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Scorsese scores again


"I'm the best... There's no way I'm going down. I don't go down for nobody."

Indeed. A haunting pairing of black and white cinematography (Michael Chapman) with the aching Intermezzo from "Cavalleria Rusticana" (Pietro Mascagni).

Meanwhile, back at the ranch. Sunday morning I went to the "forty days" memorial for Jimmy the Greek's father. Jimmy described it as a kind of funeral for the soul of the deceased. After the service, we gathered in the church basement for coffee and raisin-filled pastries. Jimmy is looking better these days, more rested and with a clearer complexion. His mother is heading out to Arizona for a month to stay with relatives there, so he will be working on some renovations at the family house in her absence. I volunteered to help him with fabric choices. Hey!

The Age of Young Attractive (and not so Innocent) Daniel Day-Lewis

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This past weekend I watched "The Age of Innocence," Martin Scorsese's 1993 adaptation of the classic "Gilded Age" novel. I hadn't seen it since its first release 15 years ago. I liked it quite a lot at the time. Very restrained, tense, subdued. At first, the director of "Goodfellas" and "Raging Bull" might not seem like a natural partner for Edith Wharton, but I thought that the two social observers were really quite well suited for one another. "The Age of Innocence" is very much a New York piece, and Scorsese is certainly the king of New York movies. (Woody Allen is in the court, too; I just don't think he's in the royal family.)

"The Age of Innocence" captures the glittering banality of the lives of the social elite - which I dare say has probably not changed much in 130 years. Scorsese brilliantly captures the material details of Fifth Avenue mansions: banks of flowers, fragile fine china, hordes of bric-a-brac, things things things.

Daniel Day-Lewis is excellent in the film as the repressed and unhappy Newland Archer. Duh. And his soft American accent is very believable. Is there anything that Day-Lewis can't do?

Michelle Pfeiffer had a good look going on in the film, but I don't think she was the right person cast for Countess Olenska. I didn't think she was sophisticated (in a moderately Euro-trash manner) enough.

But Winona Ryder gives a brilliantly subtle and scary portrayal of a manipulatively sweet young American schemer who traps Archer in a loveless marriage. I've known plenty of people like that (not to mention any names - like JDA).

I know that some people criticized Scorsese in this film for relying so heavily on an "outside narrator" to express Edith Wharton's sardonic commentary. But I love Joanne Woodward's voice - she's perfect. I wonder if I could get an entire "book-on-tape" of Miss Woodward reading "The Age of Innocence" - or some other Wharton novel?

Here's a little trivia question about "The Age of Innocence": What popular 19th century opera is featured in the opening AND closing scenes of the movie? It certainly fits the theme of the film, which is essentially about people who have lost their souls in pursuit of material prosperity.

Who will buy?

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I went to an estate sale today at the old Harlow Mansion, on 4th Street just down from the Little Caesars. The family has been clearing out decades of accumulation - over 130 years' worth, since that is when they built the house back in 1872. Apparently they hated to throw anything away - I saw empty whiskey bottles from the late 1890s for sale ($25 each).

Amos Harlow was one of the first settlers of Iron Harbor, a major entrepreneur and developer, and he served as the first official postmaster back in 1850. He was also responsible for the unique "Harlow's Wooden Man," still located where he created it (from two cedar trees) in the back of his property. The guy is not looking bad for a 130 year old.
I purchased a couple of books at the sale. One of them was an illustrated edition of Charles Dickens' "The Pickwick Papers," published in 1873. It's a little beat up, but I got it for only $1. I wonder if it's been inside the house all these years? The other book is in near perfect condition, "Queen Victoria's Daughters" by E.F. Benson, from 1938. It cost all of $8, which was still a good deal in my eyes.

I took a drive out to the Island later in the afternoon - it was a good day for yellows.

Brugian poetry

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"The Belfrey of Bruges," by Henry Wadsworth Longfellow (1807-1882)

In the marketplace of Bruges stands the belfrey old and brown
Thrice consumed and thrice rebuilded, still it watches o'er the town.

As the summer morn was breaking, on that lofty tower I stood,
And the world threw off the darkness, like the weeds of widowhood.

