Thursday, 9. March 2006, 21:28:32
We were studying minimalism in music today, in paticular attempting to play Stephen Chadwick's "in Dorian D", and I thought I would see what else I could find out about it.
Minimalism(taken from
wikipedia)
Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is stripped down to its most fundamental features. In other fields of art, it has been used to describe the novels of Ernest Hemingway, the plays of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver (called the King of Minimalism), and even the automobile designs of Colin Chapman.
As a specific movement in the arts it is identified with developments in post-World War II Western Art, most strongly with the visual arts, for example the paintings of Mark Rothko. The term has expanded to encompass a movement in music which features repetition and iteration, for example the music of Steve Reich, Philip Glass and Terry Riley. (See also Post-Minimalism). It is rooted in the spare aspects of Modernism, and is often associated with Postmodernism and reaction against Expressionism in both painting and composition.
The term "minimalist" can also refer to anything which is spare, stripped to its essentials, or providing only the outline of structure, independent of the particular art movement, and "minimalism" the tendency to reduce to fundamentals. It is sometimes applied to groups or individuals practicing asceticism and the reduction of physical possessions and needs to a minimum.
Minimalism in music(taken from a worksheet)
The term 'minimal music' means music created with the most basic and limited amount of material. Eric Satie (1866-1925) composed 'vexations', which is perhaps one of the first examples of minimal music; it consists of a short phrase repeated 840 times without variation! This type of repetition has given four American minimalist composers (Steve Reich, born 1935, La Monte Young, b.1935, Philip Glass, b. 1937 and Terry Riley, b. 1935) the nickname 'Monotonous school'. However, although some of their pieces may be monotonous to some people's ears, many of their works are full of rhythmic excitement, rich timbres and harmonic colours. This tends to result from a layering of ostinati, which merge to create complex structures of rhythm and pitch. Traditional Western Europeanmusic relies a great deal on ostinati and repetition, but the four American composers' works have been influenced by the characteristics of Indian, Balinese, and West African music, especially in the use of uneven or irregular rhythmic patterns.
Minimalism in art(Also taken from
Wikipedia)
A minimalist painting, for example, will typically use a limited number of colors, and have a simple geometric design. Minimalist sculpture on the other hand is greatly focused on the materials (see David Smith and Donald Judd). While many believe minimalism to be a movement specific to geometric representations, it extends far outside this constraint.
There were three notable phases of the minimalist movement:
First the distillation of the forms wherein the greatest contributors were probably the Russian Constructivists and the Romanian sculptor Constantin Brâncuşi. The Russian Constructivists proclaiming the distillation was in order to create a universal language of art which the masses were meant to understand. It may have also supported the rapid industrialization planned for the massive country. Brâncuşi's work was much more of a search for the purity of the form and thus paved the way for the abstractions that were to come, such as minimalism.
The second (and most notable) phase in the movement came with artists including Carl Andre, Anne Truitt, Dan Flavin, Sol LeWitt, Frank Stella, Donald Judd, Ad Reinhardt and Robert Smithson. It commenced in 1964 with the exhibition of Dan Flavin's 'Monument for V Tatlin' which was an assembly of neon lighting tubes. The tubes had not been modified in any way by the artist, merely arranged. The assembly did not signify anything other than itself. It simply existed. These 1960s artists were anti-Romantic. They very explicitly stated that their art was not self-expression, in complete opposition to the previous decade's Abstract Expressionists. Very soon they created a minimal style, whose features included: rectangular and cubic forms purged of all metaphor, equality of parts, repetition, neutral surfaces, industrial materials, all of which leads to immediate visual impact. Later minimal sculptors included Tony Smith, Larry Bell and John McCracken.
Ad Reinhardt summed up the style in these terms: 'The more stuff in it, the busier the work of art, the worse it is. More is less. Less is more. The eye is a menace to clear sight. The laying bare of oneself is obscene. Art begins with the getting rid of nature.'
This style was heavily criticised. It was called futile, mechanistic, mandarin, elitist, circular, pedantic and authoritarian. Some critics thought they were dealing with outright fraud.
Also notable are the post-minimalists, including Martin Puryear, Tyrone Mirchell, Melvin Edwards and Joel Shapiro. The keystone of post-minimalism is the often distinct references to objects without direct representation. This has become a predominant trend in modern sculpture.
Below: one of Dan Flavin's minimalistic lighting tube installations.