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The Hemon Project

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Book group this week: our current read was the 2008 novel by Chicagoan Aleksandar Hemon, Bosnian by birth, one of those disgustingly gifted "furreners" who dare to write in English even though it's not their native tongue. Hemon is a refugee from the 1990s war which accompanied the break-up of Yugoslavia - a conflict which ravaged his home city of Sarajevo. We had a lot to talk about with "Lazarus Project": immigration, anarchism, post-traumatic stress, decaying eastern europe, narrative strategies. . . It was one of the best book group choices we've had in a while.

"The Lazarus Project" tells two interlocking stories, one of a real-life early 20th century Jewish immigrant to Chicago named Lazarus Averbuch, killed in 1908 by the city's chief of police in circumstances that can only be described as bizarre. That tale is interwoved with that of Vladimir Brik, who is a Chicagoan in the early 21st century, one of those disgustingly gifted "furreners" who dare to write in English even though it's not their native tongue. Brik, who is working on a book about Lazarus Averbuch, is a "double" for Hemon himself, very similar but not the same. Hemon likes games and playfulness in his narrative: mirrors and echoes and "doppelgangers". "Lazarus Project" has brilliant passages of taut prose, is ingenuously plotted, and has a strong rootedness in a little-known but fascinating period of american urban history. I really liked the use of photographs, some from early 20th century Chicago, some from contemporary eastern europe. My two reservations: Brik, the narrator, is very unreliable (and rather difficult to endure, if you ask me); and the story of his marriage is under-developed. Vladimir Brik comes across as a selfish artist with tremendous internalized self-hatred, but his beautiful neurosurgeon wife supposedly puts up with him anyway. I didn't buy it. But the book works well in other regards, and I'll be following Hemon's career in the future, and checking out his short story collections in the near future - particulary "Nowhere Man."

American Regional

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It's a regional center, that's for sure, and not just for visitors from Iowa! A lot of people would make the argument that Chicago is a World Class City. Big culture on the Prairies! Although a lot of Illinois folk were greatly disappointed by the rejection in Copenhagen last month, they still can point with pride to the Windy City's innovative architecture, a superb art museum, a very strong theatre scene, and a symphony orchestra that is America's best, IMHO.

Good nightlife, too. I spend some time with Eddie Thunder - and with Archie, who happened to be down in the city for a conference. On Friday night, I went up to meet them at Sidetrack, up in boyztown, on Halsted. Once I got there, I had to use my cellphone to locate them in the crowd - Sidetrack is probably largest gay bar in Chicago. They certainly have expanded to the point where they seem to have a room for every possible taste - or with no taste at all. They were with Rusty who was down for the weekend from Milwaukee. We also went to the North End, where Allen is bartending. At that point, I called it a night and trekked back to my hotel, but the other guyz wanted more, so they stood and posed for a while at Roscoes, and then ended up late late night dancing at Charlie's. But not for me. . .

Saturday night Eddie, Archie and I met up for dinner on Mich. Ave at the Gage - opposite the Bean - and then went to Orchestra Hall for the Chicago Symphony performance of Bruckner's 9th Symphony, Bernard Haitink conducting. Breathtaking! I got all tingly at several of the mammoth climaxes, especially in the first movement, as the horns and tubas, trumpets and trombones sent forth waves of sound that filled the auditorium. Bruckner's final symphony is dedicated to "Almighty God," which does not seem at all presumptious once you've heard the piece performed by such a fine band as the CSO.

Alive from snout to tail

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"I give you Chicago. It is not London and Harvard. It is not Paris and buttermilk. It is American in every chitling and sparerib. It is alive from snout to tail."

H.L. Mencken

Back from an extended weekend in Chicago, cultural and edible. Out to dinner Friday night with Gerald to the fashionable West Loop restaurant "The Publican," a new beer and pork place that features the whole hog. We enjoyed our pork bellies and our country style ribs, and an excellent charcuterie plate which had one of the most diverse assortments of meat products I've ever seen. I recommend the place to carnivores and omnivores and localvores. (But not Jonathan Safran Foers!)

http://thepublicanrestaurant.com/#


(photograph by Bob Briskey)

Earlier in the day I'd been out at the recently opened Modern Wing of the Art Institute - designed by Renzo Piano, the architect with the most improbable name. The exterior of the building presents a comfortable homage to Chicago modernism and Mies van der Rohe. (Maybe a little too comfortable.) But I especially like the new pedestrial bridge that links the new Modern Wing to Millenium Park.
Inside the grand entrance is a welcoming space which aptly serves its function of linking old and new galleries of the museum, while satisfying the eye with a high roof and a sparklingly clean aesthetic. But some of the actual art spaces are rather poky and bland, and have the unfortunate effect of making the brilliantly shocking pieces of art inside them seem predictable and - well - "institutional."



