Divine Sax at St. Paul's Cathedral
Friday, 4. September 2009, 01:27:25
For the remainder of this week, I'm staying at Furnival House, which is a dormitory for the University of Westminster. It's located in leafy and hilly Highgate, North London, one of the most appealing of the urban villages that are scattered throughout this metropolis. I've been happy to find that Furnival House is much more commodious than my digs at Colorado State University had been. I'm not sure what the history of this place is, but it was constructed with generous proportions (and high ceilings) in the late Victorian era, the public spaces are ample, the facade is impressive, and I've been comfortable here.
Strolling down leafy Cholmeley Park, where Furnival House is located.
It was wonderfully warm and sunny yesterday afternoon - excellent Wimbleton weather, incidentally (go Andy Murray!). I found a lovely 18th century village pub nearby, the Flask. Highgate contains a large number of well-preserved 18th and early 19th century buildings, and this pub is one of many which are still being used for their original purpose. (Evidence of good design.) Apparently, painter and illustrator William Hogarth used to be a regular, and may have used it for inspiration for part of his "Rake's Progress" series. (Not that I'm a rake in any way, shape, or form.) Thus, it was an important part of my historical educational to sit out on The Flask's terrace and enjoy a pint of Fuller's London pride.
Then a concert in the evening at Christopher Wren's design masterpiece, St. Paul's Cathedral. A treat to be sitting there, almost directly under Wren awe-some and capacious dome, and listening to the ethereal sounds of Norwegian saxophonist Jan Gabarek and the English vocal group the Hilliard Ensemble. They wove an aural tapestry of melodious mystery, using the most daring harmonics of the 21st as well as the 12th century. If you haven't heard one of their unique recordings on the ECM label, you are missing out on a unique and unforgettable sound. As the music started at 8 pm, the bright midsummer sun poured through the windows as the base of the dome, bathing the Cathedral in refulgent light that perfectly complemented the musicians' harmonics.
It was wonderfully warm and sunny yesterday afternoon - excellent Wimbleton weather, incidentally (go Andy Murray!). I found a lovely 18th century village pub nearby, the Flask. Highgate contains a large number of well-preserved 18th and early 19th century buildings, and this pub is one of many which are still being used for their original purpose. (Evidence of good design.) Apparently, painter and illustrator William Hogarth used to be a regular, and may have used it for inspiration for part of his "Rake's Progress" series. (Not that I'm a rake in any way, shape, or form.) Thus, it was an important part of my historical educational to sit out on The Flask's terrace and enjoy a pint of Fuller's London pride.
Then a concert in the evening at Christopher Wren's design masterpiece, St. Paul's Cathedral. A treat to be sitting there, almost directly under Wren awe-some and capacious dome, and listening to the ethereal sounds of Norwegian saxophonist Jan Gabarek and the English vocal group the Hilliard Ensemble. They wove an aural tapestry of melodious mystery, using the most daring harmonics of the 21st as well as the 12th century. If you haven't heard one of their unique recordings on the ECM label, you are missing out on a unique and unforgettable sound. As the music started at 8 pm, the bright midsummer sun poured through the windows as the base of the dome, bathing the Cathedral in refulgent light that perfectly complemented the musicians' harmonics.














