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Look ma I'm blogging

Send em back where they came from

Something i wrote to send off somewhere but it didn't really work out, bloody credit crunch.

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It seems a feature of life these days that the great debates that grip the nation no longer fit neatly, as they once did, into comfy categories that one can cheer or boo like panto heroes and villains.

The great ‘TV Swearing’ furore is a perfect example. The obscene calls made to Andrew Sach’s ansafone by media super-fops Jonathan Ross and Russell Brand have prodded what seemed an apathetic and almost comatose TV audience into outright rebellion. As a contemporary issue, however, it falls awkwardly across all my clearly-demarcated boundaries of what’s right and what’s wrong, leading to much awkward fence-sitting, brow-furrowing and mild indigestion.

On the face of it things should be clear-cut: on one side you have taboo-busting alternative comedians with sharp eyes, wits and tell-it-like-it-is street-talk, while on the other you have a motley group of Defenders of Decency & Family Values spearheaded by the Daily Mail. It’s a classic ‘liberals vs conservatives’ conflict (in an English, not much else going on, storm-in-a-teacup sort of way) and by all that’s right and holy I should be leaping to the cultural barricades in the defence of liberalised swearing, hurling rhetorical petrol bombs at the godawful Daily Mail and everything it stands for.

But I’m not. God help me, but I’m not.

For one thing the arguments for a nightly post-watershed swearathon have a hollow ring to them: they are oddly weak and unconvicing, as if while one can swear passionately, one struggles to be passionate about swearing. For example: in his recent series of Screenwipe TV critic Charlie Brooker warned that the recent waves of protest would kill all creativity and mordant social criticism in comedy, and ran a selection of clips of acknowledged British comedy classics that had, in their day, similarly ruffled feathers and caused mild offence: Monty Python, Blackadder, Not the Nine o’Clock News etc. Through a tremendous oversight however none of these clips featured any actual swearing (although there was much creative use of language) - which was something of an own goal. Similarly, Marcus Brigstocke, in a trademark comic diatribe on a recent Radio 4 Now Show, argued that if the anti-swearing lobby is allowed its way all cutting-edge comedy will be diluted and reduced to the kind of insipid formulaic sitcoms that generally feature Nicholas Lyndhurst. However as Charlie Brooker (unwittingly) demostrated, the long history of successful cuss-free Brit-com disproves this; and furthermore it ignores the converse truth: that if TV swearing continues to seep into the mainstream we’ll inevitably end up with lots of insipid, formulaic comedy featuring Nicholas Lyndhurst swearing like a pirate with Tourette’s. If there’s anything worse than gratuitous swearing, it’s crap gratuitous swearing.

My other difficulty is more practical. As the father of a 13 year-old who, like most children beyond primary school, doesn’t go to bed before the 9pm watershed, family TV viewing has become something of a fugitive hunt. Stay on one channel for too long and you’re soon sniffed out and tracked down by some celebrity motormouth or shouty TV chef and forced to seek sanctuary elsewhere in the schedules lest the ancestral halls echo with uninvited effing and blinding. Which we don’t want because, excepting extreme circumstances such as stubbed toes, burnt cakes and lost keys, we don’t generally swear in front of the children.
There’s the rub. It’s not like we don’t all swear. As a Viz reader all my adult life I fully appreciate the splendour and majesty of finely-crafted and well-delivered profanities. But the very nature and function of swearing is its context, in knowing when and where bad language is appropriate or justified, and when it isn’t. One suppresses or tailors one’s swearing to the intended audience and the extremity of the situation. There’s no hypocrisy in this. We all go to the toilet too, but we don’t take a dump in the stationery dept of W H Smiths (even though there’s plenty of paper to hand). It is the forbidden transgressive nature of bad language that’s the source of its power, and just as with sex and booze and fireworks we don’t grant the young access until they’re mature enough to have some basic grasp of the rules. To do otherwise is wrong on all sorts of levels.

The pro-swearing movement, as well as threatening civilisation as we know it – earthquakes and volcanoes, the dead rising from grave, human sacrifice, dogs and cats living together etc – also undermines the spirit and potency of the noble anglo-saxon expletive itself. If we ALL swear freely ‘bad language’ will cease to exist and good english will become infested with pointless and dumb words for bodily functions and sexual acts. It'll be ugly, dumb and dull – imagine the South Downs turned into one colossal motorway service station. As even Frank Skinner on his recent Panorama special acknowledged, when it comes to swearing Less is More.

