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Declaring something is so and so using 「だ」

One of the trickiest part of Japanese is that there is no verb for the state-of-being like the verb "to be" in English. What Japanese has instead, is a way to declare that something is the way it is by attaching the hiragana character 「だ」 to a noun or na-adjective only. You'll see what this means when we learn about nouns and adjectives.

As it stands, （１） is simply the word "fish" and doesn't mean anything beyond that. However, we'll see in the next section that with the topic particle, we can infer that something is a fish from the context without declaring anything. So the question that should be floating around in your head is, "If you can say something is [X] without using 「だ」, then what's the point of even having it around?" Well, the main difference is that a declarative statement makes the sentence sound more emphatic and forceful in order to make it more... well declarative. Therefore, it is more common to hear men use 「だ」 at the end of sentences. This is also why you cannot use 「だ」 when asking a question because then it sounds like you're making a statement and asking a question at the same time. (Unless you're declaring a question word such as 「どこだ」.)

The declarative 「だ」 is also needed in various grammatical structures where a state-of-being must be explicitly declared. There is also the case where you must not attach it. It's all quite a pain in the butt really but you don't have to worry about it yet.

Conjugating to the negative state-of-being

In Japanese, negative and past tense are all expressed by conjugation. We can conjugate a noun or adjective to either its negative or past tense to say that something is not [X] or that something was [X]. This may be a bit hard to grasp at first but none of these state-of-being conjugations make anything declarative like 「だ」 does. We'll learn, in a later lesson, how to make these tenses declarative by attaching 「だ」 to the end of the sentence .

First, for the negative tense, you simply attach 「じゃない」 to the noun or na-adjective.

Examples

（１）　魚じゃない。- Is not fish.
（２）　学生じゃない。- Is not student.
（３）　静かじゃない。- Is not quiet.

Conjugating for the past state-of-being

We will now learn the past tense of the state-of-being. To say something was something, 「だった」 is attached to the noun or na-adjective.

In order to say the negative past (was not), the negative tense is conjugated to the negative past tense by simply dropping the 「い」 from 「じゃない」 and replacing it with「かった」.

（１）　魚だった。- Was fish.
（２）　学生じゃなかった。- Was not student.
（３）　静かじゃなかった。- Was not quiet.

To sum up

We've now learned how to use express a state-of-being in all four tenses. Next, we will learn some particles, which will allow us assign roles to words. Here is a summary chart of the conjugations we learned in this section.

What is Kanji?

In Japanese, nouns and stems of adjectives and verbs are almost all written in Chinese characters called kanji. Adverbs are also fairly frequently written in kanji as well. This means that you will need to learn Chinese characters to be able to read essentially almost all the words in the language. Not all words are written in kanji however. For example, while the verb 'to do' technically has a kanji associated it with, it is always written in hiragana. Individual discretion and a sense of how things are normally written is needed to decide whether words should be written in hiragana or kanji. However, a majority of the words in Japanese will be written in kanji almost always. (Children's books or any other material where the audience is not expected to know a lot of kanji is an exception to this.)

This guide begins using kanji from the beginning to help the reader read "real" Japanese as quickly as possible. Therefore, we will go over some properties of kanji and discuss some strategies of learning it quickly and efficiently. Mastering kanji is not easy but it is by no means impossible. The biggest part of the battle is mastering the skills of learning kanji and time. In short, memorizing kanji past short-term memory must be done with a great deal of study and, most importantly, for a long time. And by this, I don't mean studying five hours a day but rather reviewing how to write a kanji once every several months until you are sure you have it down for good. This is another reason why this guide starts using kanji right away. There is no reason to dump the huge job of learning kanji at the advanced level. By studying kanji along with new vocabulary from the beginning, the immense job of learning kanji is divided into small manageable chunks and the extra time helps settle learned kanji into permanent memory. In addition, this will help you learn new vocabulary, which will often have combinations of kanji you already know. If you start learning kanji later, this benefit will be wasted or reduced.

Learning Kanji

All the resources you need to begin learning kanji are on the web for free at Jim Breen's WWWJDIC. In addition to its huge dictionaries, it has stroke order diagrams for the 1,945 jouyo kanji (essentially almost all the kanji you will need to know). Especially for those who are just starting to learn, you will want to repeatedly write out each kanji to memorize the stroke order. Another important skill is learning how to balance the character so that certain parts are not too big or small. So make sure to copy the characters as close to the original as possible. Eventually, you will naturally develop a sense of the stroke order for certain types of characters allowing you to bypass the drilling stage. All the kanji that is used in this guide can be easily looked up by copying and pasting to the WWWJDIC.

