducks to water. In complete thought, it's good to remember that wars were fought with these (and worse) things, and if they were ineffective, they'd not have been used.
This next is rather a companion piece to the revolver; it is a repro of the Remington Model 1863 rifled musket (Yes, that's an accurate term, the musket barrel was rifled, to make the hollow-based projectile [the invention of the French Capt. Miníe] rotate in flight, and thus remain more accurate.) It did dreadful execution on the battlefields of the American Civil War, since it loaded rapidly, and was quite accurate, out to 300 yards, especially for its day. That .58 (.58 inch = ~150 mm.) slug hits like a wall, and is terribly destructive. It's a pretty rifle, with its colours of the various metals. It is frequently called the "Zouave" rifle, from the units equipped with it; many of them were "Zouave" units, being uniformed and outfitted in the manner Of the French/Algerian "Zouave" units, with short open black jackets, red voluminous trousers, sashes, fezzes, and all manner of exotica. Hey! Don't look at ME! I wasn't responsible for such insane uniforms!

Troops equipped with these .58 calibre rifled muskets, in the course of long battles, would cut down intervening trees with their concentrated fire. I believe "The Battle of the Wilderness" was one such, but I'm not sure, and I'm not about to go and look it up. Lots of folk use them today for deer hunting.
Then came "Col." (so far as I know, no military unit ever conferred this title upon him.) Samuel Colt, with his famous "six-shooter". Yes, the Remington was a better design, and fired at least as many shots without reloading, but Colt was a superb showman, and Remington was not. This particular example is the "Navy" (i.e., .36 calibre) Colt, favoured not only by the US Navy, but by many famous shooters:

It was my first purchase after I decided to get back into shooting, after my heart bypass ... I've never been unhappy with it, and it shoots beautifully. It's really the beginning of my preference for single-actions, since I found that I can shoot better with them. And, well ... it's also known as "the most beautiful revolver ever made." I don't know about that, but it's sure better-looking than a Glock.
And then, my dear old Tingle M1962 having vanished into the abyss of time, I went looking for a rifle ... and this is the one I found:

It's called "The Great Plains Rifle", and is made in Italy for the Lyman Corporation, and is as authentic a version of the mid-19th-century Plains Rifle as can be found today, aside from building one oneself (yes, people do that, and do magnificent jobs of it, too), or ordering exactly what one wants from a master gunsmith. It is made in .54 percussion ... flintlock versions are available, but cost more, and are much more difficult to manage. (Flintlocks are real bears to keep tuned and regulated properly.)
The next item on my list was a .22 pistol ... I almost feel that it ought to be a law that EVERYONE have a .22 pistol, unless they have some handicap which prevents them from shooting it and being safe with it. The .22 pistol is probably the firearm responsible for more just plain FUN, and it should be experienced by everyone capable of doing so safely.

This one is the Ruger Mark II, and each magazine holds 10 shots. It should be treated carefully, and with great respect, but if so treated, it is not only capable of providing lots of fun, it can also fill the pot with small game, if food is a problem.
Now, I admit, here, that I was a bit of a sucker for this one; it is a Browning 1885 High Wall, a "Buffalo Gun", a repro of those made during the great extermination of the bison herds in the American West after the Civil War. It is capable of tremendous long-range accuracy, easily killing buffalo at ranges of 1,000 yards when carefully loaded. They were made in many calibres and cartridges from .40-65 to .50-140, the second figure, after the dash, indicates the grain weight of Black Powder in the cartridge behind the bullet. Anyone interested in the care and maintenance of these rifles should see the film Quigley Down Under, starring Tom Selleck.. This one is in .45-70, the old military cartridge of the Indian Wars. They are hard to find, but worth all the trouble you spend on them when they begin knocking those steel buffalo targets down at 1,000 yards.

And then I found an old, worn-out 1911A1 that the gun store wanted really bad ... it left me sitting in the catbird's seat, I tell you, because I got this for it:

It's a Ruger Vaquero, Bisley style, in .45 Colt. I didn't care for the Bisley grip, and put that brass bird'shead grip on it, myself. With a little tinkering, it shoots as well as any single-action I've ever had, and you just wait until I start loading it up with real Black Powder loads! (Can you guess that I love powder smoke?)
This one's a little sad ... it was my daughter's, before she died. She bought it so she could "go shooting with Dad", and she was beginning to catch onto the loading and aiming of it, too. But damn-all, I'd rather have her back. The "powers that be" wouldn't do any swaps, though. It's a fluted-cylinder Colt M1860, in .44 calibre percussion, fully nickel-plated, except for those brass-plated bits. It shoots beautifully, too.

