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the Pioneer Theater (NYC) Blog

Posts tagged with "coverage"

Cave-dwelling greasemonkey (advance review of AUTOMATONS)

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The Pioneer opens AUTOMATONS on December 13, and we're looking forward to a great run with writer / director James Felix McKenney, actor / producer Larry Fessenden, and the whole entourage from Glass Eye Pix.

In the meantime, advance coverage is starting to trickle in. Here are some classic pull quotes in a review by "Joe Horror."

"Sure, [producer and director] Larry [Fessenden] may look like a crazed, cave-dwelling greasemonkey but he possesses the heart of an artist and his films reflect his dedication to cinema. . . [AUTOMATONS is] politically charged; a provocative and compelling Sci-Fi Thriller."




one worth fighting for

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Sometimes we go very far out in our bookings, showing a film that fits all those favored cliches of the extreme independent arts world: the film goes all the way, the film takes no prisoners, and the film pulls no punches.

FRANKENSTEINS BLOODY NIGHTMARE, currently our featured film for the week, does all these things.

This is extreme filmmaking - filmmaker John R. Hand is a mad scientist, creating a crazy monstrosity out of the Frankenstein legend and a wide range of cinematic technique.

This is also mind-blowing filmmaking.

Shot mostly on Super8 and processed through a delirious range of effects, stitched together with a whirring, buzzing synthesized soundtrack that might have come off an arcade game from the 1980s -- the technical daring is wild and often brilliant.

Shot in the burnt grass Florida panhandle, the story has something to do with a Dr. Karlstein - played by Hand himself - creating a monster and harvesting body parts to supplant his romantic life.

Thirty years ago, the film would have screened alongside ERASERHEAD, and one could imagine the spacey and random conversations Hand and Lynch would have with each other. And one could imagine they might have gone on to develop crazy projects together.

FRANKENSTEINS BLOODY NIGHTMARE was reviewed okay. There were some nice pull quotes which I'll mention below. But, honestly, the film has had and is going to have a very tough time finding an audience.

Still, FRANKENSTEINS BLOODY NIGHTMARE is a film worth fighting for.

Take a chance, go far out. I'm not yet prepared to say Hand is a genius - but I might yet some time soon.

Please, come out to see FRANKENSTEINS BLOODY NIGHTMARE.

It shows at 9pm through next Tuesday. Buy tickets here: http://www.twoboots.com/pioneer


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Some quotes about FRANKENSTEINS BLOODY NIGHTMARE:

"Visually it's a perfect 10 . . . something beautiful . . . a handmade object that looks ravishing . . . the overall effect is like watching some kind of lost exploitation film from the 1970s cobbled together by a deranged grindhouse projectionist out of damaged film."
- Grady Hendrix, NY SUN

"A 1970’s-style horror oddity that could pass for a perverse experiment masterminded by a mad scientist."
- Laura Kern, NY TIMES

“John R. Hand might just be America’s answer to Shinya Tsukamoto. Layered with a surreal theatricality, raw experimentation, a fixation on the intersection of humanity and technology, disturbing sexual overtones, a firm genre sensibility and a driving soundtrack.”
- Twitchfilm.net

Lodge Kerrigan / KEANE podcast online

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A few weeks ago, S.T. VanAirsdale from The Reeler came by for a screening of KEANE, with major talent writer / director Lodge Kerrigan in person. Karina Longworth of Cinematical and Lawrence Levi of Looker joined them.

VanAirsdale recorded the evening, and posted it in The Reeler's emergent podcast. Check it out here. But don't ask Kerrigan about IN GOD'S HANDS!

Download it here.

More terrific reviews for LONG KNIVES NIGHT / REPORTING FROM A RABBIT HUTCH

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NEW YORK TIMES, June 1, 2006: Jeannette Catsoulis, "LONG KNIVES NIGHT / REPORTING FROM A RABBIT HUTCH: Indelible Portraits of Power's Absolute Corruption."

NEW YORK PRESS, May 31, 2006: Jim Knipfel, "LONG KNIVES NIGHT / REPORTING FROM A RABBIT HUTCH: Propaganda That Works."

TWITCHFILM, May 31, 2006: Todd Brown, "Europe's Last Dictatorship."

THE NEW YORKER, May 29, 2006: Reed Brody, "LONG KNIVES NIGHT."

NY POST, June 2, 2006: V.A. Musetto, "Say 'Da!' to Belarus Duo (LONG KNIVES NIGHT / REPORTING FROM A RABBIT HUTCH.)"