There are no good reasons for setting swearing free. Tolerating obscene language is not somehow enlightened and progressive; swear words are not the literary version of a persecuted minority that should be liberated from oppression. They are nasty, ugly and brutish and should be shunned, vilified and placed in internment camps. And when they occasionally, inevitably, escape and run riot they should be tasered and imprisoned again. That’s what they’re good for.

The Final Curtain

I can't remember the last time I owned a decent tape deck, and for most of the last 18 years mine and Louise's old tapes have been consigned to 'long-term storage'. This has ranged from spare rooms (if available) to the cupboard under the stairs and thence to various attics and ultimately, after the last house move five years ago, to the garden shed. There they have suffered much abuse from dust and dampness and last week I decided they had suffered enough and it was time to let them go.

But before I finally binned them I catalogued them for posterity. Now I know I can, if I so wish, completely recreate the core musical aspect of my life in the years 1988-92, and I no longer have to confront a mournful and reproachful mouldy old box of tapes as a painful reminder of my fading youth everytime I want to mow the lawn.

Here they are. Most of the classical stuff is Louise's. There's a few embarassing ones and lots I'd forgotten all about. Some I played endlessly until they became imprinted on my DNA. What I'd really like to hear again is Hypnotone's 'Dream Beam', Psychic TV's 'Beyond Thee Infinite Beat' and Renegade Soundwave in Dub.



‘Crossroads’ movie soundtrack
4 Non-Blondes – What’s Up
808 State
African Headcharge – Conspiracy
African Headcharge – Songs of Praise
Amarock – Mike Oldfield
Autechre – Autechre
B52’s – Mesopotamia
B52’s – Whammy!
Baka – Outback
Beatles – White Album
Beautiful People – If 60’s were 90’s
Beethoven – Piano Sonatas
Betty Blue – soundtrack
Bjork and David Arnold – Play Dead
Brian Eno – Music for Airports
Bruce Hornsby & The Range – The Way It Is
Butthole Surfers – Sweat Loaf
Chris Rea – The Road to Hell
Compilation:
Copland – Fanfare for the Common Man etc
Davy Spillane – Shadow Hunter
Dead Can Dance - ?????
Debussy – L’Apres Midi d’un Faune / Nocturnes
Dire Straits – Alchemy Live
Donovan - Cosmic Wheels & Essence ot Essence
Dub Syndicate – Strike the Balance
Easy Ride Soundtrack
Enya – Shepherd Moons
Enya – The Celts
Eric Clapton – 461 Ocean Boulevard
Falla – Nights in the Garden of Spain
Fishbone – Subliminal Fascism
Flash in the Pan – Waiting for a Train
Fripp & Summers – Bewitched
Gary Clail – Emotional Hooligan
Gary Clail – End of the Century Party
Gary Clail & On-U Sound – Beef
Gershwin – Rhapsoy in Blue / An American in Paris
Hypnotone – Hypnotone (includes ‘Dream Beam’)
Jah Wobble – Visions of You
Jane’s Addiction – Mountain Song
Jeff Beck’s Guitar Shop
Kate Bush – Hounds of Love
Keith LeBlanc – But Whitey
King Crimson – Indiscipline
KLF – The White Room
KLF - Chill Out
Korngold – Violin Concerto in D.
Puccini - La Boheme
Lard – The Power of Lard
Laurie Anderson – Mister Heartbreak
Mad Professor – A Feast of Yellow Dub
Mad Professor – Escape to the Asylum of Dub
Puccini - Madam Butterfly
Marillion – Script for a Jester’s Tear
Mega City 4 – On Another Planet
Moeran – Symph in G Minor
Mozart – Requiem in D Minor
Neil Young – Harvest Moon
Nick Drake – Time of No Reply
NWA – Straight Outa Compton
Ninja Tunes – Flexistentialism
Ozric Tentacles – Dissolution
Ozric Tentacles – There is Nothing
Ozrics – Erpland
Paul Simon – Rhythym of the Saints
Pay It All Back III – On-U Sound
Pink Floyd – A Momentary Lapse of Reason /
Pink Floyd – Meddle
Pink Floyd – Ummagumma
Pretenders – Learning to Crawl
Primal Scream - Screamadelica
Psychic TV – Beyond Thee Infinite Beat
Puccini – Tosca
Rachmaninov – Symph no. 2
Radical Dance Faction – Borderline Cases
REM – Green
Renegade Soundwave – Soundclash
Renegade Soundwave in Dub
Right Said Fred – Deeply Dippy
Rimsky-Korsakov – Scheherezade
Sam Brown – Stop!
Enigma – MCMXC A.D.
Sheryl Crow – Tuesday Night Music Club
Sly & Robbie – A Dub Experience
Stereo MCs – 33.45.78
Steve Hillage – Live HeraldOn-U Sound – Pay it all Back
Stevie Ray Vaughan – Love Struck Baby
Suzanne Vega – Suzanne Vega
Talk Talk – History Revisted
Tchaikovsky – Nutcracker / Sleeping Beauty / Swan Lake
Tchiakovsky – Pathetique
Tears for Fears Greatest Hits (solely for Everybody wants to rule the World)
The Beatniks – Burritos
The Doors – Weird Scenes Inside the Goldmine
The Grid: 456
The Orb – UF.Orb
The Orb’s Adventures Beyond the Ultraworld
The Pixies – Debaser
The The – Infected
Tom Petty – Full Moon Fever
Tracy Chapman – Talkin’ Bout A Revolution
Trio Bulgarka – The Forest is Crying (Bulgarian throat singing!)
Tuck & Patty – Tears of Joy
Twin Peaks Soundtrack
U2 – Achtung Baby
Vaughan Williams – Antactica
Vaughan Williams – Fantasia Thomas Tallis / Greensleeves / Folk songs
Weather Report - Birdland





