Sunday, 1. October 2006, 09:25:30
The night was getting thinner as the minutes passed by, latin rythms didn't help much to set up the correct mood for what was about to happen (at least not for me). A Rickenbacker guitar, a couple of Epiphones and an acoustic guitar told us that the moment was close. How can they create the same expectation as if were about to see the original Four? I don't know, but that's part of the magic.
Morsa started playing at 12:00 sharp, and immediately we were into them: the voices, the music, it was like seeing the Beatles play on a Saturday night in a pub. Beatlemania is a subculture that make generations closer, from the 60 year old lady on our left to the 13 year old girl sitting in front of me, everybody was there to live (in a synthetic sort of way) the time when the four guys from Liverpool rocked the house.
So many years after their last record and with two (three) death members, the Beatles' music can still create a whole spectrum of emotions in the listener, there are so many songs you can relate to like She Loves You, In My Life or Yesterday from the first set. "So many songs to play". How do you put a whole era in 2 hours of music?
Then another dose of latin rythms to log us off from our trance, but later, they returned with Come Together and Rain. Later on they played Let it Be that can bring me down to tears and created a paradox in time by playing Imagine. The show went on and we were still high, but Hey Jude announced the innevitable end and the "check, please!".
Fili told me it was the second thing closest to being in front of the Beatles for him. Go in peace gentlemen, the show is over. So we walked away to finish this boys' night in our trademark King of the Hill sort of way...
You have to aknowledge the importance of the Beatles in music and culture... even U2 states in Zoo-TV:
This is a song Win Wenders stole from The Beatles, we're stealing it back