Reading Kanji

Almost every character has two different readings called 音読み （おんよみ） and 訓読み（くんよみ）. 音読み is the original Chinese reading while 訓読み is the Japanese reading. Kanji that appear in a compound or 熟語 is usually read with 音読み while one kanji by itself is usually read with 訓読み. For example, 「力」（ちから） is read with the 訓読み while the same character in a compound word such as 「能力」 is read with the 音読み （which is 「りょく」 in this case）.

Certain characters (especially the most common ones) can have more than one 音読み or 訓読み. For example, in the word 「怪力」, 「力」 is read here as 「りき」 and not 「りょく」. Certain compound words also have special readings that have nothing to do with the readings of the individual characters. These readings must be individually memorized. Thankfully, these readings are few and far in between.

訓読み is also used in adjectives and verbs in addition to the stand-alone characters. These words often have a string of kana called okurigana that come attached to the word. This is so that the reading of the Chinese character stays the same even when the word is conjugated to different forms. For example, the past form of the verb 「食べる」 is 「食べた」. Even though the verb has changed, the reading for 「食」 remain untouched. (Imagine how difficult things could get if readings for kanji changed with conjugation or even worse, if the kanji itself changed.) Okurigana also serves to distinguish between intransitive and transitive verbs (more on this later).

Another concept that is difficult to grasp at first is that the actual readings of kanji can change slightly in a compound word to make the word easier to say. The more common transformations include the / h / sounds changing to either / b / or / p / sounds or 「つ」 becoming 「っ」. Examples include: 「一本」、「徹底」、and 「格好」.

Yet another fun aspect of kanji you'll run into are words that practically mean the same thing and use the same reading but have different kanji to make just a slight difference in meaning. For example 「聞く」（きく） means to listen and so does 「聴く」（きく）. The only difference is that 「聴く」 means to pay more attention to what you're listening to. For example, listening to music almost always prefers 「聴く」 over 「聞く」. 「聞く」 can also mean "to ask", as well as, "to hear" but 「訊く」（きく） can only mean "to ask". Yet another example is the common practice of writing 「見る」 as 「観る」 when it applies to watching a show such as a movie. Yet another interesting example is 「書く」（かく） which means "to write" while 描く （かく） means "to draw". However, when you're depicting an abstract image such as a scene in a book, the reading of the same word 「描く」 becomes 「えがく」. There's also the case where the meaning and kanji stays the same but can have multiple readings such as 「今日」 which can be either 「きょう」、「こんじつ」, or 「こんにち」. In this case, it doesn't really matter which reading you choose except that some are preferred over others in certain situations.

Finally, there is one special character 々 that is really not a character. It simply indicates that the previous character is repeated. For example, 「時時」、「様様」、「色色」、「一一」 can and usually are written as 「時々」、「様々」、「色々」、「一々」.

In addition to these "features" of kanji, you will see a whole slew of delightful perks and surprises kanji has for you as you advance in Japanese. You can decide for yourself if that statement is sarcasm or not. However, don't be scared into thinking that Japanese is incredibly hard. Most of the words in the language usually only have one kanji associated with it and a majority of kanji do not have more than two types of readings.

Why Kanji?

Some people feel that the system of using separate, discrete symbols instead of a sensible alphabet is out-dated and overly complicated. In fact, it might have not have been a good idea to adopt Chinese into Japanese since both languages are fundamentally different in structure. But the purpose of this guide is not to debate over the decisions made thousands of years ago but to explain why you must learn kanji in order to learn Japanese. And by this, I mean more than just saying, "That's how it's done so get over it!".

Some people feel that Japanese should have just switched from Chinese to romaji to do away with all the complicated characters that was bewildering the foreign white devils. In fact, Korean has adopted their own alphabet to greatly simplify their written language to great success. So why didn't it work for Japanese? And I ask this in the past tense because I believe that the government did attempt to replace kanji with romaji shortly after the second world war with little success. I think anyone who has typed at any length in Japanese clearly can easily see why this did not work. At any one time, when you convert typed hiragana into kanji, you are presented with almost always at least two choices (two homophones) and sometimes even up to ten. (Try typing kikan). The 46 or so character alphabet in Japanese makes it hard to avoid homophones. Compare this to the Korean alphabet which has 14 consonants and 10 vowels. Any of the consonants can be matched to any of the vowels giving 140 sounds. In addition, a third and sometimes even fourth consonant can be attached to create a single letter. This gives over 1960 sounds that can be created theoretically. (The sounds that are actually used is actually much less than that, though I don't know the exact number.)