Another Sunless Solstice, but...

I drove out to Blackdown at around 7.30am and walked all the way to the end of the ridge. When I reached the first viewpoint a few hundred yards along I nearly turned back because heavy mist was obscuring the view of anything more than about half a mile away. But I stuck with it and marched along to the ‘ Temple of Winds ’ via the off-road Beech-hanger path. Walking within the trees was actually very refreshing and soothing: there was hardly any bird-song, just the occasional crow-caw and blackbird alarm, and although there was a faint murmur of wind blowing through the upper branches of the trees there was none on the ground, and everything was hushed and still and damp from the mist. It had the sudden calm atmosphere of entering an empty church from a busy street. It was an enigmatic stillness that seemed active rather than passive, somehow demanding my attention so that it cut through the noise of my as-usual racing mind, agitated as it was by the general pre-xmas rush.

At the far end of the ridge the mist had cleared somewhat so that it was possible to make out the nearby line of the south downs. The eastern horizon was completely obscured by shapeless and featureless banks of cloud, and although these seemed not to move or change at all a brilliant whiteness from beyond them seemed to wax and wane in vast but imperceptibly slow swells and fades, and I spent a good while entranced by this eye-baffling spectacle.

Eventually I made my way back to the first viewpoint again, and by then the mist had cleared up enough so that there was the tiniest faintest inkling of warm orange light in the air. I was struck by at least seven photons of golden solstice sunlight.

So overall the experience was one of the unseen and hidden, of changes and movements that were slow beyond perception. Although denied a view of the sunrise, it’s obscuration was equally compelling. There was something in the way the walk through the woods sharpened my senses in straining to capture the ineffable quality of the stillness, only to be then presented with something utterly amorphous, that was mysterious and beautiful.

http://www.rysuk.com/blackdown.html

Gordon Selfridge: A Lesson For Us All

Fancying some light entertainment to send me to sleep the other night I picked up Bill Bryson's "Notes from a Small Island", which I read some time ago but fancied revisiting. Here's a gem I'd forgotten about.

