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Set your soul free - be an artist !

Made in Norway.

Pakke fra hemmelig venn

I dag har jeg fått pakke fra min hemmelige venn på broderi-gruppa. Jeg ble veldig,veldig glad. Min hemmelige venn måtte ha fulgt godt med, for jeg fikk akkorat slike ting som jeg liker ( så besætt godt ) :smile: Tusen, tusen takk for gaven !

Det var en nøkkelring med et broderi inni, en liten bok som heter " du er en blomst" , et mønster på noe som jeg har leita etter lenge, et flott stoff til løper og et kjempekoselig kort.

Fototur i grisevær

Var ute en snartur for å ta noen bilder av springfloa, men det snødde så fælt at jeg var snar å sette meg inn i bilen og kjøre hjem. Dette bildet er tatt på Freistranda i dag. Taket på Hasselbakknaustet forsvant sist fredag da vi hadde sterk storm her. Egentlig er slike dårlig-vær-bilder ganske spennende synes jeg.

Navneskilt


I dag har jeg malt et navneskilt til min datter og hennes familie. Visket ut etternavnet men på orginalen står det nederst.

Vårblomster i korssting

I dag vil jeg legge ut mønster på en krokus. Håper dette er noe for deg som liker vårblomster. Hvis noen tar kopi av mønstrene som jeg legger ut, så hadde det vært hyggelig med en kommentar.

Det klør i fingrene


I dag tok jeg inn noen påskeliljeløker som var begynt å spire. Plantet de i en krukke på kjøkkenet




Her er et fint påskemotiv i korssting:





Ønsker dere alle Et Godt Nytt År !

Sent med godt. Ønsker dere alle Et Godt Nytt År !

I dag har jeg blitt bestemor igjen !!

I dag kom det en liten gutt til oss ! 2500 gram og 48 cm.

Savn 1. september




Hvis teksten er vond å lese :

Tåren
Av Jakob Haugå, 29.07.2001

Tørk bort mine tårer
men la en få renne fritt.
La den seile uten årer
ned langs hele kinnet mitt.

Se, min tåre er det savnet
som jeg aldri helt forlot;
hver en gang jeg hørte navnet,
slo den atter en gang rot.

Nå kan tåren min få tørke,
la den dampe sakte vekk,
og med den forsvinner mørket;
det som engang var en bekk.

Nå skal kjærligheten strømme
og ta tårens tomme sted;
for så lenge jeg kan drømme,
kan tåren min få fred.

FAR

Dikt

Det er langt mellom venner



Det er langt mellom venner.

Mellom venner står mange bekjentskaper

og mye snakk.

Venner ligger som små lysende stuer

langt borte i fjellmørket.

Du kan ikke ta feil av dem.


Kolbein Falkeid.

Et portrett- en historie.

I dag kom jeg over bildet som fotografen Steve McCurry tok av " the afghan girl" Etter mange år så fant de denne jenta, hennes historie og navn. Hun heter Sharbat Gula.
Bildet har vært omtalt i National geographic. Se historien her.




How They Found National Geographic's "Afghan Girl" (Her er linken til artikkelen)
David Braun
National Geographic News

Updated March 7, 2003
This story was first published a year ago, in March 2002, when the National Geographic Society announced that the "Afghan Girl" had been found.
A National Geographic EXPLORER documentary airing in the United States on Sunday, March 9, 2003, tells the whole story, including an interview with Sharbat Gula.

She was one of the world's most famous faces, yet no one knew who she was. Her image appeared on the front of magazines and books, posters, lapel pins, and even rugs, but she didn't know it. Now, after searching for 17 years, National Geographic has once again found the Afghan girl with the haunting green eyes.

The mysterious Afghan girl whose direct gaze has intrigued the West for so long is Sharbat Gula. She lives in a remote region of Afghanistan with her husband and three daughters.

Sharbat was located nearly two decades after her picture appeared on the cover of National Geographic magazine in 1985. She had no idea her face had become an icon, said Steve McCurry, the photographer who made the famous portrait for National Geographic in 1984, and who tried to find her again during many subsequent trips he made to Pakistan and Afghanistan.

McCurry's photo of the girl was selected as the cover of National Geographic 100 Best Pictures.

In January 2002, a National Geographic team returned to the Nasir Bagh refugee camp in Pakistan, where Sharbat Gula was originally photographed, to search for her. She was identified through a series of contacts that led to her brother and husband, who agreed to ask her if she was willing to be interviewed.


Sharbat has been photographed on only two occasions: in 1984 and at the reunion with Steve McCurry this year. She had never seen her famous portrait before it was shown to her in January.

"This is the face that so captivated not only National Geographic readers but also anyone who saw her image around the world," said Boyd Matson, host of the National Geographic television show EXPLORER, who was with the group that met with Gula.

"We've known her face, but we've not known her story, not even her name," he said.

Final Search

National Geographic set out to make one last concerted effort to find the "Afghan girl" before the refugee camp in Pakistan where she had last been seen was demolished.

From the camp, the trail wound through several villages and into at least one dead end, until someone recognized the girl on the cover of National Geographic and said he knew her brother.

"The second I saw the color of her brother's eyes, I knew we had the right family," said Matson.


Because Sharbat Gula lives a traditional Muslim life behind the veil, she was not allowed to meet men outside her family. But the Geographic team was given permission to send a female associate producer to meet Sharbat and photograph her face.

Matson said that when he compared the photograph of the woman with that of the girl, he was certain it was the same person. "The irises of the eyes, the moles and scar on the face—all indicated this was the person we were looking for," he said.

Still, to make sure Sharbat Gula was the girl who had been photographed 17 years earlier, the EXPLORER team obtained verification through iris-scanning technology and face-recognition techniques used by the U.S. Federal Bureau of Investigation.