Since you want to read at a much faster rate than you talk, you need some visual cues to instantly tell you what each word is. You can use the shape of words in English to blaze through text because most words have different shapes. Try this little exercise: Hi, enve thgouh all teh wrods aer seplled icorrenctly, can you sltil udsternand me?" Korean does this too because it has enough characters to make words with distinct and different shapes. However, because the visual cues are not distinct as kanji, spaces needed to be added to remove ambiguities. (This presents its own set of problems of when and where to set spaces.)

With kanji, Japanese doesn't have to worry about spaces and much of the problem with homophones are resolved. Without kanji, even if spaces were to be added, the ambiguities and lack of visual cues would make Japanese text much more difficult to read.

What is Katakana?

As mentioned before, katakana is mainly used for words imported from foreign languages. It can also be used to emphasize certain words similar to the function of italics. For a more complete list of usages, refer to the Wikipedia entry on katakana.

Katakana represents the same set of phonetic sounds as hiragana except, of course, all the characters are different. Since foreign words must fit into this set of [consonants vowel] combinations, they undergo many radical changes resulting in the case where English speakers can't understand words that are supposed to have been derived from English!

As a result, the use of katakana is extremely difficult for English speakers because they expect English words to sound like... well... English. Instead, it is better to completely forget the original English word, and treat the word as an entirely separate Japanese word, otherwise you can run into the habit of saying English words with English pronunciations (whereupon a Japanese person may or may not understand what you are saying).

Katakana is significantly tougher to master compared to hiragana because it is only used for certain words and you don't get nearly as much practice as you do with hiragana. To learn the proper stroke order (and yes, you need to), here is the same web site as before except it is for katakana.

Also, since Japanese doesn't have any spaces, sometimes the symbol 「・」 is used to show the spaces like 「ロック・アンド・ロール」 for "rock and roll". Using the symbol is completely optional so sometimes nothing will be used at all.

The Long Vowel Sound

Everything else works exactly the same way as hiragana, you just need to substitute the equivalent katakana characters. However, one thing that is different is that long vowels have been radically simplified in katakana. Instead of having to muck around thinking about vowel sounds, all long vowel sounds are denoted by a simple dash like so: ー.

The Small 「ア、イ、ウ、エ、オ」

Due to the limitations of the sound set in hiragana, some new combinations have been devised over the years to account for sounds that were not originally in Japanese. Most notable is the lack of the / ti / di / sounds (because of the / chi / tsu / sounds) and the lack of the / f / consonant sound except for 「ふ」. The / sh / j / ch / consonants are also missing for the / e / vowel sound. The decision to resolve these deficiencies were to add small versions of the five vowel sounds. This has also been done for the / w / consonant sound to replace the obsolete characters. In addition, the convention of using the little double slashes on vowel sounds to designate the / v / consonant has also been established but it's not often used probably due to the fact that Japanese people still have difficulty pronouncing / v /. For instance, while you may guess that "volume" would be pronounced with a / v / sound, the Japanese have opted for the easier to pronounce "bolume" （ボリューム）. In the same way, vodka is written as "wokka" （ウォッカ） and not 「ヴォッカ」. You can write "violin" as either 「バイオリン」 or 「ヴァイオリン」. It really doesn't matter however because almost all Japanese people will pronounce it with a / b / sound anyway. The following table shows the added sounds that were lacking with a highlight. Other sounds that already existed are reused as appropriate.

Some examples of words in katakana

Translating English words into Japanese is a knack that requires quite a bit of practice and luck. To give you a sense of how English words become 'Japanified', here are a few examples of words in katakana. Sometimes the words in katakana may not even be correct English or have a different meaning from the English word it's supposed to represent. Of course, not all katakana words are derived from English.

What is Hiragana?

Hiragana is the basic Japanese phonetic alphabet. It represents every sound in the Japanese language. Therefore, you can theoretically write everything in hiragana. However, because Japanese is written with no spaces, this will create nearly indecipherable text.