Thick with towns and hamlets studded, and with streams and vapors gray,
Like a shield embossed with silver, round and vast the landscape lay.

At my feet the city slumbered. From its chimneys here and there,
Wreathes of snow-white smoke, ascending, vanished, ghost-like, into air.

Not a sound rose from the city at that early morning hour,
But I heard a heart of iron beating in the ancient tower.

From their nests beneath the rafters sang the swallows wild and high;
And the world, beneath me sleeping, seemed more distant than the sky.

Then most musical and solemn, bringing back the older times,
With their strange, unearthly changes rang the melancholy chimes.

Like the psalms from some old cloister, when the nuns sang in the choir;
And the great bell tolled among them, like the chanting of a friar.

Visions of the days departed, shadowy phantoms filled my brain;
They who live in history only seemed to walk the earth again.

All the foresters of Flanders: mighty Baldwin Bras de Fer,
Lyderick de Bucq and Cressy, Philip, Guy du Dampierre.

I beheld the pagents splendind that adorned the days of old;
Stately dames, like queens attended, knights who bore the Fleece of Gold;

Lombard and Venetian merchants with deep-laden argosies;
Ministers from twenty nations; more than royal pomp and ease.

I beheld proud Maximilian, kneeling humbly on the ground;
I beheld gentle Mary, hunting with her hawk and hound;

And her lighted bridal-chamber, where a duke slept with the queen,
And the armèd guard around them, and the sword unsheathed between.

I beheld the Flemish weavers, with Namur and Juliers bold,
Marching homeward from the bloody battle of the Spurs of Gold;

Saw the fight at Minnewater, saw the White Hoods moving west,
Saw great Artevelde victorious scale the Golden Dragon's next.

And again the whiskered Spaniard all the land with terror smote;
And again the wild alarum sounded from the tocsin's throat;

Till the bells of Ghent resounded o'er lagoons and dike of sand,
"I am Roland! I am Roland! There is victory in the land!"

Then the sound of drums aroused me. The awakened city's roar
Chased the phantoms I had summoned back into their graves once more.

Hours had passed away like minutes; and before I was aware,
Lo! the shadow of the belfrey crossed the sun-illumined square.


[This is also where the climactic final scenes of "In Bruges" takes place.]

In Bruges, in Iron Harbor

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Nashini and I went to the library tonight to see this months CineArts films, "In Bruges," a recent Irish dramedy starring Colin Ferrell, Brandon Gleeson and Ralph Fiennes. Written and directed by playwright Martin Macdonagh, the film centers upon two Irish hitmen (Ferrell and Gleeson) who are hiding out in midwinter in Flanders finest medieval city. A midget actor from American, a Belgian drug dealer, and an English crime lord figure in the action, which combines amusing dialogue with sharp-paced action and bracing violence. Bruges itself gave a stunning performance as itself. . . The film was rather preposterous, but very watchable due to the fine skill of the actors in animating Macdonagh's bantering script.

Colin Ferrell does have nice eyes. You can believe him (up to a point) as a sensitive hired killer.

I was in Bruges myself, years ago, the early 90s in fact. Just for a day, though. I was travelling through Belgium with a young Flemish fellow I was rather taken with at the time. I liked the city a lot, even without any dramatic encounters with midget actors, drug dealers, or English crime lords. I do remember good beer and mussels in the town square. Here's a photo from my visit there, some 15 years ago:

Fall color/Fall snow album - part III

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My day in the Keewenaw (the U.P. of the U.P.) included a stop at the lovely Vertin Gallery, a very impressive restoration in the heart of downtown Calumet. My friend and former student Meeghan is exhibiting a number of her "big black crow" paintings there. Interestingly, Calumet has become something of an artists' mecca in recent years. (In the 2000 census Calumet's population was just 879, but 100 years ago it was a big copper mining boomtown and was the largest community in northern Michigan.) Painting above the bar at the Michigan House Cafe and Brewery in Calumet. I stopped in for a nice burger and fries. The building dates from 1905, when it was constructed as a "showcase bar" for the local Bosch Brewing Company. German immigrant artists from Milwaukee came up north to decorate the tavern. It was a wonderful day out and about. Capping the day, on the way back to Iron Harbor I stopped at picturesque Canyon Falls, on the Sturgeon River near L'Anse.