After Sharbat's family granted permission for her to meet with the man who photographed her 17 years ago, McCurry knew immediately, even after so many years, that he had found her again. "Her eyes are as haunting now as they were then," he said.

"She remembered me, primarily because she had never been photographed before I made the image of her in 1984, or since then," he said.

Sharbat Gula recalled the experience of being photographed as a child, she told McCurry, because she remembered how her head covering was full of holes after being scorched by a cooking fire.

When they met again, McCurry told Sharbat her image had become famous as a symbol of the Afghan people. "I don't think she was particularly interested in her personal fame," McCurry said. "But she was pleased when we said she had come to be a symbol of the dignity and resilience of her people."

The award-winning photographer said his original image of Sharbat had seized the imagination of so many people around the world because her face, particularly her eyes, expressed pain and resilience as well as strength and beauty.

Sharbat Tells Her Story

When Sharbat agreed to have her picture taken for the second time in her life, she came out from the secrecy of her veil to tell her story. She wanted the people around the world who knew her face to know that she survived the refugee camp in Pakistan.

She married and had four daughters, one of whom died in infancy. She lives in obscurity, according to the customs and traditions of her culture and religion.

A member of the Pashtun ethnic group in Afghanistan, Sharbat said she fared relatively well under Taliban rule, which, she feels, provided a measure of stability after the chaos and terror of the Soviet war.

According to Matson and McCurry, Sharbat Gula has returned to anonymity; the latest publicity about her name and face is unlikely to draw attention to her in Afghanistan. "She will not give another media interview and she wishes not to be contacted," Matson said. Her family has relocated to a different village in a remote part of Afghanistan, where she will continue to live her life in purdah, he added.

Asked if Sharbat would benefit financially from her famous image, Matson said she was "being looked after."

"Clearly she has become a symbol that National Geographic has used to illustrate the circumstances of refugees like her, and many people have inquired about her," he said. "She stood for an entire group of refugees, not just Afghan refugees. She has helped us with our mission of educating people about other cultures and regions—and she's helping us again by drawing attention to the lives of Afghan women and girls in general."


Because Sharbat Gula has come to symbolize the suffering of an entire generation of Afghan women and their children, the National Geographic Society is creating a special fund to assist in the development and delivery of educational opportunities for young Afghan women and girls. The Society will work with select nonprofit organizations and local authorities in the region to create the program.

Contributions can be made online to the National Geographic Afghan Girls Fund or by sending a check directly to the National Geographic Afghan Girls Fund, Development Office, National Geographic Society, 1145 17th Street N.W., Washington, D.C., 20036.

Sharbat Gula's life is the subject of the cover story in the April issue of National Geographic, and the process of finding her and verifying her identity is detailed in a television documentary from National Geographic EXPLORER, broadcast in the United States on MSNBC and internationally on the National Geographic Channel.



Naturbilde-along august





Dette er mitt bidrag i naturbilde-alongen for august. Bildet heter auguststemning og er tatt øverst i Romsdalen ved Verma. Det blåser kraftig, og elva går i strie strømmer nedover.

Uka som var...........

I uka som var, dro jeg opp til Bjorli for å fotografere og å lese. Hadde tenkt å være til søndag, men det ble for ensomt. Dro like godt hjem på lørdag og følte jeg hadde fått gjort det jeg kom dit for å gjøre.
Leste en bok av Milan Ryzl " Slik utvikler du psykiske evner hos deg selv om andre" Synes boka var innmari tung,men alikevel interessant. Det var ikke akkorat tid og sted for å eksperimentere, så den biten får jeg ha tilgode.

Ellers så dro jeg til Slettafossen og omegn og tok en del bilder. Været var litt grått og bildene ble uten "smell",men dog et - godt minne.

og for de som er spes. interessert :


Camera ModelCanon EOS 400D DIGITAL
Shooting Date/Time17.08.2007 11:30:37
Shooting ModeProgram AE
Tv( Shutter Speed )1/125
Av( Aperture Value )8.0
ISO Speed400
Lens10.0 - 20.0 mm
Focal Length10.0 mm
Image QualityRAW

Lille Knæsj sover




Er han ikke knæsj kanskje ?
Dette er mitt første forsøk på digital scrapbooking.

Gratulasjonskort fra egen hage

I dag har jeg laget et gratulasjonskort med motiv fra egen hage. Plastlegges og klippes til. Voila !

Enda et kort

Dette skal være mitt bidrag i bilde-alongen for juli.

Det er morsomt å lage kort, og i hvertfall når jeg har tatt bildene selv. Har en lamineringsmaskin som jeg plastlegger kortene med.

I dag har jeg lært noe

I dag har jeg lært noe som er "kjekt å kunne"

Jeg har lært å lage runde hjørner på bildene mine, og så fant jeg en håndskriftfont som jeg er ganske fornøyd med.
Her er et bilde av en av pionvalmuene/ valmuene mine som vokser i hagen nå.

Miss Merino

Forleden var vi på besøk på Endreseth gård. Det var koselig å gå rundt å se på alle dyrene, både for store og små. Her traff vi en koselig type med et underfundig blikk som liksom spurte - er du en av de som sikler etter ulla mi ?

Granny Ripple

I dag gjorde jeg ferdig grannyen min. Kuttet litt ned på mønsteret, for jeg syntes det var finest slik. Skal brukes som duk på kjøkkenbordet i mine rosa perioder. ; )

Bølgehekling

I dag var jeg på biblioteket og fant boken "hekling- abc for hekleentusiaster"
Tok kopi av forklaringen "Bredt sikksakkmønster".
Synes dette er ganske greit å bruke for å hekle bølgeteppe oa.
August 2008
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