I do like the presentation of Henry Moore's "Reclining Figure" - it gets most of a larger room to itself (herself?). For some reason, though, looking at it always makes me hungry.

The Idea of North

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I'm enjoying my Canadian Studies class more this semester than I ever have before. Good cheerful students, and the course materials have come together better than in previous semesters. I'm finally figuring my way around Canada's culture, which took me a while to figure out. Yesterday in class I showed the 1922 silent film, "Nanook of the North," directed by Robert Flaherty and considered to be one of the great pioneering documentaries. Flaherty wrote and produced the film as well, and did the camera work to boot! Really the first Canadian auteur, no doot aboot it.
"Nanook of the North" depicts the daily life of an Inuit hunter and his family, following them through a walrus hunt, fishing on the ice floes, and building an igloo, among other adventures. Beautiful cinematography throughout. It is a little controversial in the area of film studies and anthropology, because Flaherty re-staged several of the hunting and fishing sequences for his camera, and of course he had a pre-conceived idea of what kinds of images he wanted to capture for his film. Moreover, Nanook's "family" presented in the film was actually a group of unrelated Inuit, chosen for their photogenic qualities, and rewarded with food and money for their "performances." Rightly, it's been called a "quasi-documentary" - but aren't all documentaries really "quasi-documentaries"?

Tomorrow in class we continue our discussion of "the idea of north" in Canadian culture. I'm giving a slide lecture on the Group of Seven Canadian painters. I'm such an easy guy, I only want my students to know three of them. One of them I want to know for certain: Lawren Harris (1885-1970)
Maligne Lake, Jasper Park (1924)

What did you do in the Cold War, Daddy?

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Or where were you twenty years ago today?

Well, I was in graduate school. Or rather, I was getting ready to finish graduate school. In November 1989, I was in Kansas City, living at home with my folks while I completed my dissertation. Of course, I was watching the events in Germany with great interest - one of my grad school friends was actually living in Berlin at the time. The events of November 9 inspired me to write a short verse commemorating the day. This is what I wrote in my journal that night:

Borders groaning, grueling, spooling
Spoiling plans and bans
Of transportation and communication;
Hopes boil in Berlin
The Chesire cat grins
The wall falls?

"This evening I drove to William Jewell College in Liberty to hear a lecture given by Eberhart Bethge, the close friend, correspondent, and biographer of Dietrich Bonhoeffer, one of the major figures of Protestant theology this century. I do not know much about Bonhoeffer, but I am gradually learning more - there is a thriving Bonhoeffer cottage industry. He was a martyr to his faith, and earned the rare distinction of dying for it. He was allied with the conspirators in the General's Plot to kill Hitler, and his involvement eventually cost him his life - although he had been marked earlier as an enemy of the Reich simply because he retained his independent mind and didn't submit to the totalitarian ethos. Eberhart Bethge married Bonhoeffer's niece Renate - who sat in the row in front of me, a woman still attractive in her seventies. Bethge is eighty and looks much younger, too... He talked about how he save Bonhoeffer's illicit letters from prison, which were smuggled to him in Italy where was serving as a private in the German army. Bethge's personal story was very interesting, and i was fascinated by his perception of the resistance movement, particularly as it was associated with his father-in-law, who was with Bonhoeffer when he was executed in early 1945... It was a good day to think about German history. Someone in the audience asked Dr. Bethge what he thought of the day's event's in the GDR; he said he was as surprised and astonished as anyone. What next?"

Here are two pictures from Berlin today. It's nice to see that Mr. Gorbachev and Mr. Walesa still seem to be in good health. It looks as if they could be contestants on "What's My Line?"

The Dry

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Out to the Iron Industry museum this afternoon to see a one-act play, "The Dry," dealing with a famous mining disaster from the 1920s which was Michigan's most devastating in history, killing 51 men in a cave-in and flood.

The play was written by my old friend Oly Olson, who I've known since the glory days of Ten O'Clock Charlies, back in 1991. Oly did extensive research on the disaster, and did a very good job of recapturing the sense of loss that was felt throughout the Iron Harbor region at the time. He should be very happy with the production.

The play was directed by Ariel, who did a good job ingetting good performances out of her actors. It was a mostly-female cast, since Oly chose to focus on the way in which the disaster impacted the families - particularly the widows of the survivors.

Nessa was especially good as a fiercely strong-minded Irish widow.

I also like Brad as the youthful "Jim Hillis," the only man to escape from the mine alive, and bearing an enormous weight of "survivor guilt" for having left his buddies and colleagues permanently buried 800 feet below the surface of the earth. Brad's turned into such a very handsome young man! A little weight suits him.