And here we come to the last of the present collection. It's a Winchester Model '94 lever-action carbine ... like you see in all the cowboy movies. It's chambered in .30-30, and is really fun to shoot! I'm planning on putting some Indian "medicine" signs on it: brass tackheads, horsehair tassels and such. It'll be fun to look at, then, too.

Take care, folks, and I hope I haven't bored you all to death. And if you're really bored, blame Antonietta ... she's the one who asked.

I've found a couple more people with interesting work ...

The first one is a young lady named Диана Салова. She's in Estonia (presumably the Russian population of the place, left from the old Soviet days), and she doesn't blog, but she sure puts up photographs! Some may not grab you, but others certainly will. She's here:
http://my.opera.com/di23pro/about/

And the second is "Nat", as he calls himself, and I must assume that he's in the Russian Federation, since he writes in Russian. He's new, and there's not a hell of a lot of information, but there are two very interesting albums. He's here:
http://my.opera.com/svnat/albums/

Go, have a look.

A couple of days last week ...

Well, actually a couple of weeks ago ... the first batch gave me so much trouble in getting them ready, that it's only just now that I've got them into publishable form. They were just plain difficult, mostly because each part of some of the photos required a different treatment. I reckon I ought to know better than to take pics like that. The weather was actually pretty bad, which gave me extra trouble with the funny lighting.
Here they are; the first is a puddle in a carpark:

And then a trip down to the water, later in the afternoon:



And the power plant:

And closer:

I was struck by the view coming down the road to the water, so, on the way back out, I pulled the car off the road and shot this sequence of three:



And a couple of days later, on a different part of the waterfront, and a VERY different sort of day, these reminded me of Word's gulls, huddling for warmth:

And I like this one, because it gave me the opportunity to crop it into three horizontal stripes:

And I couldn't resist the light illuminating these reeds:


And that's it ...
Cheers, all!

Hey, folks ...

... go have a look at this woman's photos. She's quite remarkable. I found her by accident, and so did DH.
Марина Буренкова: http://my.opera.com/maribur/albums/
I'm posting this because I don't think it's likely that many of us English-speakers will have found her. She doesn't blog, and her "About" page doesn't say much, but her work is worth a look.
Cheers!

Loch Ness Monster found at last!

After centuries of searching, Nessie has been found! Unfortunately for the tourist trade, she has moved to South Milwaukee, Wisconsin, USA. She is staying in the yard of a little tract house, across the street from the hospital, where she came to receive medical treatment for a very itchy skin condition caused by too much water on the skin, with never a chance to dry out.


She says that the slightly abrasive quality of the soil on her skin is very soothing.
Cheers, all!

A little trip yields a big surprise ...

I had been by this spot a few days earlier, and was struck by the colours ... willow trees have this incredible gold that seems to last all winter; after the leaves fall off, the withes themselves turn the same golden colour, and most of them stay on the tree. So I thought I'd shoot a few shots, but alas! the light was very flat and I got very flat exposures. I could only salvage a few; if I worked them up in Photoshop, my skies diappeared when I got the other colours right, and I found it impossible to isolate the skies and work up the rest ... too many bluish-white fringes in the finer tree limbs. I'll figure that out one day, but right now I don't know enough. I got a couple good skies:


A nice single shot that I could work with:

And, strictly by chance, a bunch of geese boomed into the air, just as I was leaving. I grabbed this shot, which turned out to be a silhouette because the goose that I was metering moved ahead in the group, unexpectedly ... but that made the sky come out perfectly, so I still got a good shot ... probably better, in fact:

So, after realising that I had a bunch of stuff that I couldn't use, I was out a few days later, and the sun was out. I made a detour, determined to redeem my wasted efforts. I hit it just about the way I wanted it; the sky wasn't nearly as interesting, but I knew it wasn't going to go blank on me.
I'm not going to waste a lot of words, here ... There's not a lot to say that the pictures don't say. I hit what might be called an idyllic scene:




I changed to the long lens, and began shooting:

And as I was setting up another shot, I thought I heard some splashing. I looked up; the ducks are forever quacking about something they think is important, and sometimes they think it's important enough to fight over. I found this:

There she was, standing in the water, and she was shortly joined by others:

There were quite a few, and they were drinking and playing ... I had to conclude that it was play by their body language.






Eventually, they disappeared into the trees, and I was left, rather awe-struck at having seen such a thing ... there were a male and female mallard left; I took this and went home.

