sloppy poetry

by wes unruh

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,

sunder, from white space, a digit - a dash - a yesterday
divided. Longform, the words are malleable - they flow
like life sunder, left wondering, trickling notes - flutes,
not keyboards - words sift back, through ink glisten, mirror
vacant, invasions, depression, left station on static, fading
black, powered off, sucking away the time - share this, add me
follow, unfollow, follow, demean - cloud signal with noise, spread
like virus acros the network - be behemoth, drink demons under tables
in nightclubs across cables, dream vivid back doors between way stations
break even and run, there's guns in the game - always in panic
even at dawn. Drawing off the poison this clinical seems sterile
we'll know in time if the edges aligned enough to design one

latent semantic indexing and the real time web

let's amuse ourselfs momentarily and examine the patterns that arise through contant contact.

perpetual engagement within the digital sphere, console, and control, enmeshed in a spin.

Push/pull - it's a binary state that - like Wolfram notes - creates infinitely complex arrangements. Wolfram seems an apologist for the computer, the final last sad acquiesence to the Signal.

Transformational, and at times unifying, this coded signal; tied to meaning through patterns more occult in nature. Meaning is an associational sign that is moved in and out of conjunction with its referrent, and will outlast its indicies.

Now, we are attempting to purify this process into semantic engines, and fuel them with motivational capital.
Roll on, grim engine, we seem to be meaning.


latent semantic indexing and the real time web

our presence is a shadow, and merely ripples the static pool

we leave traces, in layers, and layers behind.

early by dawn's scant filigree

, ,

mouldering red dream cast pallor from shallow waters
bayside. You can smell fresh death in fish scents,
wet cigarettes half-smoked in puddles, "Starbucks'
my Nom de guerre" these shards leave hearts dressed
for conquest.

Start here, before we begin...

There! It's hard, a squeal against the dense sound
dropping from overhead billboards left focused against
the boardwalks. Whistling behind the wind
lean close, this deathrattle

(you have to hear with your good ear)

Staring out

With these new spaces

In this space
With toys
And tools

Our new tense paint
The revelations of the past

by dawn we were riding

, ,

with the whistle
we are off, a horn

copper dust and mountaintops beyond the horizon, blue skyline
layered, painted in the distance
coal fires smoking, stains

Read more...

unrelated thoughts on emotional neutrality

it starts with a flickering clock
a digital clock. with large, red numbers and a blinking colon

at times, when I looked at this clock, it would jitter

the letters seemed to bounce. Rhythmically
I learned, once I'd learned that word. A pattern

other times it would be still, red numbers
glowing in the dark until the alarm then I'd hit 'snooze' and nine minutes would pass
before the alarm would sound again

one day, well after I'd been diagnosed and prescribed glasses, long after puppies and orchards and canyons
I realized the digital clock and the numbers on it bounced in time to the movement of my mouth. That I
directly changed what I percieved, that even my own perceptions are always in question

Today I am listening to a passing man freestyle rap in the street beneath the open window. I am centered, thinking
only of where I assign meaning in my memory to my own understanding of myself as an individual

Not my birth, or the first words - those are far too classified by state and setting. I'm disconnected from that
as if by design but more likely by circumstance. I'm disconnected now from the world I grew up in, and

in a way

I am eternally grateful. Reality is what you can get away with, a hero
or idol, or icon, or mentor-in-absentia if you will, r.a. wilson once stated,
and rightfully so - becoming who you are is an effort of will

hitting the reset button, crashing the cognitive mind, always results
in a rebirth, a time to reset and prioritize again - and I've used
this as a way to rething my noun labels

To wit:

mania (and she dances apocalypse)

, , , ...

watching the mania and she dances
these whirlwind apocalypse
midsummer upon us

that spring, there were
twister nights, kansan
windstorms, she pulled
me out into the street
a dumpster

blown into the dark
center,

Read more...

sunsets

, , , ...

from the west
all sunsets look like death

her through here I ushered,
shuddered against stencil smoke
grimaced, lest this mist draw compulsion out
shoulder burdens

hurts

from the east
all sunsets sink ink across the sky skin

drinking
a seven day session
(some second-guessings)

draw graphs, plot points, chart fevers and sick days
and plan for expenditures

between those bafflings
a conditional cloister

New Wichita Vortex Sutra

, , , ...

"so the town sucked you back"
we sat over dinner, I been
sitting down over dinner
and sitting down over bowl
for a month new moon through
full and back on to now,
it's noon, no job, no purpose
to fill, just dog food dish
overturned on kitchen tile

Read more...

twisterpated


twisterpated - when yr so confluggled that
even yr frazzlegation has cruxy symptoms.
(see example)

Read more...

Spring Tornado

, ,

they'll eat your soul

they'll take you away
to some fucked up
hospital down south

they'll take you away
and your cat will wander
miaowing, starving, frantic

and all you'll have is this hollow
this holy

do this in defiance of me

Cut Up

, , ,

i was in witchita
two hours north
we felt it like an earthquake
a rumbling
from OKC

the same who murdered Kelley
who murdered Foster
who murdered in the name
of law
of shadow law
the shadows peel hearing
the fragments steal sound
our voices are silenced

Bush's promise, get me in office
I'll kill for you
erase these links between injustices
cover the past
with a patriotic sadness
divorced from culture

Read more...

in this we are constrained

, ,

hurricane insurance fraud new
signs dawn treading water new
yes, Yes! You money can now too

Read more...

February 2012
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