I rode the bus to the end of the line, the car park of a big new Sainsbury's at the New Forest end of Christchurch, and found my way through a network of pedestrian flyovers to the Highcliffe Road. About a half-mile further on, down a little side road, stood Highcliffe castle, formerly the home of Gordon Selfridge, the department store magnate, and now a ruin.
Selfridge was an interesting fellow who provides a salutory moral lesson for us all. An American, he devoted his productive years to building Selfridges into Europe's finest shopping emporium, in the process turning Oxford Street into London's main shopping venue. He led a life of stern rectitude, early bedtimes and tireless work. He drank lots of milk and never fooled around. But in 1918 his wife died and the sudden release from marital bounds rather went to his head. He took up with a pair of Hungarian-American cuties known in music-hall circles as the Dolly Sisters, and fell into rakish ways. With a Dolly on each arm he took to roaming the casinos of Europe, gambling and losing lavishly. He dined out every night, invested foolish sums in racehorses and motorcars, bought Highcliffe Castle and laid plans to build a 250-room estate at Hengistbury Head near by. In ten years he raced through $8 million, lost control of Selfridges, lost his castle and London home, his racehorses and his Rolls-Royces, and eventually ended up living alone in a small flat in Putney and travelling by bus. He died penniless and virtually forgotten on 8th May 1947. But of course he had had the inestimable pleasure of bonking twin sisters, which is the main thing.




:cheers: rip

Poem for Spring

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Now we've seen off darkest winter and can look forward (perhaps straining our eyes a bit) to some springtime warmth and colour, here's a poem to anticipate and celebrate.


Proud Songster

The thrushes sing as the sun is going,
And the finches whistle in ones and pairs,
And as it gets dark loud nightingales
In bushes
Pipe, as they can when April wears,
As if all Time were theirs.

These are brand new birds of twelvemonths' growing,
Which a year ago, or less than twain,
No finches were, nor nightingales,
Nor thrushes,
But only particles of grain,
And earth, and air, and rain.


Thomas Hardy

Oscar's Downfall

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More from Peter Vansittart's Voices.



(From Reading Jail)
On November 13th, 1895, I was brought down here from London. From two o’clock till half-past two on that day I had to stand on the centre platform of Clapham Junction in convict dress, and hand-cuffed, for the world to look at. I had been taken out of the hospital ward without a moment’s notice being given to me. Of all possible objects I was the most grotesque. Each train as it came up swelled the audience. Nothing could exceed their amusement. That was, of course, before they knew who I was. As soon as they had been informed they laughed still more. For a half an hour I stood there in the grey November rain surrounded by a jeering mob.
Well, now I am really beginning to feel more reget for the people who laughed than for myself. Of course when they saw me I was not on my pedestal, I was in the pillory. But it is a very unimaginative nature that only cares for people on their pedestals. A pedestal may be a very unreal thing. A pillory is a terrific reality. They should have known also how to interpet sorrow better. I have said that behind sorrow there is always a soul. And to mock at a soul in pain is a dreadful thing. In the strangely simple economy of the world people only get what they give, and to those who have not enough imagination to penetrate the mere outward of things, and feel pity; what pity can be given save that of scorn?

Oscar Wilde





The gods had given me almost everything. I had genius, a distinguished name, high social position, brilliancy, intellectual daring; I made art a philosophy and philosophy an art; I altered the minds of men and the colours of things; there was nothing I said or did that did not make people wonder. I took the drama, the most objective form known to art, and made it as personal a mode of expression as the lyric or sonnet; at the same time I widened its range and enriched its characeterisation. Drama, novel, poem in prose, poem in rhyme, subtle or fantastic dialogue, whatever I touched I made beautiful in a new mode of beauty: to truth itself I gave what is false no less than what is true its rightful province, and showed that the false and true are merely forms of intellectual existence. I treated art as the supreme reality and life as a mere mode of fiction. I awoke the imagination of my century so that it created myth and legend around me. I summed up all systems in a phrase and all existence in a epigram. Along with these things I had things that were different. But I let myself be lured into long spells of senseless and sensual ease. I amused myself with being a flaneur, a dandy, a man of fashion. I surrounded myself with the smaller natures and the meaner minds. I became the spendthrift of my own genius, and to waste an eternal youth gave me a curious joy. Tired of being on the heights, I deliberately went to the depths in the search for a new sensation. What the paradox was to me in the sphere of thought, perversity became to me in the sphere of passion. Desire, at the end, was a malady, or a madness, or both. I grew careless of the lives of others. I took pleasure where it pleased me, and passed on. I forgot that every little action of the common day makes or unmakes character, and that therefore what one has done in the secret chamber one has some day to cry aloud on the house-tops. I ceased to be lord over myself. I was no longer the captain of my soul, and did not know it. I allowed pleasure to dominate me. I ended in horrible disgrace. There is only one thing for me now: absolute humility.