I'll put these up in a photo album, later, along with a few others, but I wanted to use these as a blog post.

As promised: Digital bags!

I don't know about the rest of you folks, but digital came to me after a really lean spell in photography ... no money, no time, invalid wife, etc. etc. So I really hadn't done much with that loverly equipment in the last post, mostly because I couldn't afford film and processing. My daughter and her husband had bought a digital camera, and I was not impressed. Only 2 MPixels, as I remember, and the colour was all funny. I kept reserving my enthusiasm until I suddenly came upon a little (actually, it was kinda bulky by today's standards) Kodak 4MPixel camera, for $100 off the going price/MPixel. I gotta say, it's not often that I have cash in my pocket when I find a bargain, so I bought it. It was a display model, and the 16MB card that was supposed to be with it was gone, so the store gave me a 128MB card for free, and a battery. I got out to the car, opened the package, and took a picture of the store front. I could SEE it! In the little LCD screen! WOW! I was DIGITAL, baby! How to carry the thing around immediately came to mind, and I thought of my little Cherokee belt bag. It fit just great, and I was flying. Here it is; it's on my belt, and those are my pants lying under it (Yeah, I took my pants off for the photo. So sue me.):

"Not bad", I thought, and that bag and cam were constantly on my belt. I took it off for showers and going to bed, but not much else. I used that camera with increasing frequency for a good five years, until my picture files began to get really unwieldy (Ha! You oughta see 'em NOW!). I learned to use Photoshop to make the pictures look right, and that's still going on.
And then the little nagging dissatisfactions began ... and, to be honest, I really ached for the kind of flexibility that I'd had with film, so I began casting about for something a step or two above the Kodak, which was almost equivalent to George Eastman's original box camera ... "You press the button, we do the rest." I was nosing about for a DSLR when my Scottish Lassie reminded me that all the dust and dirt on the CCD of her Nikon D100 (that I had been taking out of her shots, via Photoshop) came from the changing of lenses, and more importantly, it cost her £100 and a trip to London (from Loch Ness!) to get it cleaned off the CCD itself, the home-cleaning kits not having been invented yet. That put me on my back foot, you can bet! But at just this time, a new "Ultra Zoom" from Olympus came onto the market, with a 1:18 zoom range (from 28mm to 504mm!) and 7.1MPixels, to boot (my Lassie's D100 only had 6MPixels!). Not much need to change lenses in that camera! So, I bought one, online, at a considerable savings over list. Here it is; I shot these the day it came, and the peel-off stickers are still there.
Front:

And the back (Hey, look, Elina and Deb ... a viewfinder! LOL):

Sorry ... had to rub it in.
Now, this little beastie wouldn't fit into my little waist bag, and even if it had, it was an awkward shape. I finally decided on no bag at all, but rather an elastic harness intended for hunters to carry their binoculars. It holds the camera tightly in the center of my chest, where it looks a little unusual, but it's very handy, and one side can be detached, allowing the camera to dangle under my coat, out of the way. I have no picture except this, which isn't too clear, but I'm using the camera to take the picture:

Yes, it's in a public washroom ... I do this whenever I find one with a good mirror. It amuses me.
But, I still wanted a DSLR, especially since the CCDs had started to be protected, the home-cleaning kits were available, and ... well, dammit, the Oly was not much good for moving objects, since the viewfinder blacked out when the shutter button was pressed. I got a few birds in flight, but damned few.
So, as in miracle plays, a bunch of money came, totally unexpectedly, and I bought the Nikon. Yeah, I needed a new car ... but I always need a new car. The Nikon won. This is what I got:

A Nikon D3100, kit 18mm-55mm zoom lens, and a 55mm-200mm zoom lens. Battery and charger, "flower" shade for the 200mm, Body cap, rear and front lens caps, extra 4GB card, and a bunch of little doodads that seem to be choke coils or something, and a viewfinder cap. The filters (2 1A skylight filters and a polariser) came from my daughter's Nikon FG outfit. That's the Nikon-issue neckstrap, BTW ... I covered up the "Steal me!" logo with black marker ... it's only here 'til I get something better, then it's landfill time.
The first bag I tried was the bag from my daughter's Nikon FG:


It's kinda big, there's no shoulder strap, and it's bulky. My stuff bashed around in it. The FG was a big outfit ... she had at least 4 lenses and a bunch of other stuff, including a flash. And it looked like a camera bag. I like "stealth" camera bags. So, I knew I'd better find something else.
What I settled on was this:

