Pining for Vinyl: Truth - Jeff Beck Group
Tuesday, 22. July 2008, 14:06:31
It could have been very different had he kept together the line-up on Truth, the debut offering from the Jeff Beck Group.
On guitar we have Beck himself, undoubtedly one of the most innovative and talented rock guitarists of the last 50 years.
On vocals, Rod Stewart, who, whatever else you may feel about him, has surely been one of Britain's top vocal talents.
On piano, ace session muso and long time Stones sidekick Nicky Hopkins (though I think he joined on the second album).
On bass, Ron Wood, subsequently of Faces and some other band whose name slips my mind.
On drums, Mickey Waller, who pretty much disappeared from view after the Jeff Beck Group, apart from playing on a few multi-million selling albums of Rod Stewart's.
The music is high octane blues rock. Not a million miles away from the sort of stuff Cream were playing at the time, though generally shorter and punchier.
As well as the dynamic riff-based rock we now take for granted, the band's stock in trade was the interplay between Stewart's vocals and Beck's guitar. The call and response routine that was a part of the band's output, particularly in a live situation, was subsequently copied by Messrs. Page and Plant in Led Zeppelin, after Page had seen first hand how Beck's group was tearing up the concert scene in the USA with his pounding blues-based rock.
In other words, had the band not disintegrated because Beck was such a pain in the arse to work with, there might have been no room in the world for Led Zeppelin; or maybe there would have been, except they would have played Deep Purple to Beck's Led Zeppelin, if you see what I mean.
I was going to say that this theory falls down on the basis that Led Zep's songwriting talent was so much better than the Jeff Beck Group's, forgetting, for some reason, that Stewart and Wood have written a fistful of million sellers themselves.
Anyway, enough of the "what might have been" scenarios, what's the bloody album like?
Good.
If you like that sort of thing.
That sort of thing being amped up white boy British blues. We're talking the prototype of British heavy metal. These guys have as good a claim as anybody to having invented it. God help them.
Sure, it sounds a bit dated now, with the material a bit over familiar (not least the acoustic version of the traditional Greensleeves) but you can't deny the panache, passion and power of this ensemble.
The album opens with a reworking of the old Yardbirds hit Shape of Things. It's a heavier interpretation with Stewart trying a bit too hard on the vocals.
Track two, Let Me Love You is a tremendous blues track featuring the aforementioned call and response from guitar and vocals. It starts out sounding like Cream's Strange Brew and ends up sounding like Zep's Lemon Song (which it pre-dates, of course).
The cover of Tim Rose's Morning Dew is about as close to pop as the group gets. They sort of do a rocking up of this folkie classic, a la Nazareth's interpretation of This Flight Tonight.
The beginning of You Shook Me (also covered by Zep, but I don't want to labour the point - oh, all right, I do) sounds like Beck's guitar is being sick, as he does disgusting things with distortion (hey, look, I managed to avoid griping about how Hendrix gets all the credit for pioneering things Beck did years earlier - oops!) but otherwise is an inferior version to Zep's take.
Side one ends with a downbeat rendering of Ol' Man River, where Stewart gets to live out his Sam Cooke fantasies.
Side two has the aforementioned Greensleeves, a rasping bolero intstrumental, a couple of blues work-outs and the album's stand-out track, I Ain't Superstitious, a song which has a swagger of which Muddy Waters would be proud.
Great wah-wah guitar work from Beck on this one, while Stewart's voice sounds like it is tunneling down your ear.
All in all, it's a pretty good first album, but then these guys were hardly inexperienced novices. I think it stands comparison with Zeppelin's first album. It's probably a bit more uneven, but then Zep had a prototype from which to work whereas the Jeff Beck Group (JBG) were making it up as they went along.
In the end, perhaps the main difference between the JBG and the likes of Cream and Led Zeppelin is the drumming. Mickey Waller is no John Bonham and he is no Ginger Baker; he's a Charlie Watts, tidy and unobtrusive - the antithesis of a top notch heavy metal drummer.
Keep or dump? It's a keeper, but an album I will only pull out occasionally, if only because I have so much Faces material in my collection that I get to hear more than enough Rod Stewart. I would recommend it to heavy metal fans, except that it is a fairly disciplined piece of work, not heavy on long guitar solos. That's a bonus in my book, but some people enjoy 3 minute guitar solos. 8/10