Oscar Wilde





Yet lo! He was unchanged. He was still precisely himself. He was still playing with ideas, playing with emotions. ‘There is only one thing left for me now’, he writes, ‘absolute humility.’ And about humility he writes many beautiful and true things. And, doubtless, while he wrote them, he had the sensation of humility. Humble he was not.

Max Beerbohm

Cricket Bats & the Franco-Prussian War

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I've been reading a fascinating anthology called Voices, 1870-1914 by Peter Vansittart, who as well as producing anthologies wrote historical fiction. It's a 'quirky collage' of excerpts from speeches, novels, newspaper reports, private letters, court records and various other sources giving the flavour of the period, and covers events from the Franco-Prussian war through to the start of the First World War. While it gives perspectives into the political, cultural and philosophical issues of the day, it also offers insights into everyday life and many comical, tragic and moving portraits and accounts that invoke a powerful sense of the bewildering variety and breadth of human experience.

One small example. In the introduction Vansittart writes:

Much in my book shows traces of the fears and misunderstandings of childhood. "I can still see the shadows of wolves if I lie in my bed with a fire in the room," wrote Ford Madox Ford. I myself would crouch on a table, from the wolves, and once saw a blue staring giant in the darkened garden. North country children still fear Winnie with the Long Green Fingers, and Jenny Greenteeth, sitting in slime. The infant Rider Haggard "suffered terrors from an old doll with boot-button eyes, black wool hair and a sinister leer on it's painted face. An unkind nurse-maid playing on his fear of the doll used to frighten him into obedience by brandishing it. This doll was known as She-Who-Must-Be-Obeyed."



Another example is that of Empress Eugenie, Countess of Teba and wife of Napoleon 3rd, the last Emperor of France. They were dethroned by Otto Von Bismarck in 1870 after the the Prussians defeated the French army and took Paris, and lived for thirty years in exile in Farnborough, Surrey. In her later years she regularly visited Paris as an ordinary civilian, and was once rebuked by an official for picking a rose in the gardens of the Tuileries.

Incidentally Paris suffered greatly during the aftermath of the war and in the desperate citizens quest to find sustenance almost every living animal - cats, dogs, horses, birds and any creature that could possibly provide meat - was eaten. The Paris zoo was ransacked and the Goncourt Journal reported that a butcher in the Boulevard Housmann was offering skinned elephant's trunk and camel kidneys.


Vansittart's eclecticism knows no bounds and he doesn't restrict himself to the merely relevant and informative, often providing curious vignettes that wouldn't be out of place in the pages of Fortean Times:

I have a magpie mind and was delighted to learn that G. M. Trevelyan's housemaster at Harrow firmly believed in the advantages of useless knowledge. I enjoy knowing (from E. M. Forster) that T. E. Lawrence (Lawrence of Arabia) teased naval officers by continually referring to the bridge as the verandah, and that Cardinal Mazarin's cruel and prudish son-in-law liked to sit in sunlight and be watered, fancying himself to be a tulip. Charles Dickins had a teacher who wore onions in his ears.
A memorial in Brompton Cemetery celebrates one who "suddenly fell asleep in Jesus at the Pinner Railway Station while waiting for a train to return to London". The Rev J. Radford would wander the countryside seeking a gypsy with whom to wrestle. Louis Napoleon, when young, was reputed expert in Blind Man's Buff and at making animals shadows on a wall, skills perhaps foreshadowing his later foreign policy. Karl Marx deplored Ramsgate for being full of Jews and fleas. W. G. Grace's grandfather drove from Bristol to London in a kite-drawn carriage of his own invention. In the admiralty islands, Rev. Elisha Fawcett had his wooden leg buried with him; allegedly it took root and provided cricket bats. Wellington had his lawn mowed by an elephant in special boots. Charles Kingsley presented a set of his sermons to a Mr Ackland, aged two. For his last thirteen years as a senior civil servant at the Colonial Office, Sir Henry Taylor never once visited the actual office. None of this is important but I do not regret knowing it. Here, I am trying to convey what Isaiah Berlin calls the complex crooked nature of men and institutions. Human behaviour shows drastic extremes without, despite war and revolution, suggesting any significant change in human nature. Genetics scarcely explain the transformation of Swiss and Scandinavians from warriors to peace-lovers.



I'll post a few more excerpts as they occur to me.