My OperaBohemian Glass Art and the Art Nouveau Initiative
Saturday, December 8, 2012 1:41:20 PM
Bohemian Glass Art and the Art Nouveau philosophical art drive were naturally associated. Early forerunners like Alphonse Mucha set the direction and very much influenced both art and art glass. With exuberance, degeneracy and a 'dance the Charleston til dawn' way of thinking, this was an age of overindulgence before the Great Depression.
Folk would dance on furniture and gulp champagne and the hand made glass art soaked up this slightly debauched fashion with gold foil and iridescent flower glass.
Architects and artists alike, embraced the new style and ran with it. Gaudi, Gustav Klimt, and glass art artists Louis Comfort Tiffany and René Lalique all impacted and were in turn motivated by the Art Nouveau trend.
Bohemian Glass Art was no exception. The Bohemian Glass flower vases that were made at the turn of the 20th Century were heavily motivated by the movement.
The direction was definitely organic and natural and styles of blooms are ever present. This down-to-earth fashion was covered with a bejewelled colourful look which helped establish it firmly apart from the elementary function of the arts and crafts trend.
Bohemian vases during that time were permeated with the style. These pieces of Bohemian Glass Art are simple to uncover as they fit into a familiar pattern. The Bohemia Glass Art is curvy and is embellished with leaves and flowers and often includes an iridescent finish.
Some of the inscribed items of Bohemian Crystal were similar with lifelike motifs of leaves and plants but usually with a gold leaf line or platform to bridge the two essential parts of the Art Nouveau style.
It was as if the beauty of the bouquets was not sufficient to gratify and the art needed to have an cover of gold and jewels that a king would have been happy with.
The Bohemian Art Nouveau Glass Art drive was based around glass art makers like Loetz, Kralik, Moser and Pallme-König. Their Bohemian Glass making around the time fits into the typical Art Nouveau direction. The Bohemian Glass vases were oily iridescent and organically styled. The rims of Bohemian flower vases were curled up like falling leaves and the activities were holistic and irregular in shape.
The glass art of the era had a casual direction to it and colours of mist white, green and oily bluish mauve were drizzled with various colours or combed in a dreamy way that summarized the laissez-faire attitude of the times.
With the arrival in 1929 of the Great Depression just about everything become different. Out went the degeneracy and glistening elegance of the Art Nouveau and the art world was introduced to the mechanical worship of the Art Deco movement with conventional lines and a considerably more ordered style presentation.
Bohemian Glass Art and the Bohemian glass vases were now more effectually termed Czech Glass Art and the World progressed to the age of machinery and so Art Deco acquired the mantel where Art Nouveau had departed.
tall vase
cut glass crystal
Folk would dance on furniture and gulp champagne and the hand made glass art soaked up this slightly debauched fashion with gold foil and iridescent flower glass.
Architects and artists alike, embraced the new style and ran with it. Gaudi, Gustav Klimt, and glass art artists Louis Comfort Tiffany and René Lalique all impacted and were in turn motivated by the Art Nouveau trend.
Bohemian Glass Art was no exception. The Bohemian Glass flower vases that were made at the turn of the 20th Century were heavily motivated by the movement.
The direction was definitely organic and natural and styles of blooms are ever present. This down-to-earth fashion was covered with a bejewelled colourful look which helped establish it firmly apart from the elementary function of the arts and crafts trend.
Bohemian vases during that time were permeated with the style. These pieces of Bohemian Glass Art are simple to uncover as they fit into a familiar pattern. The Bohemia Glass Art is curvy and is embellished with leaves and flowers and often includes an iridescent finish.
Some of the inscribed items of Bohemian Crystal were similar with lifelike motifs of leaves and plants but usually with a gold leaf line or platform to bridge the two essential parts of the Art Nouveau style.
It was as if the beauty of the bouquets was not sufficient to gratify and the art needed to have an cover of gold and jewels that a king would have been happy with.
The Bohemian Art Nouveau Glass Art drive was based around glass art makers like Loetz, Kralik, Moser and Pallme-König. Their Bohemian Glass making around the time fits into the typical Art Nouveau direction. The Bohemian Glass vases were oily iridescent and organically styled. The rims of Bohemian flower vases were curled up like falling leaves and the activities were holistic and irregular in shape.
The glass art of the era had a casual direction to it and colours of mist white, green and oily bluish mauve were drizzled with various colours or combed in a dreamy way that summarized the laissez-faire attitude of the times.
With the arrival in 1929 of the Great Depression just about everything become different. Out went the degeneracy and glistening elegance of the Art Nouveau and the art world was introduced to the mechanical worship of the Art Deco movement with conventional lines and a considerably more ordered style presentation.
Bohemian Glass Art and the Bohemian glass vases were now more effectually termed Czech Glass Art and the World progressed to the age of machinery and so Art Deco acquired the mantel where Art Nouveau had departed.
tall vase
cut glass crystal