NY SUN, June 2, 2006: Nicolas Rapold, "An S.O.S. From A Former Soviet Republic."

THE REELER, June 2, 2006: S.T. VanAirsdale, "Screening Gotham (LONG KNIVES NIGHT / REPORTING FROM A RABBIT HUTCH)."

NERVE SCREENGRAB, June 1, 2006: Bilge Ebiri, "LONG KNIVES NIGHT / REPORTING FROM A RABBIT HUTCH." (scroll to bottom of page)

NOVOYE RUSSKOYE SLOVO, June 1, 2006: Oleg Sulkin, "LONG KNIVES NIGHT / REPORTING FROM A RABBIT HUTCH."

LONG KNIVES NIGHT + REPORTING FROM A RABBIT HUTCH rave reviews

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". . .makes FAHRENHEIT 9/11 seem tepid and weak . . .a brutal and brilliant bit of filmmaking."
- Jim Knipfel, NY PRESS (click here, then scroll down)

"Indelible portraits of power's absolute corruption. . .an astonishing diatribe. . .heaves with disturbing scenes of violence against innocent Belarussians. . .a primal howl of outrage and disgust."
- Jeannette Catsoulis, NY TIMES (link)

See also:
Todd Brown's notice on TwitchFilm.net (link)

Buy tickets now. Please.

Pioneer Horror on Nightline

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NIGHTLINE - April 21, 2006
"Hollywood Blood Lust: A look at the newest trend in horror flicks"
Featuring the Pioneer's April 10, 2006, premiere of ABOMINABLE,
directed by Ryan Schifrin, hosted by Fangoria editor Tony Timpone
Monster Monday presented by Fangoria

Back-handed compliments

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The critics are unanimous with their back-handed compliments for BLACKBALLED: THE BOBBY DUKES STORY!

"Moderately amusing."
- NY SUN

"The performances are surprisingly good."
- TV GUIDE

"Loose, scruffy charm"
- NY TIMES

"That the film appears to have been made for roughly the same price as a New York City dinner for two greatly enhances its off-beat charm."
- WASHINGTON SQUARE NEWS

Liberty Street: Alive at Ground Zero

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Another strong review / feature article on director Peter Josyph.

From Downtown Express.

LIBERTY STREET: ALIVE AT GROUND ZERO opens Thursday, January 12. Get tickets here.

"Super Twink" world premiere at the Pioneer

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"Super Twink," a half-hour featurette produced for Howard Stern on Demand TV, unfortunately held its world premiere at the Pioneer on January 4, 2006. In a riff on "Super Man," J.D. Harmeyer stars as "Super Twink," a gay superhero who defends the world from evil Dr. Hetero (High Pitch Eric), who is trying to turn all gay people straight. Sal "the Stockbroker" Governale and Richard Christy directed; they also co-star.

Stern show staff members, wack packers, and superfans turned out in force for the invitation only premiere. Doug Goodstein, from Howard Stern on Demand, produced the event, with a capable band of staffers and interns - among them Diandra, winner of this year's Howard Stern show intern beauty pageant.

Out in front of the theater, the Reverend Bob Levy accosted guests arriving on the pink carpet. And what a guest list! We saw J.D. Harmeyer, Sal the Stockbroker, Richard Christy, High Pitch Eric, Artie Lange, Elephant Boy, Joey Boots, Double A, Wood Yi, Angry Black, King of All Blacks, Mary Ann from Brooklyn, Kenneth Keith Kallenbach, Zolar, and also, I think, Craig Gass and Jim Florentine, among many others. Howard Stern on Demand television shot throughout the set up, the screening, and the aftermath. Also, a reporter from Howard 100 news covered the event, phoning in an interview with High-Pitch Eric before he had even left his seat in the back row. The back row, incidentally, was where many of the Wack Pack players sat. After they left, Pioneer staffers discovered a large pool of melted popcorn butter coating the floor for that row.

Reaction to the film was almost universally negative. A good time was had by all.

Super Twink Premiere Photo Album * Pioneer Theater Front Page * Pioneer Blog Front Page
See coverage in THE REELER


Liberty Street: Alive at Ground Zero

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Not this week, but next, we're opening
LIBERTY STREET: ALIVE AT GROUND ZERO.

Yes, another September 11 movie.

But no, not just another September 11 movie.

Check out Phil Hall's review in FILM THREAT.

Opens January 12.

Tickets available on the Pioneer front page
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