In the kitchen
Thursday, 19. March 2009, 23:17:24
(acrylic on rough paper)
As you might know, I´ve started a painting of a woman, standing in her the doorway of her home
The painting proces has been on standby for quite some time now.
The fictive story behind the painting, suddenly got a life of its own.
I stopped painting and started thinking...far too much.
In order to make it easier, I´ll place myself in Yvonne´s kitchen and listen to the conversation between Yvonne and her daughter Claudia
Yvonne (Y) is standing at the kitchen table. I can´t see what she´s doing. From the movements of her back, it looks as if she´s cutting something
Claudia (C), her 9 year old daughter is sitting at the dinner table, with an absent look on her face.
I sit without moving, holding my breath.
Y: You´re quiet today
C: Mom, you said that yesterday too!
Y: I know. You were silent then also, honey
C: I don´t know what to say
Y: I just want to start a conversation, you know.
C: Why?
Y: I want to know what you think!
C: About what?
Y: Tell me about your dreams. You used to do that. I like that!
C: I remember them....
Y: But?...
C: They are different now
Y: Different? Different how?
C: I don´t know what they´re about anymore.
Y: Does it scare you?
C: No...I dont think so.
Y: (laughs) Most of MY dreams are pretty confusing. I don´t know what they´re all about. And sometimes they really scare me! NIGHTMARES
C: I don´t dream like that
Y: Well how DO you dream, honey
C: It´s like a story
Y: Ok, are you IN that story or are you just standing somewhere watching?
C: Sometimes I´m in the dream and sometimes it´s like watching TV.
Y: I see. That´s interesting. How was your latest dream? Did you dream anything yesterday night?
C: Yes.
Y: Well?
C: It was...about you.
Y: Me?!
C: Yes
Y: Oh...what did I do in your dream?
C: You were standing like this in the doorway (rises from chair and stands with her arms crossed)
Y: Where? The front door?
C: Yes.
Y: That´s all I did? Just stood there?
C: You were worried.
Y: Worried? About what?
C: That we`re not real.
Y: WHAT?
C: Someone made us up and you´re worried about it, that´s all.
Y: You mean God..or
C: No, not him.
Y: How do you know?
C: I just do. God feels different.
Y: I see. Sounds like a nightmare to me!
C: Don´t worry mom, it was just a dream.
Y: Yes love, that´s right.
I leave their kitchen as quietly as I possibly can.
Funny I have to write my way back to the canvas again!














Angeliki # 19. March 2009, 23:39
thanks for the entry...
I am still creating the character in my mind...
somehow I am eager to know more before I do enjoy Yvonne.....
some how her attitute to her daughter comes across too cold...is it intentional??
I love LOVE the painting! the color mix it is awsome!!!
Stardancer # 20. March 2009, 00:59
Carol # 20. March 2009, 02:13
Allan # 20. March 2009, 11:11
It's nice to follow your ways in and out of your art. You have an extremely thorough approach - I don't work that way at all. Maybe that's why I find this so interesting?
Bea # 20. March 2009, 13:31
Nicolas Borgsmidt # 20. March 2009, 22:25
I´m glad you´ve been patient Angeliki. And I´m sorry to have kept you waiting, but I was stuck somehow.
All I know is that there´s some kind of conflict in the communication between Yvonne and Claudia. I think Claudias silence has been going on for longer than we know. I really think that Yvonne is begging to worry a lot about it. I have to know more about them before I can feel why Yvonne has this cold attitude. Seems to come out of fear..not sure.
I´m glad you like the painting. It was a quickie
Nicolas Borgsmidt # 20. March 2009, 22:29
I stole that expression from a girl in a picture in a paper it reminds me so much of MY daughters face. I´ve seen that look a 1000 times
Nicolas Borgsmidt # 20. March 2009, 22:35
Not this time I´m afraid. I really have to work on this one
Nicolas Borgsmidt # 20. March 2009, 22:43
Like you, I too think it´s very very interesting to see how other people handle their creativity.
But trust me, this is NOT the way i usuallly do this. So many words have sneaked their way in. Dialogues that goes on and on like a mumble in the background! But I´ll try to follow this line in this painting and see where it bings me
Nicolas Borgsmidt # 20. March 2009, 22:51
But the big painting is not finished Bea. This is just an on-the-way illustration. The real painting is yet to come. Soon I´ll work on it agai...I hope
PainterWoman # 21. March 2009, 00:38
Bea # 21. March 2009, 00:55
I love colors!
Lois # 21. March 2009, 01:25
Léazz # 21. March 2009, 04:12
Nicolas Borgsmidt # 21. March 2009, 06:45
I´m glad you like it Pam
Nicolas Borgsmidt # 21. March 2009, 06:50
Ok Bea. I´ll let the colours glow. Good idea
Nicolas Borgsmidt # 21. March 2009, 07:05
Yes Yvonne is beautiful. Somehow she doesn´t feel it as an advantage at the moment if ever. She doesn´t experiment much with the way she looks. She seems to be very pragmatic and down to earth about it.