Fall color/Fall snow tour - part II

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More rich colors in Baraga County, along US 41
So cozy, inside the mining camp atmosphere of the Keewenaw Brewing Company, on Sheldon Avenue in Houghton
Looking across the Portage Canal in Houghton - maybe the ski hill will be open for Halloween!

Fall color/fall snow drive

After our prolonged beautiful September, fall colors are reaching their peak this weekend. But we also have experienced a wintry blast of northern air that has been accompanied by snow and sleet. So today I took a drive up to the Keewenaw Peninsula that turned out to be an opportunity for me to see not only reds, yellows and browns, but also grays and whites as well. I'll post a few pictures today, and probably a few more over the next several days as well - I don't want to tire you out.
When I pulled out of my driveway it was clear and crisp.
But at Lake Michigamme it had clouded over, and sleet was swirling about. Traffic was held up for a few minutes by a construction project - they are straightening a dangerous curve around one of the lake's arms. I was able to step out and take a few snaps.
At Baraga, there was clearing again. L'Anse Bay is a nice place to stop and stretch your legs. But a little too chilly today for a picnic.

Glittering Prizes?

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Really, I hate to be a Debbie Downer, but most prizes are kind of silly, don't you think? Really, they are just so much falderol, in the long run, at least. I mean, I'm never going to read any of the novels of Henryk Sienkiewicz, Grazia Deledda, or Frans Emil Sillanpää just because they all won the Nobel Prize in literature. And James Joyce, Leo Tolstoy and Mark Twain aren't chopped liver just because they were overlooked. (Like John Updike, for that matter.) Or the 1941 movie "How Green Was My Valley," with Walter Brennan and Roddy McDowall is not as good a film as "Citizen Kane," in spite of the fact that it won the Oscar for Best Film that year.

I'm glad to say that I had not only heard of Herta Müller before her receiving the Nobel Prize in Literture, I've actually read one of her books. (Many years, the Nobel Prize winner is someone I've never heard of.) And I blogged about Müller, here, in November 2006. At that time, I admired the severity of her truth-telling, while admitting that her 1997 novel "The Appointment" was one of the bleakest books I'd ever read.

http://my.opera.com/yooperprof/blog/2006/11/02/hard-times

Müller is Romanian born, but writes in German. She's the child of a German SS officer from World War II and a Romanian mother, and grew up in a German-speaking village in Transylvania. Apparently most of her published writing is about the awful Ceaucescu regime, and the desperate measures that had to be taken by ordinary people in order to survive. Müller is quoted as saying that she never imagined that she would one day receive the Nobel, the thought of it was outside the realm of the possible.

A worthy choice, political oppression is bad, etc. etc. etc. But I have to admit that once in a while I have a fantasy that the Nobel Lit Prize is awarded to someone like David Sedaris. That would be a change of pace!

The Man Booker Prize for literature in English (but not by an American) was also awarded this week. I was pulling for A.S. Byatt's new novel "The Children's Book" for sentimental reasons. It's on order for me at my local independent bookseller, and I generally like Byatt's "gravitas." I haven't so far read anything by Hilary Mantel, this year's winner, but I'm sure that I will try her out soon. Her prizewinner novel, "Wolf Hall," is historical, set at the court of Henry VIII, and deals with the tenacious and tempestuous royal advisor Thomas Cromwell. Some Booker Prize winners leave me scratching my head, but I think I'm going to like this year's selection.

Full moon and loaded arms?

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http://www.scientificamerican.com/article.cfm?id=nasas-mission-to-bomb-the-moon-2009-06

I would just like to take this opportunity to dis-associate myself from the upcoming catastrophe of the unprovoked bombing of the moon that will commence Friday morning. I mean, what have the Moonians done to deserve this? Okay, the tides are kind of a nuisance, but you get used to them after a while.

Don't get me wrong. I really appreciate everything that NASA has done for us. TANG was great, and I really appreciate Velcro. But I'm concerned about the precedent that this makes. Are we going to start bombing every celestial object in sight?

Here is a movie clip in honor of our nearest space neighborhood:
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