Here is a table of hiragana and similar-sounding English consonant-vowel pronunciations. It is read up to down and right to left, which is how most Japanese books are written. In Japanese, writing the strokes in the correct order and direction is important, especially for kanji. Because handwritten letters look slightly different from typed letters (just like how 'a' looks totally different when typed) you will want to find a source such as a website or textbook that will show you how to write the characters. I must also stress the importance of correctly learning how to pronounce each sound. Since every word in Japanese is composed of these sounds, learning an incorrect pronunciation for a letter can severely damage the very foundation on which your pronunciation lies.

Hiragana is not too tough to master or teach and as a result, there are a variety of web sites and free programs that are already available on the web. I strongly urge you to go to this web site to hear the pronunciations of each character. The relevant sections are 2.1 to 2.11. I also suggest recording yourself and comparing the sounds to make sure you're getting it right.

When practicing writing hiragana by hand, the important thing to remember is that the stroke order and direction of the strokes matter. There, I underlined, italicized, bolded, and highlighted it to boot. Trust me, you'll eventually find out why when you read other people's hasty notes that are nothing more than chicken scrawls. The only thing that will help you is that everybody writes in the same order and so the "flow" of the characters is fairly consistent. I strongly recommend that you pay close attention to stroke order from the beginning starting with hiragana to avoid falling into bad habits. Go to this web site to see little animated gifs of stroke order and practice from there.

※ As an aside, an old Japanese poem called 「いろは」 was often used as the base for ordering of the hiragana alphabet until recent times. The poem contains every single letter of the hiragana alphabet except for 「ん」 which probably did not exist at the time it was written. You can check out this poem for yourself in this wikipedia article. As the article mentions, this order is still sometimes used in ordering lists so you may want to spend some time checking it out.

The Muddied Sounds

Once you memorize all the characters in the hiragana alphabet you're done learning the alphabet but not all the sounds. There are five more possible consonant sounds that are possible by either affixing two tiny lines similar to a double quotation mark called dakuten （濁点） or a tiny circle called handakuten （半濁点）. This essentially creates a "muddy" or less clipped version of the consonant (technically called a voiced consonant or 「濁り」, which literally means to become muddy).

All the possible combinations of muddied consonant sounds are given in the table below.

The Small 「や」、「ゆ」、and 「よ」

You can also combine a consonant with a / ya / yu / yo / sound by attaching a small 「や」、「ゆ」、or 「よ」 to the / i / vowel character of each consonant.

The Small 「つ」

A small 「つ」 is inserted between two characters to carry the consonant sound of the second character to the end of the first. For example, if you inserted a small 「つ」 between 「び」 and 「く」 to make 「びっく」, the / k / consonant sound is carried back to the end of the first character to produce "bikku". Similarly, 「はっぱ」 becomes "happa", 「ろっく」 becomes "rokku" and so on and so forth. I have provided by own simple mp3 file to illustrate the sound difference between 「もと」 and 「もっと」. And in case you're wondering, both are actual words and yes, both mean different things.

The Long Vowel Sound

Whew! You're almost done. In this last portion, we will go over the long vowel sound which is simply extending the duration of a vowel sound. You can extend the vowel sound of a character by adding either 「あ」、「い」、or 「う」 depending on the vowel in accordance to the following chart.

For example, if you wanted to create an extended vowel sound from 「か」, you would add 「あ」 to create 「かあ」. Other examples would include: 「き → きい」, 「く → くう」, 「け → けい」, 「こ → こう」, 「さ → さあ」 and so on. The reasoning for this is quite simple. Try saying 「か」 and 「あ」 separately. Then say them in succession as fast as you can. You'll notice that soon enough, it just sounds like you're dragging out the / ka / for a longer duration than just saying / ka / by itself. You can try this exercise with the other vowel sounds if you like. Try to remember that you are, in fact, saying two characters with blurred boundaries.

In addition, while the / e / vowel sound followed by 「い」 is usually considered to a long vowel sound, the pronunciation is actually a slurred connection of the / e / and / i / vowel sounds. In other words, it should be pronounced like /ay/ (as in "acorn") and not just a long /e/.

It's important to make sure you hold the vowel sound long enough because you can be saying things like "here" （ここ） instead of "High School" （こうこう） or "middle-aged lady" （おばさん） instead of "grandmother" （おばあさん） if you don't stretch it out correctly!

There are rare exceptions where an / e / vowel sound is extended by adding 「え」 or an / o / vowel sound is extended by 「お」. Some examples of this include 「おねえさん」、「おおい」、and 「おおきい」. Pay careful attention to these exceptions, there aren't many.