By the way, the title of the play ("The Dry") refers to the dressing room of the miners who are working underground. In the play, the widows return to the dry to reclaim the jackets, shirts and boots of the husbands who will never be returning to their garments.

After the play - a matinee - I went over to the island park for a circumference walk. It was an astonishing beautiful day, with clear skies and record-setting temperatures in the mid 60s. Unusual for so late in the year, I saw a few guys jumping from the Black Rocks! That's something you don't see very often in November.

Bollywood gets serious

2night the Indian filmmaker Onir was on campus, presenting his pioneering 2004 film, "My Brother Nikhil," the first major movie from the subcontinent to focus on HIV/AIDs and male homosexuality. Sensitive, compassionate, tasteful - skilled filmmaking. It was Onir's first feature-length film, and presages a very promising career in the making. I admire films that consciously strive to educate and inform their audiences, particularly when they do so with artistry and restraint.

Set in Goa, "My Brother Nikhil" is based on a real incident by which the first prominent Indian to contract HIV/AIDS was kept in an isolation ward for three months before public pressure was sufficient to force the authorities to release him. It was moderately Bollywood - with some musical interludes - but more realistic and sober than most Bollywood films that I've seen. On a modest budget. Rather at the level of a superior "cable network" film in the US, I would say.

This was a program that had been planned and arranged by Dr. B., who was a tireless promoter of global diversity and raising awareness of HIV education around the world.

Nashini and I went out with Onir and a group for dinner afterwards at the hotel pub. I asked the filmmaker what his original inspiration was to become a director. Interesting response. He actually grew up in Bhutan, where films were a rare treat, but as a boy he remembered being taken to see the George Cukor version of "David Copperfield". He that the Dickens adaptation - with its iconic images - triggered his lifelong passion to bring powerful stories to the screen. So it goes!

No No November

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Not much of an "all hallow's eve" this year - I was taking tickets at the Haunted Theatre on Saturday, and while I did see some inventive costumes, it was a lot of "de trop, de trop."

Sad to hear over the weekend of the passing of DLL. He was one of the great inebriabors of Iron Harbor, 'tis true. I remember some evenings on the 6th floor. . . He was only 43, said the obit, sad to say - I think it was HIV related. The local paper mentioned numerous musical comedy appearances, locally and nationally. My favorite memory of DLL was from a production of "Little Shop of Horrors" at the theatre in Pioneer: he was a ghoulish Dr. Scrivello.

It really has been a year of Death for me.

Then we were all surprised on Monday morning to hear that Professor B had died in Phoenix. Just sixty. I had thought she was in Turkey on a Fulbright, but actually she had gone to Arizona to receive homeopathic treatment for colon cancer. I was momentarily left speechless, if you can believe that. So last night I went out to the Pub with Marnie, Nashini and Jack, and we all shared our favorite Dr. B stories. It was our little candle in the wind.

Bishop John Burt (1918-2009), R.I.P.

Nothing like a nice funeral on a drizzly morning.

Went to the memorial service this morning of John Burt, an Iron Harbor native who served as Episcopal Bishop of Ohio from 1967 to 1984. He was committed to social justice, ecumenism, improved Christian-Jewish relations, the increased participation of women in the Church, and progressive causes in general. I remember him telling stories about his involvement in the Civil Rights movement both in Ohio and earlier in 1960s California. While he was the rector at All Saint's Church in Pasadena CA, he helped to organize a rally for Dr. M.L. King that was attended by 35,000 supporters. I got to know Bishop Burt back when I first moved to Iron Harbor in the early 1990s. He and his wife Martha had retired here to a beautiful but modest house on the lakeshore, where I was their guest on a few occasions. I worked with him on our church Adult Education committee, and remember fondly his warmth, hospitality, and sympathy.

The Things They Carried

Book Group last night. Subject: Tim O'Brien's Vietnam War collection "The Things They Carried." More a set of interlocking short stories than a concerted novel, I liked it for its terseness and its tenseness. Polarizing responses in our group: one young man said that he hated it, that he thought the method of storytelling was annoying, that in general the Vietnam era is "meaningless" to his 21st century generation. In contrast, an older man in our group said that as a Vietnam Vet himself, the book is for him one of the most relevant and cogent testimonies from the war. The good thing about Book Group is that both evaluations are valid; there are no "right" or "wrong" responses in our circle.

"The Things They Carried" was Iron Harbor's "Community Read" this year. A good choice, I think. Author O'Brien (who lives in Minnesota) came here earlier in October and spoke to a large audience (of 900) at the University. I was busy that night and not able to attend, but I'm glad that this year's "read" was a success.
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