You´re right, I sense a conflict coming up between mother and daughter.
Unintended Cladia seems to poke to some of her mothers fears.
Nicolas Borgsmidt # 21. March 2009, 07:06
Léazz # 21. March 2009, 08:14
Nicolas Borgsmidt # 21. March 2009, 08:18
Léazz # 21. March 2009, 08:21
Nicolas Borgsmidt # 21. March 2009, 08:32
Léazz # 21. March 2009, 08:38
Nicolas Borgsmidt # 21. March 2009, 08:48
Léazz # 21. March 2009, 10:25
dɹɐzılpǝkɔıw ɐʞɐ ɹǝɥgɐllɐg lǝbɐsı # 21. March 2009, 12:13
Nicolas Borgsmidt # 21. March 2009, 21:01
@ Isabel
Thanks Issy
Léazz # 22. March 2009, 02:46
SummerAngel # 22. March 2009, 14:14
Nicolas Borgsmidt # 22. March 2009, 14:38
Wow you recognise that, I mean about the teenage thing, that´s so great
Most of you women have commented on the colours, so I´ll really consentrate about making them right. During next week I hope to be painting on the big canvas again
But I still have dialouges in my head
Adele # 22. March 2009, 14:52
SummerAngel # 22. March 2009, 15:28
Most pre-teens/teens, go through that stage of pulling away and needing their space and secrets. We mothers mothers struggle to balance giving them enough space to grow and experience what life has to offer while trying making sure they are using this new found freedom wisely.
Nicolas Borgsmidt # 22. March 2009, 18:56
That´s just great Adele. Thakyou
@ Annette
Thankyou for your inside knowledge. I need the mother/daughter facts. Your information will come in handy
Edward Piercy # 24. March 2009, 10:20
You know, when I create a character in a story, I feel bad if they die or otherwise come to harm...
You have to love what you create...I am learning.
Nicolas Borgsmidt # 24. March 2009, 18:10
studio41 # 25. March 2009, 07:48
Nicolas Borgsmidt # 25. March 2009, 19:59
studio41 # 26. March 2009, 08:36
Nicolas Borgsmidt # 26. March 2009, 20:04
studio41 # 28. March 2009, 06:38
Nicolas Borgsmidt # 28. March 2009, 07:33
But I can recomend painting as a whole, that´s for sure. You can do it for fun and it can be hard work too
studio41 # 31. March 2009, 06:08
Nicolas Borgsmidt # 31. March 2009, 16:32
I´ve experienced that the ppl I´ve made portraits of have seen new sides of themselves and that´s great I think. The secret is how you master painting the eyes. Get the eyes right and the rest will follow
studio41 # 1. April 2009, 05:31
explain this to me, please. thank you for the information! I did a sketch of a baby once... several sketches of sketches really (an art book) but they turned out great in my meager estimation. thing is, I tried my dad from a photo and bombed... his face was scrunched to a fraction its size, like one of those funny mirrors... I was bummed and put my pencil down for a long time. It is rather therapeutic for me, though.
Nicolas Borgsmidt # 1. April 2009, 10:46
If you in the beginning are lucky and make acceptable portraits you miss a lot of learning. To me that´s the most beautiful and giving in the proces. Learning, seeing, doing.
Painting portraits using a photo as a reference is hard and not the best way to do it. Most photos of faces are taken flat front and the person in the pic is almost always smiling. Very boring.
I could talk a lot about this and it would only cover fragments of all the informations I´d like to give you
But besides training, training and training there are books to read
I can recomend: Any thorough book about the human physionomy and structure as a whole and my bibles: Betty Edwards books "The art of drawing" and "The art of seeing".
studio41 # 1. April 2009, 23:51
Jen # 5. April 2009, 22:01
But to be able to capture a moment, a sigh, a space, a fear... Etc. That must be so rewarding.
And you writing and painting connects those worlds. Gives them a story you would only guess at.
I have to say, even tho the mother does appear cold, she is making efforts... And not letting her daughter go into her own world without a fight. This was no two sentence conversation. And the daughter is in the kitchen, not watching TV, doodling in her room, or playing a video game....
I sense a past closeness that transcends the present circumstances... At least for now.
Nicolas Borgsmidt # 5. April 2009, 23:46
Capturing moments is wonderful Jen. I´m enjoying it fully when I´m "tuned" in
I´m not a writer. Definately not! But this peticular painting has driwen me like a nightmare. Normally I think in images when I paint. But at the entrance of this painting I just "heard" a lot of dialogs. And the words kept babeling inside me kept buggin´ me. So in the end I desided to deal with it in a sphere operating between the painting and the written word.
Yvonne does appear cold, doesn´t she?! I think Claudia wants to confront her mother with silence. C´s silence is a way of trying to tell her mother something. And the things there are to be told scares Yvonne a lot.
At the moment, I don´t know what it is. I have no dialouges inside me now so I might paint again soon
Jen # 6. April 2009, 01:07
Nicolas Borgsmidt # 6. April 2009, 08:15