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Gooder'n Bad Vinyl

The Best Vinyl I've Got . . . Well, mostly vinyl, and mostly good ;-)

October 2006

( Monthly archive )

Rival Suns - Feel (1993) [CD]





01 Long Way From Home
02 Julia
03 To Heaven
04 Cool Hair
05 She's Running Away
06 There is a Hand
07 Teardrops
08 I Feel
09 Torn In Two
10 Rain On Me
11 Man In The Moon
12 Goodbye Dr. Kraai
13 So Long


Encoded @ 320

Also includes high quality album artwork sized for a CD cover.

http://rapidshare(dot)com/files/1381874/rsns_fel.part1.rar

http://rapidshare(dot)com/files/1381984/rsns_fel.part2.rar


Password: bassoprofundo

Forgot I had this. It's been so long since I listened to it it's gone out of print. I also can't find hardly any information about these guys.

Pure Power Pop!

Favorite songs - "Julia" and "She's Running Away"

They're from Pennsylvania (I think).

Album notes
Rival Suns: Allan Blair (vocals, bass); Rick Beato (vocals, guitar, keyboards); J.J. Zeller (drums, percussion).
Additional personnel: Sky (bass).
Engineers: Rival Suns, Rob "Wacko" Hunter.
Recorded at Choppy Road Studio, Willow Grove, Pennsylvania; Epsilon Studio, Princeston, New Jersey; Pyramid Sound, Ithaca, New York.
Engineer: Sky.

Looks like they had another album out called "Pressure" in 1994.

Rick Beato might be a producer now.

That's all I can find - So just enjoy! I like it - that should be enough!

The Boomers YYZ - The Art Of Living (1993) [CD]

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1. Art of Living 5:46
2. You've Got to Know 4:54
3. Things I Didn't Say 6:52
4. The Way You Feel 5:08
5. Good Again 3:43
6. Modern Man 3:42
7. Still in This Thing 4:12
8. When I Get Like This 4:21
9. Lie to Me 4:55
10.What Love Can Do 4:27
11.To Comfort You 5:07




Heard the title song on the radio years ago (before the Internet). Took me a while to find out who it was. Was very surprised to find out it was Ian Thomas! Anybody remember 1973's "Painted Ladies"? No? Well most of you know Dave Thomas from SCTV and of Bob and Doug Mackenzie fame (Take off, hoser!). This is Dave's brother.

Looks like this is out of print in the States. Amazingly enough, I'm posting this from a little bitty CD! Not a big ole' black vinyl rip (don't faint)!

If you're not familiar with Ian or The Boomers try it! You'll like it. There's a fabulous"money back" guarantee if you are not absolutely delighted!

Encoded @ 256K

http://rapidshare(dot)com/files/971579/bmrs_aolvn.rar


Password: bassoprofundo

Produced by Ian Thomas & Paul DeVilliers (mostly).

Guitar & Lead Vocals: Ian Thomas
Bass & Accordion: Peter Cardinali
Drums: Rick Gratton
Guitar, Guitorgan & Mandolin: Bill Dillon
Organ: Dennis Keldie
Guitar: Doug Macaskill
Percussion: Maureen Brown
Mandolin: Randy Hill

(From Blogcritics.org April 23, 2003)
Ian Thomas is one of my favorite Canadian songwriters, ever. He burst onto the Canadian scene in 1973 with the tune, "Painted Ladies", and has remained a fixture ever since, albeit somewhat quietly at times. Thomas's regional hit single, "I'll Do You Right", from his 1984 album Riders on Dark Horses, is my favorite singalong-in-the-car song, and a brilliant love song as well.

Three years after his last album, Levity, was released in 1988, Thomas joined forces with three great Canadian musicians: Bill Dillon (guitar), Peter Cardinali (bass), and Rick Gratton (drums), all of whom he had known for years by that time, to form The Boomers. Between 1991 and 1996 they released three albums: What We Do, The Art of Living, and 25,000 Days. By the third album, Thomas's writing had turned to themes about getting older, musing about past sins, changes a' coming, truth, and the entire span of life: 25,000 days is in fact, just about the average life span of a man, just under 68.5 years. What impressed me consistently about these albums was the songwriting craft of Thomas combined with one of the most solid rhythm sections working today. Cardinali and Gratton are a perfect fit, laying down an impressive foundation for every song, and Bill Dillon's guitar and occasional mandolin work are very tasty.