It's a Domke F-5xb, in brown. That diagonal stitching on the flap held a big "DOMKE" label ... that came off first, you bet! It's kinda pricey ... just under $80 from Amazon, but it seems to deliver. Here it is, open:

Those two dark patches are the loudest Velcro in the world ... that's gonna be fixed soon, too. It came with two dividers in olive colour. with Velcro strips to hold them, and boy, do they hold them! This is the arrangement I've settled on:

The vertical one at one end makes a compartment for the long lens, with shade attached. The other divider is actually about an inch off the bottom of the bag, providing a compartment for the filters, the battery charger, and spare battery. The camera with the short lens attached fits on top of the divider. Here, you can see the pocket between the padding and the bag front:

And here you can see the filters peeking out. The battery charger is in there, but not visible:

Stowing the extra caps in the front pocket:

Stowing the misc. doodads:

And the long lens in its cubbyhole:

The camera in place so a quick grip can be achieved, and the camera withdrawn:

Zipped up; the extra card in the outside front pocket:

And the front flap down, hiding everything. Notice the strap; it's adjustable and removable; those two grey stripes are "grippy", I don't know how, but it keeps the bag on my shoulder. If you're some kind of compulsive, there's a "tunnel" on the back that you can thread your belt through.

All in all, I'd have to say that it meets all my criteria ... it holds everything I'll need (and then some), it's not too bulky, and it doesn't look like a camera bag.
cheers, all!

In response to Sami's post on Camera Bags ...

I thought I'd reminisce a bit ... having started well before the digital era, I had rather different choices available to me ... I'll start with the cameras shown in my post "Memory Lane" ( http://my.opera.com/derWandersmann/blog/2009/01/30/memory-lane ).

I can't show you the case for the Kodak Brownie 3A, because there wasn't one, nor do I think there ever was one. It's a matter of some wonderment to me that these monsters were called "Pocket Cameras" in their day ... perhaps the outside pocket of a greatcoat was what was meant. At any rate, I carried mine by the little handle at one end. Luckily, I was a kid, and didn't have much else to carry.

The Anniversary Graphic, on the other hand, had a case that stayed in the car, unless you were some kind of nut. You took out what you needed when you got out of the car. But I drew up the plans, and my dad made the case from 3/8" plywood. It had appropriately-sized compartments for all the gear ... the camera (closed), a bunch of two-sided film holders, the flashgun (detached), a supply of various sheet films, a changing bag, a bunch of filters and adapters, and various miscellaneous things ... including a sandwich if I needed one, and, squirreled away at the bottom, a 1 oz. bottle of paregoric. Well, sometimes the motion of a boat can get to you, if you're down below.

Then came the Mirandas ... that's the big outfit you see in the aforementioned post ... I once had a case that would take both bodies and all the lenses, and everything else, too. It was made in Germany and was really quite efficient, except for two things: 1)When you grabbed something out of it, generally the clips that held it would come with it, and 2) It was bloody huge! No picnic to carry around, that's for sure. I finally settled on this little gem, from Accura (Are they still in business?). I show it in some detail, because it was unusual even when I bought it; it's even more unusual now. It's a hard case, covered in black leather, and the shoulder strap is missing ... it broke, but it could be replaced.

This is what it looks like opened, the Miranda G with the 35mm Steinheil Macro mounted, the 50mm Soligor in the well on the right, the folding viewfinder just behind it, and the cap of the 135mm Steinheil Macro in the hole through the top board on the left.

This next is all the gear on the top level removed and spread out, along with the top board, so you can see down into the bottom of the case:

And here's a detail of the top board, so you can see how it's made:

Notice the little "wall" to keep the camera body from shifting about, and the cradle for the lens. There originally was an elastic strap with a snap fastener on one end to retain the lens, but it's long gone. It was amusing to me to see the flakes of tobacco in the little corners ... I was once a pipe-smoker, and there was usually a pouch of burley in the case, too.
And here's a look into the bottom of the case; it looks chaotic, but it wasn't. The big grey thing is a 1° spotmeter, the 135mm lens is the other main item. There are: a polariser (in the box), a body cap, a rear lens cap, and a couple of cable releases.

And here's all those goodies spread out, and the case empty.

It was not the easiest sort of case to carry 'round, but it wasn't all that bad, either. Fully loaded, it weighed a few pounds, but the strap held the weight well, and there was no slipping. I could generally perform any operations needed without looking, which pleased me.
NEXT: My newer bags; don't touch that dial!
Cheers!