In 2002, after a six-year hiatus, The Boomers released Midway in the fall of 2002. The title intrigues me: does it reference the end of Part 1 of the Boomers' collective lives (all four are in their 40s, at least, and likely early 50s), or is it the halfway point in the life of the band? In any event, Thomas returns to familiar themes on this album, such as aging, reliving warm memories, the ever-present need to believe in something, and love, but not casual, in-your-20s love, with flaming crotches and palpitating hearts, but love that has lasted for years, strengthening and deepening with the ages. Musically The Boomers offer a selection of songs that I can best describe as laid back, at times a bit too much for my taste, but not at the expense of the musicianship or writing. The Boomers are not a band that's going to "rock your world", or prepare you for the mosh pit (wait, are those still around?). My favorite tune on the album is I Remember, a song that grabbed me from the outset as it opens with an infectious guitar hook and builds from there.

I hope The Boomers are around for a time to come. If I could advise Thomas on the next album, I'd say, "Ian, rock out a bit more next time. Let the band flex its muscles!" That said, I'm still listening to Midway. There is a danger in suggesting their music is better suited for older listeners (i.e., 35+), and I hesitate to do so. But my guess would be that a seasoned listener might have more appreciation for Thomas's songwriting and the band's amazing musicianship.

Ian Thomas, and The Boomers, are examples of great Canadian musical talent that has remained regionally successful in Canada, immensely successful in Europe, especially Germany, but have made no noise in the USA. This may be your chance to hear them.

-- Randy Reichardt

Batdorf and Rodney - Off The Shelf (1971) [Vinyl]

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Love these guys! Been meaning to digitize this one for a looong time!

First of all - I like the band America! There, I said it! I forgot that I did until I revisited to their Greatest Hits album again.

Now hear where that kind of sound came from (Trivia: the 1st America album came out a little bit after this album in the same year).

Sounds like America, Dan Fogelberg, Loggins and Messina, etc.




Record Label: Atlantic - Released 1971

Personnel:
Guitar and voices: John Batdorf and Mark Rodney
Vibes and piano: Barry Beckett
Bass: Chris Ethridge and Dave Hood
Drums: Roger Hawkins and John Barbata

Produced by Ahmet Ertegun and Batdorf and Rodney

Songs:

01 - Oh My Surprise
02 - Me and My Guitar
03 - Can You See Him
04 - Workin Man, Blind Man
05 - You Are The One
06 - Don't You Hear Me Callin
07 - Where Were You and I
08 - Never See His Face Again
09 - One Day
10 - Farm
11 - Let Me Go

Encoded @ 320 from original vinyl

Also includes tracklisting, reviews and high quality album artwork sized for a CD cover.
http://rapidshare.com/files/16367592/bdn_ots.rar


Password: bassoprofundo

This was Batdorf and Rodney's first album. The song "Can You See Him" received the most airplay on FM radio stations. According to Mark Rodney, he did most of the lead guitar work on this song and this is his favorite song from all of their albums.

Although they first met in high school in Hollywood, California, John and Mark got musically together in the mystical desert of Las Vegas, Nevada in September 1970.

John, originally from Dayton, Ohio was in a Cowsills type band called the "Loved Ones", featuring soap opera star Patty Weaver and her brothers. He was 15 at the time. They signed with Atlantic Records chairman Ahmet Ertugen and moved west, but the band went nowhere.

Mark, who grew up in Hollywood, California came from a famous musical family. As a teenager, he played in various blues bands and jammed with famous bands like the orginal Blues Image, Jimi Hendrix, and many rock stars in Hollywood clubs.

By 1970, both John and Mark had tired of the Los Angeles scene and were both interested in the new music revolution of the 70s....acoustic music! They re-connected in Las Vegas and started playing acoustic guitars together. They were both heavily into the new sound of Crosby, Stills, and Nash, Neil Young, James Taylor, and Simon & Garfunkel. After three months, they had conquered Las Vegas and had enough originals to head back to Los Angeles. By a magic coincidence, Ahmet Ertegun was in Los Angeles and offered to audition them. He immediately signed them to Atlantic Records and produced them himself in legendary Muscle Shoals, Alabama.

The group eventually recorded three albums on Atlantic, Asylum (one of their first releases), and Arista Records. The three A's! They toured for five years with groups like Bread, The Youngbloods, Loggins and Messina, Three Dog Night, Dan Fogelberg, Chicago, Seals and Crofts, and every group from that era. They had several regional hits but never broke nationally before they had enough of the business. Batdorf and Rodney were actually before groups like America, Seals and Crofts, and Dan Fogelberg. They were always considered a major influence of that sound.
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